Having never read Atwood before, at first I thought this book was weird, slow, hated the music, and forced myself to keep listening because the subject intrigued me. I started to really get into it a third of the way through, even appreciating the sickenly sweet preachy music because it actually made sense with the Gardeners. Thought the ending was anticlimatic, but I'm looking forward to listening to her other books including the prequel to this one. I recommend this book to everyone who enjoys pondering the future of our world and is interested in the what-ifs.
I'm surprised that some reviewers didn't like the connection with Oryx and Crate and/or the music. I thought the flip of perspective fascinating and not at all heavy-handed. The music added a level of immediacy and realism to the religious world of the Gardeners that works. I found this a very satisfying companion piece to Oryx and Crate.
though i loved 'oryx and crake' i was a little hesitant about listening to 'the year of the flood' -- rather than reading it -- because of all the negative comments about the singing. now, a week after finishing this book, i find myself remembering the songs. i think they drew me deeper into the strange world of the god's gardeners. and the lyrics, by margaret atwood, of course, were clever and funny. i had to force myself not to finish 'the year of the flood' too quickly. i enjoyed it as much as i had 'oryx and crake.'
I loved Oryx and Crake so had high hopes. But most of the content occurs before the "big event", not after. So it's more about a near-term futuristic world than a post-apocalyptic one. And the songs are, respectfully, dreadful. There are 6 or 7 of them, and after listening to one I skipped through the rest. Truly awful. In between these and the gratuitously graphic scenes of violence and pornogrpahy was a story-line that compelled me to want to keep listening. But in the end it would have been just as well not to have started.
This narrator is almost more than I can stand. If I weren't thinking of the waste of the money, I wouldn't even listen to this audiboook.
This is so well done - the main reader is excellent, and the inter-chapter voice and music is a powerful way to bring the book to life. Margaret Atwood's genius comes through yet again.
I look forward to hearing what is going to happen next. How does it end? Everytime time I get in the car I want see more.
I am a huge Atwood fan and have read most of her novels. This was the first that I tried to listen to--"tried" is the operative word here: after about 20 minutes of listening, I became too frustrated with the incorporation of (terrible) music into the narration. I had to stop.
In general, the aesthetic choices are too dramatic for my taste. I listen to books only because I don't have time to read them. As such, I want my listening experience to be as close to a reading experience as possible. I just can't get this from dramatic readings. If you are a purist like me, you will probably not like this audiobiook.
I realize that some narration styles take a while to adjust to, and once you do adjust, it is almost always worth it. I will likely try to listen to this one again in a few months to see if it is less of a challenge. If that doesn't work, I know that Atwood novels tend to be pretty addicting and will just end up buying the book and reading it the old fashioned way.
The characters were well written but the story was choppy. It seemed as if someone took out huge pieces of pertinent information. I hated the songs, yuk.
This is Margaret Atwood at her finest. I loved Oryx and Crake, but I think this book surpasses it. As I listen to more and more audiobooks, I find the narration is almost as important as the story and these readers prose and pace was excellent! I can't wait for the next Atwood creation.