Aaarrgh! I wish I had listened to the reviewer who said the music made listening to this book intolerable. I thought if was worth a shot because I liked the sample of Jeremy Northam's reading so much, but it was a complete waste of a hard-earned credit. It is the same wretched piece of music every single time, it plays ever five minutes, and it's louder than the reading (like commercials during TV shows). Someone should lose their job over this because it would have been so enjoyable otherwise.
I too wish I had listened to the prior review about the music ruining the listening experience. I only listened to about an hour and I can't listen anymore. Jeremy Northam is great, but dear lord. the LOUD music that plays incessantly is enough to make you scream. Like the prior reviewer stated, the music is louder than the narration like commercials on TV. Obnoxious. I've deleted the book from my iPod. I can't endure it.
Likes intelligent mysteries, spy thrillers, world history, most anything Roman. Hates bad writing.
Whoever edited the audio productions must be a big fan of shopping center music. A VERY LOUD Latin rhythm or British band music interrupts the narration every five minutes (or so it seems) at the end of every chapter and between sections within chapters. It was like being tapped in an elevator for 7 plus hours, which very nearly ruined the book for me. "Our Man in Havana" is one of Greene's lightest works, an absurd comic plot but with serious (and prescient) political insights. The reader is adequate. The story itself is well worth the time if you can live with the frequent musical interruptions.
The script of Dr. Strangelove: they're both brilliant satire.
excellent, excellent, excellent
Published four years before the Cuban Missile Crisis, this is a brilliant, very funny cloak-and-dagger about a vacuum cleaner salesman enlisted into British intelligence. The so-called agent reports on unidentified military emplacements that, coincidentally, look a lot like vacuum cleaners. What's real, what's not, and what becomes real are in the mix of this great send-up. Jeremy Northam is a superb reader. The producers, however, got carried away with their own importance and tried to gussy this up with a repetitive snippet of carnival music that works against Graham Greene's straight-faced telling. Even so, it's terrific and well-worth listening to. Let's hope the producers don't come close to wrecking too many other audio productions.
Lets start with this, if you like classic mystery novels of the "Maltese Falcon" genre then this is going to be a great pick for you. The writing is solid and the plot is quirky enough to keep the interest of the reader, the performance is great and for the genre it is going to be a great experience. The ending, like all British spy novels wraps up in a very tidy package and the whole thing is very wholesome. If you like to dip your toe into the genre every now and then I would say "add to cart" and take a trip to Cuba pre-revolution.
I found myself chuckling whilst I listened to this beautifully written and recorded book. Greene draws us into the serpentine world of the secret agent and allows us to simultaneously join him in smiling even laughing aloud at the traps the narcissistic members of the professional spy brigade weave for themselves. And through it all the hero and his delightfully artful daughter manage to dodge the bullets and emerge with innocence largely intact. All set against the backdrop of pre-revolution Cuba.
anger. music spoiled it. Only just managed to get through it
I'd like to strangle the guy who put in the disgusting music!!!!!!!!
Reader and Writer from Colorado Springs carefully disguised as a financial advisor all these years. Who knows what lies below a snowy rooftop?
I wasn't expecting the chuckles. This is really a preposterous story, one which pokes fun at the Cold War intelligence gathering establishment. While not per se satire, at least in my opinion, the humour is very droll; tongue-in-cheek.
No one ever expected this to be that kind of page turner. It's a great story set in the days before Castro, when so many players had "interests" in Cuba. But you get a real sense of the era and what it must have been like back in the day.
No "extreme reactions," but a very satisfying read. I was surprised at how much fun Greene had with his characters, and by the same token, his audience.
This is not Ian Fleming, James Bond, action thriller. This is not any of the current crop of writers who do this kind of story for the current reader who wants a summer read that can be tossed on the way back from the beach. But this is very entertaining in its own way.
The book has been my favourite one, but being not an English native speaker I rather hesitated to download the audio. But it has met all my expectations. Great!
Northam's enjoyable and well-spoken interpretation of this Greene classic is tortured by incessant musical interludes -- not only between chapters but inserted at all the wrong moments by some over-reaching (certainly tone-deaf) producer. Perhaps an intern let run amok? CSA Word Classic should be ashamed of this amateurish tactic that serves only to repeatedly kill the mood and enjoyment of an otherwise first-rate narration. The music relating to Cuba is bad enough, but the trite ditty you hear when the scene changes to Britain is particularly laughable and annoying. Take away his headphones and fire that guy!