I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
I enjoyed this book. The narration was superior, the story was unusual and interesting in both structure and concept, and the characters were excellently developed. This is not an action-adventure sci-fi - if that is what you want, look elsewhere. Here, even the characters that appear on a couple of pages are nicely developed. In a complex scientific setup the author does a great job of not screwing things up or unnaturally forcing events. Every character is flawed; every choice by every character is questionable, there is a lot of ambiguity. This is the kind of Sci-Fi that almost deserves to be called a novel. This book is not as good as Ender's Game or Childhood's End, but Spin was in the same ballpark (which the vast majority of Sci-Fi is not).
A lot of other reviewers seem to have complained about not finding out what's going on until the end.
This confuses me - why would you bother reading the book if the ending was laid out for you neatly in the first two chapters?
The book is part SF, part mystery. It's written from the perspective of a character who isn't a scientist, but a doctor, so the SF stuff is dumbed down a bit, but not offensively so.
I enjoyed this audiobook very much, and I would have enjoyed seeing a direct sequel, rather than a spin-off novel with the same premise and a different lead character.
I value intelligent stories with characters I can relate to. I can appreciate good prose, but a captivating plot is way more important.
I loved the initial premise of the book. Unfortunately, that's all this novel had going for it.
The story progressed in a ridiculously slow fashion, and the characters just plain annoying.
We're constantly reminded that one of the characters is a genius, despite the fact that he never does anything remotely genius-like.
The main love interest is an idiot, who gets sucked into one cult after another and has no apparent redeeming qualities.
Our main character is boring.
The author seems more concerned about exploring uninteresting side plots than focusing on the parts of the story that the audience is actually sticking around for.
The author creates an entire world of super-advanced humans on Mars. We only ever get to meet one of them, and despite the fact that he should be 100,000 years more advanced than us, his technology seems to be only 100 years ahead of us- TOPS.
The author also seems to have missed the memo about Moore's Law and computer development. There is no way that a civilization 100,000 years more advanced than us wouldn't already have sentient computers many billions of times smarter than us.
Ultimately this novel had a satisfactory ending. Unfortunately, by the time I got there, I no longer really cared.
I search the net for forums and top book lists to try to find something to download that is not going to disappoint me. I'm not always satisified, but with Spin I hit a winner. I very much enjoyed it, to the point that the TV did not come on all night. Instead I sat for hours just listening to this book. If you like well thought out Science fiction without a lot of sexual scenes thrown in, then this is a great book to listen to.
I was interested in the concept of the stars going out and the earth being trapped in a bubble that slowed time down but like the mysteries of space, the author wrote as if he had no idea what was happening. It is very frustrating to wait for an explanation or wrap up and all characters seem as clueless as I was.
I waited for the sequel(Axis), in hopes that the mystery of the Hypothetical s would be at long last cleared up but you'll need to read that review to find out if it is more defining.
Scott Brick is....well, Scott Brick, the very best at what he does.
the idea of the book is actually very good(nanotecs, Martians, cosmos) but I had a really hard time finishing it. extremely confusing at the beginning, the back and forth felt like a a badly edited movie (eg 21 grams). and the narrator didnt help matters, I couldn't distinguish when the main character was thinking or speaking out loud.
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Ironically, for a book I really enjoyed a lot – I don’t have much to say about it other than: I liked it! It was great! THIS is what I wanted when I picked up Red Mars… I could not get into that one, but this one held my attention from the start and never let go.
I do have a question however: what is it with Sci-Fi and the trilogy format??? (I’m in for the sequel for sure)
This is one of the most imaginative science fiction stories I've read. The concept is very intriguing, with a mysterious cosmic event occurring suddenly and without explanation. Wilson deftly lets the mystery unfold during the course of the novel, which is told non-linearly -- the narration jumps back and forth between past and present, as the narrator recalls events from his life.
I found the ending VERY satisfying. Throughout the book I wondered how Wilson would tie it all together, but he did so masterfully, providing an explanation that explained it all in a way that was as imaginative as the initial concept.
Nested through all this is a personal story involving a wealthy (but dysfunctional) family who played a key role in both the narrator's life and the post-spin world events. I found some of this interpersonal drama to be a little tiresome at times -- not really bad, just overdone -- but overall it did not detract from the story.
Scott Brock is not my favorite narrator (I've HATED some of his work on other books, where he was often overly dramatic) but he was good here.
A storyteller, reader, and writer (in that chronological order) since childhood, Audible helps me to bring all 3 together.
Spin is not only a great S-F novel, it's a rarity in that field, with vivid characters who are interesting in their own right, aside from the startling originality of the plot and events they are caught up in.
However, I find Scott Brick's narcissistic ham-act so insufferable that I almost didn't finish the audiobook, and (since there were no other narrators available) thought I'd trash it and buy the print version instead. But Wilson's book was so good that I somehow gritted my teeth and weathered Brick's narration, like getting used to a disagreeable odor. A narrator (or an actor) should always put their talent to the service of the text. Brick does the opposite: the text is a mere tool, serving his desire to display his talent. Another reviewer (Mary) finds him too sarcastic. It's true that he often sounds sarcastic, but the problem is much deeper than that: no matter what he's emoting, he's always in-your-face, a relentless, repeated injection of puerile, inappropriate melodrama into the text every chance he gets. He seems incapable of simply letting the text guide the feeling of his voice --- to the point that it's sometimes hard to even understand what the author is saying, because Brick is in the throes of his need to display some strong emotion or other. There's nothing wrong with a talented multi-dimensional narrative, and I'm not advocating dull neutrality, nor am I failing to see that Scott Brick does have considerable potential. But compare him with Simon Vance: a superb narrator who has an even greater range of voices and moods than Brick, yet NEVER allows it to get in the way of the text. Brick would do well to study this difference. His performance on Spin reminds me of nothing so much as the rantings of a Southern preacher, voice dripping with exaggerated softness at one moment, and searing with melodramatic ham-rage at another. Until I have evidence that he has fundamentally changed his approach to narration, I'll avoid his books.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
The premise of this book is straight out of the Twilight Zone: someone or something has encased the Earth in a mysterious, black field that causes time on the planet to slow down. For every day of Earth time, centuries pass in the rest of the universe. Stars and the moon disappear, and the sun is replaced by an artificial simulation. No one on Earth knows how or why, though many religious groups believe it to be the beginning of the end times.
Some writers would have launched a conventional whiz-bang action story from here, but Wilson takes a more contemplative, Bradbury-like approach, imagining the changes both large and small that "the Spin" brings to the lives of his main characters and to society at large over twenty years or so. Of course, one of the characters happens to be a brilliant scientist working to solve the mystery before the ever-expanding sun engulfs the solar system, which leads to some interesting plot choices involving the use of evolution as a tool within a sped-up universe.
However, the story is more focused on its characters as they come of age in this strange new reality, with much of the science fiction-y stuff happening offstage, and being recounted by the narrator. Wilson's in no hurry to show us who's ultimately behind the curtain (in fact, if you hadn't noticed, there's a sequel), but the speculation and human drama offer plenty to keep the reader absorbed (even if it does get more than a tad soap opera-ish here and there). I think that anyone who appreciates reflective science fiction in the tradition of Bradbury or Clarke will enjoy this book.