Reading the original version. Nice introduction by the author talking about the difference between the US and original UK releases. I don't think Burgess knew how right he was. At the time there was a lot of concern about crime increasing and youth violence. What we've seen subsequent is that is a phenomenon of youth, that when we have a spike in the youth population that crime and violence will increase. The last chapter is the most important. Although this is a simple book, in so many ways, I appreciate raising the question of whether God wants goodness, if you don't have a choice otherwise. I found the slang easy to pick up, and there are online references, if you care to find them.
I went into this expecting a story of violence and abuse. What I got was a very good cautionary tale of what can happen when politicians get to run free. I would recommend this to anyone who follows a politician unquestioning. As long as you can understand the language, this novel will force you to listen to the whole thing in one go.
Obviously, this is a very tough read, both for content and writing. But by listening to this audio book, I was able to understand the fascinating language that Burgess created a lot more than I had while trying to read it myself. Lots of violence, yes, but a very interesting take of what Burgess calls a clockwork orange - someone who has no choice when it comes to good or evil. They are simply either good or evil without any thought to the other. I liked that that the audiobook included Burgess' introduction as well as his reading of the first 4 chapters.
I like how it shows that the "Authorities" are not much better than the street thugs as far as morals go, only in perception. I loved the movie, and the book just fills in the details that you can't fit into a 90 film.
Taxi Driver, it has a similar main character
He does really well with the accent and makes the character come to life. (I only wish there were a few more actors and sound effects, think old radio and I will give 5 stars)
Well worth your time
My favorite part is Tom Hollander's voice for Dim. Absolutely hysterical.
After the audiobook finishes, there are an extra two chapters of Anthony Burgess reading a Clockwork Orange! Although I was not ready to listen to this after finishing the entire text, I really appreciate the extra piece of audio and will listen to it another time. Although not as entertaining as Hollander, it's always interesting to hear the author read their own work.
I agree that audiobooks seem like a good format for this text because you don't allow yourself to get caught up in the meaning of inventive, mind-bending words.
(Good intro written by author placing film and American version in context and contrast with the author's intent
Nadsat is tough to get used to at first, so having a dictionary up while listening is probably a good idea. A lot of the words are used multiple times (viddy, rooker, plot, veck), so those are easy to pick up.
Great performance by the *humble narrator* and the various voices that he does.
About the 21st chapter: I liked it omitted. There are enough options where the main character comes of age. Those who argue that the denouement happens in the last chapter say so because they want to believe that there is good in everyone and some people just grow up. I think that the denouement comes with Alex getting his choice back late in the 20th chapter. The motif of freedom is much more important than the motif of coming of age.
I had not a clue what I was getting in to. All I knew was that CwOrange was a literary classic and that I'd never read it or had a clue what it was about.
Wow!! What a difficult read!! By about the second chapter, you'll become familiar with some of that slang that's used, and the book gets a lot easier to read from there.
Can't say enough good things. The performance has made me earmark the narrator and see what else he's read.
I'd love to get into more detail, but I hate reviews that give away plot points.
Absolutely worth the credit.
Listening to the book, in this invented language of Anthony Burgess made it possible to get through the story. The language used to tell the tale of Alex always made me feel like reading it would be a chore of my patience and attention. Listening, I will tell you, was all the enjoyable I expected reading it I would miss. The specifics of each moment, shrouded in Burgess' creole, washed over me and, without even meaning to or having to pay the story any extra mind, I found myself following along. I even found myself thinking that more books needed to be written in some Malchick code or other, to break up the monotony of knowing what's happening all the time. Sometimes, it felt like the story would have been too over-the-top if it were plain English; but that isn't quite right. My imagination wouldn't have had as much to do with traditional text, and it felt good to stretch it. I think it would feel good to stretch it once in a while, so more text like this would be nice. The narrator was spot-on. For this version, do not overlook the 22nd chapter, where Burgess himself reads portions. I always find the text in the author's voice revealing, and this certainly was. Highly recommended.
Best narration ive had the pleasure of listening to. You forget you are listening to an audio book --
and instead are whisked away to the front row of a playhouse where the cast come alive. Excellent books can become a chore to listen to when the voice is not matched well to the material. This voice and book marriage is undeniably the stuff of dreams.
I wanted to love this book. I liked this book but I definitely didn't love it. The topic, setting, and characters sounded right up my alley. I think the execution of this story falls short. Of course the somewhat alternate language makes it hard to relate but I don't think that's what put me off. I think the story isn't well paced. I found certain parts to last too long, while other somewhat important parts were glazed through. To be honest I can't quite put my finger on my full issue with this book, it just didn't pull me in enough.