I first read Dune the regular way in 1979, watched the 1984 movies and the SyFy minis 2000/2003. I started reading it again in 2006. I found this audio version even better than the reading and watching.
The actors/readers lend dimension to the scenes and characters that for me are missing from my personal reading of the book, the two versions of the 1984 movie and the various SyFy mini series.
The epigraphs by Princess Irulan are great as is the music that is featured at cetain times throughout the work.
Both my understanding and imagination are much better now making the listening a much better experience. I listen on two diff PMDs and a docking appliance with good speakers - a must in my opinion if you're not on the road.
Dune is a great story to be told and in the case of this version the story is told in a great way!
It is simply excellent - again.
Children's book illustrator & toy designer living in Los Angeles. Addicted to audio books.
Starts out great but then the narrations begins to vary, sometimes it sounds like a full cast performing, then it switches to a single narrator doing voices, then that narrator is switched with another who sounds totaly different. Then it goes back to the full cast w/ many voices. The changes are jarring and happen without warning often in the middle of a chapter so you are constantly confused as to who is speaking and what is going on. There is no consitency in the narration of voices- all very random and sporadic. A headache of a listen and considering the level of detail and involved plot elements this makes for a very confusing experience.
Not well executed.
Say something about yourself!
As someone who has read Dune numerous times, I found it a bit like seeing a movie of a favorite book--some things just aren't like you envisioned them. I had a problem with some of the voices because they were so different from anything I imagined from reading the book. The worst voice was that of Gurney--he sounded like a California surfer. I kept expecting him to say, "Dude!". It was really bad. The second worst, although it did improved over the course of the book, was with Stilgar. He sounded like Count Dracula at first. And there were inconsistencies in the voices because sometimes the narrator would just voice the character instead of the reader who was originally voicing him. Those complaints aside, I really love the book, and thought it was very well done. I am anxiously awaiting Book Two.
When I drive, I read... uhm listen. I like SciFi, Fantasy, some Detective and Espionage novels and Religion. Now and then I will also listen to something else.
I remember reading ‘Dune’ the first time in secondary school when I borrowed a copy of the book from the local library. Though I don’t return to most novels once read or listened to, ‘Dune’ have been one of the exceptions. My second acquaintance was during my study of Hebrew and Classical Arabic during postgraduate studies at university.
My third meeting with Frank Herbert’s Sci-Fi classic was when I listened to it in audio book format. While it initially was just a great story, and during my years of study a feudal-Arabic desert mixture, the religious aspect of the novel intrigued more this time. Though the quotes by the princess Irulan felt at times as if it took away some of the suspense in the book, it had the function of giving the story the feel of a memoir.
Paul Arteides the son of the duke Leto Artreides becomes the Mohammad-type prophet of the desert planet Arrakis, filled with dunes and huge sandworms which rules its surface. The story plays out around his transition from a duke’s son to a prophet, religious leader, genetically engineered oddity (the Kwisatz Haderach of the Bene Gesserit) and political force against the evil Harkonnen house who have been extorting the local population of the planet. It is a story filled with treachery, slyness in which good and bad, right and wrong blurs. Herbert has the ability to drag the reader or listener into a story in such a way that you change with Paul Artreides and accept the idea of a jihad against even the Emperor Shaddam IV. I was trying to think of a close parallel to what the story is about and the best I can come up with is the idea that a European kingdom loses its rightful heir just to discover that he has not died but turned Muslim and yet it is open to accept him and swear absolute loyalty to him.
While Simon Vance reads the story, his reading is enriched with various voice actors that acts out important characters and scenes. These are also complemented with certain background sounds. Although some reviewers complained that some of the interpretative reading didn’t sound natural and sounded forced I there was nothing that hindered me. If there is something that I would change in the way the novel is read, it would be Vance’s pronunciation of certain words like “Lisan al-Gaib” to sound more Arabic. Then again there is nothing that says it must be pronounced the way I would like it to be pronounced.
This 1965 Nebula and Hugo Award winning book is still a worthwhile and intriguing book to read. In some ways the story is straightforward, yet it has its surprises and it is a worthwhile Sci-Fi classic to listen to.
Dune is difficult to grasp at first and requires patience, even for an avid sci-fi fan like myself. Here's the trick to stories like this one: don't try too hard. You won't understand everything at first, but that's ok. Just keep reading. Everything will become clear soon.
