This is one of the two or three best books I have ever read. It takes you into the selves of several, very different, persons (all male, unfortunately).
I can only compare the story's psychological penetration to Middlemarch and Shakespeare's plays.
York breathes life into the story--giving at least six of the central characters compelling, recognizable voices.
And giving the repeated phrases almost incantatory power.
I didn't want to stop and I wanted it to go on forever.
This has been one of the most moving audible experiences I have ever had. I am sure that Cry, the Beloved Country was on my high school reading list for extra credit. I may have even read it or started to. I have no memory of it.
On the page, the simple, quiet Zulu way of speaking must have looked boring to these inexperienced eyes. It is told from the point of view of a rural father in search of his son gone to the big city in the era of South African apartheid. I probably could not relate at all at 17. What a revelation it has been to me now. I now appreciate the artistry of the writing, the clarity of feeling, the heartbreak of all involved. It is a masterpiece brought to life by Michael York beyond anything my mind could have created, even now, left to it's own devices.
Beautiful, Mesmerizing, Thoughtful
I loved everything about the story, but the narration was stellar.
Michael York has a voice like velvet.
I read the book many years ago, but my own voice in my head didn't come close to the story that Michael York told me.
Even if you've read the book, listen to this version. I will definitely listen again and am thinking of gifting friends with this book.
There is not a lot one can say about Cry, the Beloved Country which hasn't already been said. It is a classic, and deservedly so. If some of the sad scenes and inspiring moments don't bring a tear to your eye or a lump to your throat, you're a tough cookie. I was sorry to read a review saying that Michael York's pronunciation of Afrikaans words/names and his Afrikaans accent were poor. I am a stickler for correct pronunciation in the languages I know, and many an otherwise good Audible book has been hard to finish because the narrator mispronounced words or names. But I don't know Afrikaans at all, so I wasn't aware of this shortcoming and thus I thought Michael York's reading was just wonderful - he conveyed all of the emotions of all the characters, his timing was perfect, and his Stephen Kumalo voice brought the old priest right into the room with me. Michael York didn't just read the book, he acted the story and the characters, and I loved every minute of listening to him. I know I will often return to this book, both for the wonderful story and for Michael York's beautiful narration.
Yes. It is a wonderful, powerful and emotional book and is very well read by Michael York.
The old man's journey across Johannesburg, searching for his son.
I liked listening to it in the car in instalments - it made trips a pleasure and I was sorry when it was finished.
A classic story of Southern Africa - as relevant today as it was in the 1940s.
Michael York brought this great work to life and showed me its power in a way that I had never appreciated when I studied the book over 45 years ago. His pacing, gentle rhythm, accents of each dialect and the fundamental structure of the Zulu language underpinning Alan Paton's language, despite being in English, came through. After listening, I went back to the written book with such a clear appreciation of the narrative architecture that I read with constant admiration the dialogue that is at one in the same time simple, powerful and morally magisterial.
I suppose the obvious literary and subject comparison is "To kill a mocking bird" by Harper Lee and I have decided to revisit that book as well as a result of listening to Michael York's rendition of Cry, the Beloved Country and re-reading this book. However, for me there is a Biblical lilt which is never cliche or judgmental; a sort of Christianity that every agnostic might feel comfortable having as a neighbour. It has a moral voice that is not strident or censorious and a compassionate voice that is never manipulative or descending to schmalz.
Michael York captures the character of Stephen Kumalo, the Zulu Anglican priest and father of Absalom beautifully. However, his rendering of the nameless Afrikaner from the reformatory is an arresting and memorable cameo performance, among many, which makes the fabric of the book immune to the reverse prejudice so common in portrayals of South African society.
I was happy to hear this book unabridged and to listen to it several times. It is has a melancholy comfort in its incantation of the tragedy of that great country whose story is not yet finished. I am not South African but I am left with a great respect for those there who have grappled with the great issues that many other nations, societies and communities have not even begun to appreciate.
I want to thank Michael York for his subtle rendering of this great classic which has allowed its literary greatness to emerge undistorted and undiminished.
I listened to this audiobook in preparation for an exam. In that sense, listening to the audiobook is time well-spent. In other respects, I would not listen at all. The reader perfectly reflected the monotonous rhetoric in Paton's narration that at times made me feel like I was listening to a bedtime story. The plot is rather simple and offers very little plot twists and intriguing, thought-provoking scenes and/or characters. Anyone interested in reading about South African apartheid and other aspects of its culture for LEISURE should look elsewhere.
If the style of narration shows evident in Paton's other published works, then I'm obliged to refuse reading any more.
The reader' tried his possible best and succeeded to reillustrate the words and pictures described in the book. There isn't really much I can change about his performance since it is not HIS book. My opinion falls under the desire to change aspects of the book itself rather than reader.
I think this book does require a sequel, simply because of the confusion in the weight of the plot. I wasn't sure who the book was exactly about or at times who was speaking. You might say that's due to the author's discretion and style. However, the reader wasn't much help either in helping realize who was speaking, whom to etc. and therefore distorted my understanding of the story.
Eclectic, avid listener, favorite book is the one currently in ear.
“The tragedy is not that things are broken. The tragedy is that things are not mended again.” Alan, Paton.
The novel is a series of conversations and interactions as Stephen Kumalo a native village priest goes into Johannesburg to find missing family and friends from the village. The world of South Africa, the thoughts, beliefs, problems and challenges of many of the different groups are shared. I imagine impatient readers would hate this book as it slowly and symbolically unwinds... but I personally loved it. I saw and felt much of the symbolism, but honestly a peek at Cliff Notes helped me understand even more. Oprah has a web page about the book. Nelson Mandela calls it "a monument to the future." For me it belongs on a book "everyone should read once" list.
Great as far as entertainment. Really transports you.
Great story. Really pulls you into it.
Love to read, and Audible has made the two-hour daily commute enjoyable!
The movie was beautiful - the book is sublime.
Paton wrote a fable, cautionary tale about the destruction of "the beloved country" by destroying tribes and implementing a racial descrimination system that later would become apartheid.
Beautiful example of how people of different background can have epiphanies and open their hearts in the face of horrible darkness and tragedy Two neighbors from rural South African lives are brought together when one's son kills the other man's son. The main characters are a black Anglican Priest (Stephen Kumalo), and a rich white farmer (Arthur Jarvis). Through lessons they learned, Kumalo by seeing lives destroyed in Johannesburg, and Jarvis reading the writings of his son, who was an activist for fair treatment and equality for blacks, these two men come together to start what could be the healing of this country.
Michael York's narration made this book even more incredible.