Yes - pleasurable, easy read and well paced
The author is a good storyteller, plenty of plot twists and interesting characters
Weak, strange pronunciation of words at times, female characters don't sound female
Saving the world by assaulting hell
I loved this story when I was young. The imagination, plot and creativity are entrancing.
The reader. That's a different story. Seems as though whoever he is, he did not read the story before recording it. Not good. Unfortunately it seems he has provided the reading for the other stories.
It's kind of a shame. It really is a fantastic story.
David and Leigh Eddings create loveable characters and wonderful worlds in their books. The audio captures it, but to really savor it requires a book.
Too many really. Sparhawk returning home in the rain in chapter one stays with the reader.
He is alright. The voices of the character differ from those I created as I read, but it is enjoyable.
No. I love to savor it. Like a feast. not devour it like a goat eating grain.
I love the Eddings. I miss them and wish them well in their afterlife.
Take the focus off the witty banter and put more into a story. The overall series story was generally interesting but it was so weakly described it felt watered down.
God no. With all the hanging sentences I began to wonder if he had a mild form of Tourettes.
Inspire, no. I finished the series out of base determination, but will not get the next Sparhawk series.
The story is only ok. Not a lot of character development across the trilogy and the plot is predictable from time to time. If you like complexity like you find with Sanderson, Butcher, Jordan, Martin, etc., this book well leave you wanting.
I finished this trilogy, and that's because I am a completist by nature - but it was a challenge to stay with it. However, a family member swears that other Eddings titles are better so perhaps I will give him another go, especially now that there is a return option.
How did he not? Every line is delivered in the same sing-song canter regardless of the scene's mood or differences between characters. There is no variance in accents from character to character, only voice pitch changes. After about 1 hour, I would have to shut it off as the narration became so distracting that I really began to hope that Sparhawk would ride off a cliff so I could stop punishing myself (at this time Audible had no easy return policy so I was stuck).
Abbey should stick to voicing Teenage Mutant Ninja Turtles and other animated characters.
I liked the character names, and a couple of the supporting characters were quite good. I only wish they had been developed and tested more. I truly believe that had I read the book instead of going with Audio, my experience would have been a bit improved. The story is alright but could be better.
Thank god for Kalten. He was the bright spot in this book.
I've enjoyed this story since I first read it when I was fifteen, and it's remained one of my favourites ever since. Eddings has a way of taking a remarkably simple concept - "warrior finds out his queen is in danger, must assemble a party and go on a fetch-quest" - and fleshing it out into a rich, intelligent narrative. The worldbuilding was what originally made me fall in love with this trilogy, and it held up very well under a more critical reread over a decade later.
I've got a weakness for stories where the protagonist has already gone through their basic trial by fire. I like following strong, capable people who have a sense of themselves and the skills to back it up, and so the Elenium is a dream for me. The main characters have all been doing this for a long time, so we're spared a half dozen versions of the same character flaws of insecurity, inexperience and rashness. Sparhawk is clever, strong, and competent, a character whose head actually enjoy sitting in, and the rest of his band are diverse in their skills and failings. Most of the villains are even painted as complex individuals with varied motivations; I might loathe Annias, but I can understand why he does what he does, and he's not an idiot about it.
Reading other reviews, I was a bit nervous about Greg Abby as a narrator, but I quickly came to enjoy his performance. He's clear and expressive, and while some of his vocal choices don't sound like I imagined for the characters, they have real life and personality. My only note of criticism is a familiar one - Sephrenia is well-voiced, but many of his other women are a little bit unfortunate-sounding.
(It may be worth noting here: I've seen more than one person comment on Abby's apparent mispronunciation of the word 'hierarchy'. The word he's actually saying there is 'heirocracy', which is a term for an ecclesiastical government.)
Not this performance.
NO! There ws a older audio version that was better. Not great but a lot better. Odd pronunciations.
No, but the story was good.
I'm going to just cut to the chase and review the whole Elenium rather than just this first book. I read the books in print several times before listening to this audiobook and I had very specific ideas of how I wanted this series to be done and this fell short of that hope. It took me a long time in the book to get over the way that certain names were pronounced and I wasn't too thrilled with the narrator's female voices. I did think that the narrator did a decent job for the most part though once I got over that. I like the story overall, it is a solid epic fantasy series full of magic, gods, knights, and thieves and the characters are lovable if brutal and violent at times. They tend towards banter which I always enjoy. Once I got into the series I was captured by it and I did like the narrator for the Elenium far more than the narrator for the Tamuli.