I can't believe I didn't listen to or read this book sooner. Ursula K. Le Guin has rekindled my believe that fantasy can be a legitimate literary genre.
Charming and entertaining like a fairy tale but simultaneously dripping with the suspense, drama, and authenticity of a Viking Saga or Epic Poem, A Wizard of Earthsea (the first of the series) cannot be ignored by any serious fantasy reader. So much sub-par fantasy is written in this, age of World of Warcraft and Eragon, that it's refreshing to have Ursula K. Le Guin to discover and delight in.
The narrator of this book makes it sound like he is recounting an ancient tale around some campfire in the Iron Age. Amazing!
Hey Audible, don't raise prices and I promise to buy lots more books.
While Ursula K. Le Guin wrote several novels about the fantasy world of Earthsea, A Wizard of Earthsea appears to be the first of the main cycle by that name. I found it difficult to pin down whether the series is written for children and/or adults. I concluded that while there are a number of philosophical themes that adults could appreciate, the target audience was probably that of a younger age. Let’s say YAs.
Further, on the subject of age, this is basically the coming of age story of a young mage named Ged who is drawn to wizardry and develops into just that as the story unfolds. There’s much in the way of magic, spells and personal discovery along the way. However, as Ged learns, all of the power and might of of a wizard comes with a price. Wizardry is not for the faint-hearted nor is its magic lightly wielded by the ignorant or arrogant. Much of this is taught Ged by Ogion his primary mentor along with his own life’s little (and not so little) foibles in and around Earthsea. Does all this sound a bit familiar?
The monster of the story we learn is… uh, not so fast. That would be a major spoiler. And I believe the book is worth reading to discover that as well as the other things Ged learns along his way through apprenticeship and personal discovery. The book is very straight forward. That appears to be Le Guin’s style. After recently reading a bunch of China Mielville prior to Earthsea, the latter was a refreshingly, relaxing read. However, we probably should not be fooled by her simplicity. Contained within the pages are a depth and breath that can be easily missed if we’re not paying attention. What can I say; it’s obviously a classic and who could not recommend that.
Incredibly engaging, masterfully crafted, full of some of the best-written and most complex wizards you will find in literature, A Wizard of Earthsea is the fantasy genre at its absolute finest.
Those of us who read a lot of fantasy have read too many "kid goes to wizard school" books. Many are badly written with flat characters and predictable plotlines. Ursula Le Guin dazzles in this book, which though originally published in 1968, reads as fresh and new and inspiring as all great art does. The old fantasy archetypes are brilliantly and creatively revisited, and adventure abounds.
Anyone who loves fantasy will love Earthsea, and those who don't may find this an ideal introduction. Kids, adults, you name it, Earthsea is short, well-paced, suspenseful, epic, and a delight to read. This audiobook version is excellent.
A Wizard of Earthsea is the first installment of Ursula K. Le Guin's classic fantasy. Having read the Earthsea novels (five in all, plus a collection of short tales) years ago, I was very happy with this audio version, which is beautifully done. Re-visiting Earthsea, it's interesting to notice how many of what are now conventions of fantasy writing were in fact pioneered by Le Guin so long ago.
One thing that's different about her books: the writing is beautiful but spare. She can tell you in a few paragraphs what other fantasy writers seem to need long chapters to explain. Each of the Earthsea books comes in at something around 200 pages, quite a contrast to the bloated tomes of so many contemporary fantasy writers.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Ursula K. Le Guin's A Wizard of Earthsea (1968) is a heroic fantasy classic, telling the tale of the growth of Ged, the future Archmage of Earthsea, from a proud and reckless boy hungry for knowledge and power to a young man at peace with himself. Written with poetic concision and grace, Le Guin's novel depicts compelling events in an other world with more thought, imagination, philosophy, and care than the majority of the bloated heroic fantasy novels these days can begin to muster. Her convincing depiction of a fully realized secondary world, Earthsea, complete with legends, traditions, songs, tales, different cultures and environments, and well-thought out and philosophically consistent and cool system of magic, is impressive, especially given how short her book is.
