I wanted to love this as much as TSNOTD. I stuck with it to the middle of the 3rd download, then put it aside in exasperation (the 2nd time I've done that in over 10 years & a couple hundred Audible downloads). I know it's the fault of my excess expectations- I have rarely enjoyed a character as much as Cyril. Nothing in this sequel grabbed me. Some interesting historical bits, but the repetetive tedious mistakes & unending premature incorrect assumptions of the inept & obviously ill-trained "historians" left me wishing they were wiped out by a bomb. That's when I knew it was time to quit.
This book just drones on with senseless boring dialog. I listen to a lot of books and this is the first time I may not even listen to the entire book. 6-7 hours in and nothing of any redeeming value has come out.
As others have said, the narrator (Kellgren) is wonderful -- able to voice a number of different characters (both women and men) that almost makes them interesting. Unfortunately, the characters are one dimensional with little or no passion for their vocation (time-traveling historians) and no apparent interest in the people ("contemps") they are supposedly there to to learn about. Instead, we hear over and over again "when will the retrieval team get there?" and variations of the butterfly effect. At least Kellgren is able to evoke some hand-wringing in their constant refrain.
Perhaps what was most disappointing was the lack of insight the author gave into the lives and feelings of Londoner's during the Blitz. Any daily goings on or feelings these people had is only a background to the constant refrain, "when will the retrieval team .....". The book was tedious enough that I seriously considered tossing it into the did not finish bin (which is empty to date). Will not be downloading the 2nd part of the book.
If fiction writers have one mantra, it's this: Show, don't tell. Somehow, nobody seems to have shared this with Connie Willis. And as a result, Blackout is full of wooden exposition of character thoughts, motivation, and action. Worst of all, the book is absolutely riddled with jarring two word sentences: "It wasn't." "She didn't." "He was." that kill any inference or subtlety in this book.
It's sad that our standards for science fiction are lower than they are for literary fiction, but if this was one of the best sci-fi/fantasy novels of 2010, that's a sad statement. I really kept hoping Blackout would get better as the story evolved, but as Connie herself would say: It didn't.
I should start by saying that I quite enjoyed this book. That said, however, the litany of complaints made by others about this novel and its sequel "All Clear" are largely justified, so it's really a matter of how interested you are in the war, or how much of a Connie Willis fan you are as to whether you'll stick with it.
As has been said before:Blackout/All Clear is a very flawed book. Sadly, the issues are largely editorial, ie avoidable. One overlong novel has been divided into two, whereas in fact the author should have been told to cut it by about two hundred pages. I can't remember when I last read a book that had so much redundancy. There are also stupid errors good editing should have picked up, such as Agatha Christie's "Murder on the Orient Express" being called by its original American title of "Murder in the Calais Coach" (it was never called this in the UK); and constant mistakes concerning the differences between English and American usage. By the way, I am not even English but Australian; if I can pick up that a supposedly English character is talking like an American, then heaven help people in the UK. Nor does Connie Willis really grasp the subtleties of the British class system. One example will suffice: the character of Merope, pretending to be a servant, develops a romantic friendship with a young local clergyman. With due respect to the clergy, it is almost inconceivable that in 1940 a university educated Anglican priest would have become friends with an Irish maid, or had anything more than a strictly pastoral relationship with such a person. People just did not cross those sort of educational and class boundaries with the ease that they do now--even in wartime.
With regards to the narration, Katherine Kellgren is adequate. She has some very annoying vocal mannerisms, including some tortuous dipthongs and a rising inflection that nearly drove me crazy. But I did listen to it all the way through, so it was not quite a washout in the end.
What was the point of this story? It seems like the first half of the book is entirely an exercise in scheduling, and complaining about the schedule, oh and complaining about the available wardrobe. I never could get into this story as much as I tried.
The voice actors were great though and the accents seemed spot on.
I didn't do much for the first twenty years of my life, spent the next twenty in the military, and the twenty after that in college. Then, I mostly retired.
Some audio books require a period of time to catch the difference in the voices of the character. With these narrators, all the voices are similar, and I could not follow the story line even after an hour or more. Some books make for a really good read, some for a good listen, and some for both. Maybe this one would be a good read.
Well... I had downloaded this book some time ago, in spite of the bad reviews, and because of those reviews didn't listen to it for months. Now that I have listened to it, I feel silly for waiting. Perhaps the people who didn't like it hadn't listened to her other books? I thought it was great. I was totally into the characters and couldn't stop listening. Granted, I knew going in that it was a first part of two books and since I just finished it, the second part is already available and I am starting to listen to All Clear right away. I think Connie Willis is a great writer and I want to go back and listen to her other books again. If you liked Doomsday and To Say Nothing About the Dog, you will like this book too. Don't put too much stock into the bad reviews.
Throughly enjoyed the listen. The story captures and holds your attention and the narrator was great. Am jumping straight into All Clear.
Katherine Kellgren continually blew my socks off switching between men, women, boys, girls, many American and English accents. I was never confused about who was speaking. Simply amazing talent.
Plus the story was quite good too :).