What else can be said about a novel that has gotten so much praise and attention? Deservedly for this Pulitzer Prize winning novel. Particularly I like the tone Stegner sets up. Lyman is not trying to 'translate' his grandmother, he is trying to discover her, faults and all. Despite her duality, I liked Susan Ward and would have been proud to know her. The intimacy and delicacy of her marriage was laid as bare as Lyman could make it and I liked the veils he drew across some scenes and the details he filled in for others. The letters were worked in with good timing although I would have liked to see Augusta's side of the correspondence. What a transcendental relationship that was in a way. Reading just this one book will make me seek out more of Stegner's work. Narrator Mark Bramhall's dry, but nuanced delivery fit the tone of the writing and the pace of the story perfectly
I have enjoyed everything except for the whiny tone of voice of Susan.
I think the reader is actually quite good but I wonder if a female reader might have given Susan a stronger voice. How could such an adventurous, resourceful, intelligent and talented woman be so whiny. Much of what she says in the book could have been spoken in a less annoying tone.
Much has been written about this wonderful classic so I'll only say that the narration is excellent. Each character has a distinctive voice so you never get confused. Well worth the money.
This story provides a good historical perspective from a personal and family level but largely fails in its aim to do more. The title is a mining or geological term meaning the slope of a hill resulting from falling matter, here applied to a retired academic working on a bio of his grandmother, mostly, who was a minor writer and sketch artist in late-19th Century New York and New England, and his capable, even inventive and ambitious but flawed westerner grandfather. His voice is a little prissy and the grandmother comes across as a bit of a whiner, when not defensive (to her friends). Some nice connections between his Victorian Grandparents and the crassness and loose morals of his son, divorced wife, and the hippy daughter of his helper. The narrator does a good job assuming the author's voice, sometimes annoyingly so.
Beautiful & perfect.
Just about anything by Ivan Doig, Larry McMurtry, Wendell Berry, or Willa Cathur.
This is one of my favorite novels of all time. I've read it twice & listened to it once. And it gets better each time. The performance was spot on i.e. it blended nearly imperceptibly with Stegner's own words. This time I was able to
I love Wallace Stegner's writing and have enjoyed his other stories. This one, however, is not my favorite. It's about an old curmudgeon historian that writes about his great-grandmother's life in the old West. The historical accuracy is just perfect. I learned a lot about how life was back in the late 1880's in Colorado, California, etc. But, what I did not like was the going back and forth to the 1970's from where the story is told. It was a bit depressing.
Read this book when I was 30 years old and always remembered that it was very good. Now I've read it again at age 60 (actually listened) and I see that it's great. Listened during long walks on summer nights. The reader Mark Bramhall is superb.