Dune is a superb story and rightfully deserves praise. The setting is brilliant: the planet and its inhabitants are intricate and arcane. You can feel the sand in your shoes and your lips cracked with thirst. The characters are well rounded and the spice (and its effect) is truly creative.
Dune does have a few flaws. For one, Herbert's writing is a bit unpolished. One of his bad habits is the lack of a consistent viewpoint. Within one section, we may jump from Paul's perspective, to Jessica, back to Paul, and then into third-person omniscient for a bit of narrative. It is awkward and amateurish. The plot is detailed and well-paced and my only quarrel with it is that Paul's over-confidence and detachment made the ending feel somewhat anti-climactic. It certainly seems set up for a sequel (and there are many).
A lot of reviewers have complained about the narration but don't let this deter you. Most of the the story is read solely by Simon Vance (who, by the way, is an excellent narrator). Yet, sometimes, and without any noticable pattern, the dialogue is read by a variety of narrators with Vance only doing the narrative. I have no idea why it was done this way and it is indeed inconsistent. Once you learn to expect this, it isn't that bad. It certainly isn't as terrible as some reviewers are claiming it to be. Regardless, all of the narrators are talented and they make easy work of the complex pronunciation and accents. Also, the background sounds and music were excellent and they really added great effect. I absolutely loved the quotes at the beginning of each chapter. It is a unique and enjoyable production.
Frank Herbert, I OWE you. I owe you a LOT. This was one of the very first books that truly stirred my love for science fiction. You SPOILED me. You made me demand better writing from the authors I followed, and better development, as well. From this book on, I became harder on myself, to read works that challenged me, that made me ponder well after finishing the novel. I hungered for better writing that combined story, action, flow, cadence and for God's sake, CREATIVITY. Thanks, Frank.
THAT'S what good writing demands of us, and if the author excels at his or her craft, this book is the perfect example of what can happen.
In Dune, you get galaxy-sweeping politics, messianic jihads, genetically-enhanced warriors and spacefarers, pirates hiding ruling classes, clones that psychically destroy their victims, fantastic ecologies and creatures, religions that manipulate families and bloodlines, and countless castes intertwined with ruling houses that all depend upon a drug found only on one desolate planet - A planet with its own secret and massive agenda, hidden within the howling desert plains covering its surface. And wait, it's followed by yet ADDITIONAL novels in the series, some better than others, and then yet ANOTHER series by the author's SON, done decades later, that provides tremendous PREQUELS, based on his father's notes? Finally, throw in excellent male and female narrators that fit the characters they portray, and individualize each character.
Come on. Do you really need another great review to buy this audiobook?
Not sure why they decided to have both a narrator reading lengthy sections, then inserting actors speaking parts in odd places. I would have preferred they had stuck to one or the other, the switching was distracting, but not enough to make me stop listening. Otherwise it enjoyable, a good recording and the main narrator that you hear the bulk of the time was good. I kept wishing Scott Brick had done the whole thing though, instead of just Stilgar's voice here and there. Love the book, I've read it at least a dozen times, it was fun as always to hear it performed. I always catch something I missed when reading.
This has to be the most well-produced audiobooks ever created. We all know the Dune story, and this is a perfect rendering. Well worth the price. You wont be disappointed.
I'm a big Heinlein fan and the was my first Herbert "read", definitly won't be my last!. My throat is still dry after experiencing the world he creates. I don't usually care for "produced" stories with sound effects, background music, and multiple actors reading. Your mind's vision and interpretation of the characters and scenes changes to that of the director. Dune, however, pulled it off nicely. Like a well acted movie, these voices became the characters. Be warned though, the book switches back and forth between multiple actors and a single reader, I liken this to watching a movie where the main actor changes with every scene, very hard to grasp at first and I'm not sure why they did it. Should have been one reader or multiple readers, but not combined.
I am a great admirer of Frank Herbert's work, and I got this book without hesitation. The audio is a high quality dramatization, and I enjoyed it very much, but there were some details that a production as well devised as this should have taken care of, such as speakers switching the role they had previously, so, suddenly the baron Vladimir Harkonnen has the voice of Thufir Hawat, which I found unsettling. Besides minor points like this, it is a great work.