I taught this novel at UC Berkeley years ago and decided to treat myself to someone else reading it. Jim Norton's reading is excellent. And it revealed meanings in the novel that I had not noticed before. Norton is a wonderful actor who brings this text to life. For readers/listeners who find this novel difficult to get into, I would suggest having a guide, such as Stuart Gilbert's "James Joyce's Ulysses: A Study," at hand. Reading or rereading this novel repays whatever effort you put into it.
Superbly done. Some passages benefited from following the text which is available on line. The combination makes "reading" Joyce an extraordinary experience.
Love to read, and Audible has made the two-hour daily commute enjoyable!
I've decided for awhile that I wanted to read "Ulysses" - which really seems like a marathon for readers. I tried reading it once, and couldn't get the rhythm of the language. Jim Norton and Marcella Riordan's reading helped me over that hurdle. I also had the book in front of me, and I used "Ulysses Annotated" by Don Gifford to help me with all the glorious historical, literature, musical, biblical references, along with the 1904 Dublin slang.
I would recommend this recording to anybody interested in experiencing the novel that changed literature.
I value intelligent stories with characters I can relate to. I can appreciate good prose, but a captivating plot is way more important.
I've been working my way through the classics here on audible. After tackling Moby-Dick, I felt confident that I could take on an even denser novel. Ulysses had an intimidating reputation, and I was ready for a challenge... but I was not ready for this festering pile of nonsense.
This is not so much a novel, as it is a literary puzzle. This isn't a book to be read, it's a series of sentences that need to be decoded. I hated it instantly. And I'm literally angry at the conga-line of academics that conspired to have this thing labeled as one of The Greats. It isn't. It's a masterbatory exercise by James Joyce, which was lauded as genius by those elite few who were so entrenched in the bubble of high-literature scholarship that they could actually understand pieces of it.
I listened to the first few chapters, and had the cliff-notes open so that I could understand what was going on. After a little while I decided that it just wasn't worth it. There was no pleasure to be derived from this tale beyond the pleasure of decrypting it. When it comes to that, I'd rather do a crossword puzzle.
Life is too short to waste time reading (or listening to) Ulysses.
A brief shout out to the narrator, whose inflections (and singing) were the only things that gave me any hint of what was going on.
No. It's an exceptionally tedious story.
Story? What story?
Jim did an amazing job of making this impenetrable book vaguely accessible. His aplomb at tackling the rambling sentences was wonderful!
It's one of the great books, right? A must read. Thank goodness for Jim's narration to help me conquer this behemoth. While 95% of the book I found exceptionally dull and boring, every now and then it really does soar. Perhaps only because you grasp at straws, but I think there were moments that are sublime...
I can't do it. I downloaded this book because it's on all of the Greatest Books of All Time lists. It's too difficult to listen to, although the performance is very good. It's too disjointed and hard to follow unless you're in a quiet room all alone with Cliffsnotes by your side.
I know that Ulysses is one of the most important works of the 20th century and I have always felt I should read it, but, at least for me, it was not a good listen. The narrator is probably excellent. However, his accent was difficult for me to understand so I missed much of the reading. I listen when I am in the car which is probably not the best place to be doing that. The story is somewhat of a jumble. Maybe it is poetry but it would be better to be reading the words on the page rather than trying to understand the plot by listening.
I could never have read this classic, but as a spoken book with the amazing narration it was achievable. At times it was excruciating, at times exhilarating, like plunging into cold water, or ripping off a band aid, some sections I could only do a minute at a time, I felt a great sense of achievement when I got to the end. If you ever felt compelled to explore this infamous book, this is a great way to do it.
It was so easy to become engrossed in the characters and the mood of the moment, that I often forgot I was in the middle of this monumental work! Jim Norton's range is remarkable - he made every character's voice as distinct as a fingerprint. He had obviously given careful thought to the sounds of the words, and these sounds rolled off his tongue as though he were making them up. The same goes for Marcella Riordan's characterization of Molly. I'm sure the direction accounted for this as well. I have heard no better audio rendition, and I have heard around a hundred. Reading along simultaneously with the 1984 Gabler edition, some charts, and help from student annotations, I was finally able to complete and enjoy this most essential book. One less accomplishment left before I die!
I was just flabbergasted at the skill of Jim Norton (and the stream of consciousness by the female narrator was so much better than I could have interpreted the book chapter with zero punctuation!)
I thought of this as kind of like the Picasso of novels...totally new way of writing in my experience, unreal, confusing, lots of fun!!!