I usually do not write reviews, but I just thought I'd give it a shot this time. The book is a great read/listen. I listened at work and found it entertaining, made the day flow by quicker. Some audio books can take a while for me to understand where the story is going, this one I picked up what was happening right away. The reason for writing this review is that enjoyed the book and wanted to see which is the next in the series. It took a little investigating because they are not numbered, so I went to T.A. Pratt's site. The order goes as follows.
In Blood Engines
In Poison Sleep
In Dead Reign
In Spell Games
I hope that helps some people who enjoyed the first book and would like to follow the series, and not make the mistake of downloading the books not in series sequence.
A very pleasant discovery, this novel has a fairly basic plot -- mostly just the main character and her sidekick chasing all over San Francisco looking for a magical object and a mad sorcerer. However, the magic -- attacks by frogs and hummingbirds, oracles in sewers, a goddess of possibilities -- are original and beautifully imagined. The heroine is very ruthless, not your typical goody-two-shoes that people find "sympathetic," and perhaps the author hits that note a few times too many, but I found it refreshing. I'll be checking out the sequel.
C O Ehren
This is a great book! The universe this author has created is varied, interesting and dangerous, and so are the characters. While some of the topics referred to are perhaps not appropriate for children, my teenager (who usually sneers at my audio books or asks if I can turn them off) was so hooked by this book he'd ask me to pause it when he left the room, and bugged me about looking for possible sequels.
This is excellent story packed with wit and character. Ms. Almasy's narration is spirited and fits the story and characters well.
Marla Mason is a spunky wizard with a city to protect, and she doesn't apologize for her priorities. It's such a fun world that I got sucked in immediately. The narrator is awesome, so great in fact, that for me, she IS Marla Mason. Come on T.A., give us what we want -- hurry up and publish book 5! Pretty please?
I am definitely glad I had listened to Bone Shop first, so that I had some historical background of Marla Mason and Rondeau. Marla comes across as cold and calculating and a bit ruthless at times. Rondeau helps to counterbalance that and to also allow some of her softness to show or she might be a bit to cruel to be considered as a heroine. Also, one wonders if she might be a bit gentler is she still possessed her memories of Daniel, which she has erased from her memory in Bone Shop by a spell she asked for. At least we know now that she realizes that she has to be careful how she uses her cape, lest it take her over and she becomes a rampaging serial killer. Despite all of this, one comes to appreciate and even like Marla. You get the feeling that she really does appreciate her friends and she is trying to do what is right. I hope we get to see 'B" in future novels as his "seeing" can provide a different slant on how the direction of the story can go. I also have been actually enjoying Jessica Almasy's reading of this series. I wasn't sure I would at the beginning of Bone Shop, but she actually does a credible job. I didn't find her annoying at all once I got into the story.
I tried. I really wanted to like this book, I gave it several goes, but I just couldn't finish it. Problem is, I don't like Marla. Yeah, she is advertised as bitchy and bad-ass, but to me, it just seemed … forced. Over the top. Plus, the overly obvious McGuffin irked me, because (as far as I've listened) there is no explanation as to why it will help her defeat her enemy, even though they talk about the thing repeatedly. So she needs the Cornerstone and that's why she's in SanFran – that's her problem, not mine and as long as no one tells me what the Cornerstone is (other than "a powerful magical artifact") and how she expects to use it against whom, I'm not making it my problem and thus, I'm not invested. Same goes for her old, dead friend; if I don't get at least some of their back story (emphasis on *their*, not just his, not just hers, but theirs. I wanna know why he is important to her), then he doesn't feel like a character, he feels like a plot device. I need more than names and superficial facts to get into a story.
I love the BBC and British mysteries, but my tastes are very eclectic. I live with my husband and menagerie of rescued cats and dogs.
I purchased this book during the $4.95 sale because I had looked at it in print, and it seemed like something I would like. Well, I'm certainly glad I didn't waste a credit or full price on it because in spite of a good story, the narrator spoils it. I Googled Jessica Almasy just to be sure that she wasn't really a 12 year old before I criticized her for sounding like one. Although the information on her is sparse, she is clearly an adult who is simply cursed with forever sounding like a pre-adolescent.
The main character is a strong, adult woman. I cannot begin to fathom how Almasy, with her little-girl voice, was selected to read these novels. (Unfortunately, she reads the entire series; I will not be listening to any more!) She reads competently enough. Her pacing and phrasing are decent, and she pronounces words correctly, but she cannot handle these characters. If her ability to voice Marla is doubtful, her ability to voice male characters is farcical. All male voices sound alike: vaguely constipated versions of Marla.
As for the story and the writing, I've enjoyed them as much as possible with the handicap of Almasy's reading. I think I will enjoy reading the other novels in the series to myself much more than I have enjoyed listening to this one. If I could divide the star ratings up, I'd give the narration 1 star just because it is SO inappropriate, and the novel itself 4 stars.
There are many writers who are discovery writers: they sit down at a keyboard and make up a story as they go along. After the novel is written, they go back and clean up the plot holes, clear away the extraneous detail, and add the details and foreshadowing that make the story flow in a logical sequence. Unfortunately this novel reads like the first draft of a discovery writer who failed to review his work. New elements of the story appear abruptly as the writer thinks of each cool new idea and consistently fails to tie the ideas and scenes together or prune away ideas that don't advance the story. For example, the long drawn out sex club scene includes descriptions of equipment, people, and events that were not relevant to the story. The writer should either make such information relevant or leave it out.
Finally, the narrator Jessica Almasy has an abrupt, halting way of reading that is similar to a computer generated voice in a text-to-speech system. Meaning is drained from the words as they are translated into sound. Her stumbling, awkward speech constantly knocks the listener out of the story.