Although the short novel adheres to some genre traditions, as in, for instance, depicting the maturing of a hero through adversity and adventure with female characters playing subordinate roles as flawed teachers, beautiful temptresses, or cute supporters ("weak or wicked as woman's magic"), it also performs (especially given its era) some remarkable subversion and expansion of the genre, as in making Ged and his fellow Archipelagans people of color, depicting a school for wizards with different types of magic to be mastered, and rendering the climactic struggle as something much more interesting and meaningful than a struggle between the hero and an external evil monster.
And Le Guin's prose is a taut pleasure, every sentence being comprised of the perfect words in the perfect order with the perfect syntax and punctuation and rhythm, so that the book may be re-read multiple times, each time with a new appreciation. This is so whether she is describing characters ("He grew wild, a thriving weed, a tall, quick boy, loud and proud and full of temper") or settings ("Now the dark forest-crowned cliffs gloomed and towered high over his boat, and spray from the waves that broke against the rocky headlands blew spattering against his sail, as the magewind bore him between two great capes into a sound, a sealane that ran on before him deep into the island, no wider than the length of two galleys"), or voicing wise aphorisms ("Heal the wound and cure the illness but let the dying spirit go"), or evoking horror ("So it came over the sea, out of the Jaws of Enlad towards Gont, a dim ill-made thing pacing uneasy on the waves, peering down the wind as it came; and the cold rain blew through it") or epiphany ("In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight").
Some words about the audiobook read by Robert Inglis. I have twice listened to Inglis' definitive readings of the entire The Lord of the Rings and think he is ideally suited for Tolkien's masterpiece, giving them their necessary gravitas, pathos, suspense, humor, and beauty (including effectively doing different voices for the different characters—his Gollum, Gandalf, Frodo, and Sam are all perfect—engagingly singing the different genres of songs, and so on). However, perhaps because I first listened to Harlan Ellison's over-the-top but entertaining reading (in which he shouts, screams, whispers, sighs, sobs, sings, laughs, lectures, or just reads, endowing key words with special weight or particular pauses with extra pregnancy), Inglis sounds here a touch pale, thin, and tired. Or is it that Le Guin and Ellison are American, Inglis British? Whereas Ellison's version brought out different aspects of A Wizard of Earthsea that I hadn't noticed before, Inglis' version felt more routine. Mind you, Inglis is an excellent, professional reader, and Ellison's version is no longer available on Audible.
Anyway, people who like philosophical, poetic, concise, and original fantasy should read Le Guin’s Earthsea books, beginning with this one.
I like scifi and urban fantasy. I don't like romance novels. If you are the same my reviews should help.
Yes, the book is as good as I remember as a child.
The whole world was memorable. Like revisiting an old friend after a long absence.
The range of voices could be better. More emotion could be added to the reading, although this may be due to the lyrical Tolkien-esque style of the writing.
This is a classic that I read as a child that still holds up. If you've never read the book or series you owe it to yourself. The pacing is slower than a lot of tradtional fantasy and it is still formulaic, but it works. It is more along the lines of Lord of the Rings than current faster paced novels. This is the novel that really popularized the use of true names as a magic system, for that alone it's a classic.
absorbing the deatail - i tend to speed read so as always listening to books ive read is a treat
the textured appreciation that one makes mistakes and pays for them
hard to say as it all fits togehter in such a balanced manner
not really; but i did feel the shared satisfaction of finally facing ones demons
Audible needs to present the missing books of the series asap
I use this story with my English 9 class, not just because it fits so well with my curriculum, but because it is such a good story. I first read it as part of my children's lit class in university and found myself enjoying it so much I read the remaining books in the series just for fun.
I had forgotten how beautiful and spare LeGuin's writing can be. Here she's like a cross between Tolkien and Hemingway: lyrical, but no extraneous cruft.
I am a big fan of the performer/narrator, Rob Inglis, who can also be heard reading The Hobbit and The Lord of the Rings. I was so happy to find more opportunities to listen to him read to me.