Story was very original in the way it is written (well to me, I have not read any like it). Rare you almost (but not quite) want to root for the bad guy.
Very well done! voices were great and consistent. Easy to tell who was talking.
I enjoyed "confessions of a d-list supervillain" so much i went looking for similar books. I found this one and wasn't disappointed. The only thing i didn't quite enjoy was the cyclical nature of some of the characters.
Yes, if you liked the movie Megamind, you'll love this book.
Wonderful performance by both narrators.
Wow. What a great book! If you haven't heard of this yet, are you in for a treat. This was one of the first of the Watchmen-type superhero books, funny and smart and well-written. The readers are first-rate, as well, and it's a pleasure to spend the time listening to this. My only regret is that his new book isn't available yet!
There was a lot of potential, but the story seemed a little flat. I was waiting for something more, and it never materialized.
Humours book based on a supervillian's rise to the top. If you've watched the movie Megamind you can relate this book to what Megamind was going through. Lots of humor, super hero battles, revenge plotting and evil genius abound! Definately worth the read if you are into the not-so super hero genre. No graphic deaths or mayhem, just good clean family oriented evil :)
Man, half the time i was wondering to myself if the makers of Megamind optioned this novel before they proceeded, because the portion of the book narrated by the supervillain sounds so much like the titular cartoon character, that it's almost as if Will Farrell was parodying the performer of this audiobook. (run-on sentence much?)
The first third of this book was massively engaging to me. It was a uniquely voiced take on the very familiar superhero genre. I equally enjoyed both points of view, both that of the villain, and of the hero, herself a newcomer to a Justice League-type hero team.
However I the book started losing a lot of steam when i realized that the majority of the story was going to be given in flashback. That is a really terrible way to tell a story: to set up present events and then spend 75% of the book having the characters recollect past events. Why? It was just so unnecessary. One example: Near the beginning when the hero gave a quick summary of a past event wherein one of the heroes sacrifices their own life. I thought it was brilliant. Then later on when we got an excruciatingly detailed description of the same event i was rather frustrated. That same problem repeats over and over again. Near the end i kept thinking they must be done with all the backstory exposition, but nope, they just kept going.
So ultimately the book runs out of steam and the ending is fairly unsatisfactory. It's too bad. I really enjoyed the setup. I really didn't mind that so many of the character archetypes were ripped straight from the DC mythos (CoreFire=Superman, Blackwolf=Batman etc) because i like to see authors have fun outside the box with those familiar characters. However this book just can't quite pull everything together in the end. A decent effort, however flawed.
Having said that, if there was a sequel wherein the characters moved FORWARD instead of spouting nonstop exposition, then i would totally pick it up.
***** for Boehmer's performance
***1/2 for Marlo
Grossman's story of superpowered heroes and villains promises far more than it delivers. It starts off promisingly enough, if a bit slowly, introducing us to Dr. Impossible, a full-on genius mad scientist with just enough physical enhancements to allow him to take improbable beatings from the array of heroes lined up to oppose him.
The story alternates between Impossible and Fatale, a cyborg heroine in search of the meaning of her own existence as she fights crime, and her own starry-eyed expectations, in roughly equal measure.
"Soon I Will Be Invincible" tears into the superhero mythos, exposing the messy, complicated innards of the glossy origin stories featured in nearly every comic and movie. Unfortunately, Grossman's attempt to blend the over-the-top superhero tale with a world-weary modern style falls flat more than it soars, exposing the ridiculousness of the tropes without truly embracing what makes us love them in the first place.
Further, the performances in the audio production include mispronunciations by both narrators that jar the listener from the story even as we attempt to connect with it. Coupled with uneven reading styles, especially in the early parts of the story, the production falls as flat as Superman in kryptonite boxers.
It is definitely among the top 10 of the top 100 books I've listened to.
I loved the evil of Dr. Impossible and the voice acting of Paul Boehmer in that part. He really brought the character to life.
Absolutely...I didn't want to turn it off but there was homework to be done.
I like Jack Reacher style characters regardless of setting. Put them in outer space, in modern America, in a military setting, on an alien planet... no worries. Book has non moralistic vigilante-justice? Sign me up! (oh, I read urban fantasy, soft and hard sci-fi, trashy vampire and zombie novels too)
I don't know how I ended up with this book but I liked it. It's a super-hero book but is not childish or silly like I expected. It actually looks at characters and their motivations from a mature perspective. If it weren't for the supernatural talents the characters have, it could have been like a traditional thriller with well-developed characters.
I think that's the surprising part of it all: how believable the characters were in a book that has characters who have unbelievable abilities. And the moral isn't as light as one would think, coming from a comic book.
The narration is excellent. There are two main characters, each with their own narrator, and they were perfect for their roles: supervillain complete with the evil cackle and a thread of goodness wanting out and superhero with emotional issues and a hero-worship complex.