Maybe I'm in the minority here but I listened to this directly after Dune, and then Dune Messiah after this and really puts things into perspective. Pretty good, much more adult and dark than the other dune novels yet I still enjoyed it.
This is a great story that ranks 10 on a scale of 1-10 right next to the Last Days of Krypton, also by Kevin J. Anderson. My introduction to Dune was the 1984 movie which always baffled me. Then the revamped mini series a few years ago along with Children of Dune. I would say read Paul of Dune first and then go back to House Atriedes, House Harkonen and finally House Corrino.
The repercussions of Paul's triumph over Emperor Corrino. The Fremen are an uncontrollable monster in the making. They rampage through the empire solidifying Paul's rule as new emperor. Also his travels back to Calidan and his attempts t re-establish his relationship as Duke. Memories of Gurneys life and his new role as Paul's right hand as he attempts to control the Fremen zealots during water training is very insightful. Also Count Fenring skulking about in the peripheral is also intriguing.
Scott Brick masterfully weaves the story together, his voice captures the essence of each page of dialogue and overall storytelling.
I was skeptical of this series at first and debated listening to one. Dune was one of the best books I've ever read but the subsequent volumes lost something. Paul of Dune comes very close to the original Dune. Perhaps its the characters and the connection to the first book, but regardless I was more enthralled in this story than most of the original series.
The story is very good, a worthy sequel to Dune, but the melodramatic performance is over the top, as though the end of every sentence brings him to the peak of excitement. I quit listening because the reader was ruining the book. Much better to read this one the old fashioned way.
This book takes place after Dune but before the 2 sequel books of the original trilogy. I appreciated this book for revealing important events immediately following Dune but this book is far from the quality of the original trilogy. It has some painfully dry parts at times and the pacing between the dull details and climactic moments feels like stop and go traffic. But I'm still glad I stuck it through. This book's contributions to the events of Dune was worth it.
Narrator note: there were a few times where the narrator would mix up his assigned voices for certain characters which made keeping the characters straight harder than it was to begin with.
Some inconsistencies with Frank Herbert's novels are probably to be expected, but this book attempts to resolve the inconsistencies by saying the the first book written by Princess Irulan (implicitly referencing the novel Dune) contained falsehoods and exaggerations. instead of minimizing inconsistencies, the hack authors of these inferior books just say the original author got it wrong. I've listened to quite a few of the Kevin Anderson Dune Novels. I"m not a Dune purist and I don't think the originals were perfect. I have found some of the more bizarre inventions and inconsistencies of the Anderson books a bit annoying, but I've continued to listen to them. This book is so wildly and unapologetically inconsistent that it was a little infuriating. If any of the others are this bad, I'll stop listening.
When it comes to audiobooks, there are two essential parts - first, that the book be a good book; and second, that the narrator is a good one. I made the mistake of buying this on the merits of the book, and didn't check the narrator.
The narrator, Scott Brick, is dreadful. After I bought this, I lasted about 5 minutes before his singsong reading with dramatic emphasis on words that don't deserve it drove me to distraction. Then I realized that I had bought one of his readings before (Darwin's Children - also lousy). The narrator disappointed several of that recording's reviewers, several describing his reading as overly melodramatic on every sentence. Every. Single. Sentence.
Brick has 393 books listed on Audible, and it seems to me that this is part of the problem. I suspect that every read he does is the first time he has seen the text, and although he is trying to do a dramatic reading, he doesn't know how the current sentence is going to end, let alone how it connects to the next one. I think he's reading the words, but not the story. It's like watching a soap opera with the actors reading off teleprompters because the scripts weren't ready for them to read ahead of time.
It's a shame, really. I learned my lesson on this one and now check the narrator and listen to the sample on every book I am considering. It means, however, that some very good-sounding books (e.g., the Quantum Thief) are now ruined for audio listening - I doubt very much that Audible will re-record them with a competent reader. I do know that were I an author, I would be devastated to find out he was reading my book.