I previously read IQ84, and I find Murakami's writing to be engaging. However, there were a lot of very disturbing images and ideas in this book. I certainly wouldn't read it again
but I couldn't stop reading, once I started.
Delicate. Harsh. Intense. Subtle.
Everything I never expected or could ever have seen coming. Considered life and the concept of time from different dimensions and points of view. How is this not a five star? Weird and awkward and delicious and bizarre.
Murakami writes a fascinating story about different people/beings who in different ways relate to each other, both litterally on the story-line and on more profound metaphysical levels. The performance of the readers was on its own worth listening to - both readers give soul to the generally blurred and complicated characters in the story. In short, 'Kafka on the Shore' is one of the best audiobooks I've listened to and it's highly recommendable.
It keeps you hooked all through the book. One of the best narrations I have heard! Loved it! Highly recommendable.
To me it was like reading an adult version of “Alice in Wonderland,” just not as good.
This is the first book I have ever read by the author, Haruki Murakami, and I found it quite different, if not bizarre. Perhaps it was because it was a translation from its original Japanese language.
I found the story sometimes boring, and sometimes interesting. I felt I was left hanging at the end of the book and was disappointed after all of the time I had invested in the story. Were we supposed to figure out on our own whether Saeki was Kafka’s mother or not? The story was never concluded, which for me was a bummer.
I did like the character Nakata. He was the cat finder who was simple minded, but why did he have to say he was “simple minded” so many times in the book, again and again and again?
I never did figure out who the “Crow” represented in the story. He appeared a few times, but I never could understand why.
I know that many gave this book good reviews, however, it wasn’t that good for me. I have another one of his books on my Wish List ''The Wind-Up Bird Chronicle” which also had excellent reviews. I am going to have to think twice about purchasing it before I choose a different book by a different author on my Wish List.
Narration by Sean Barrett and Oliver Le Sueur was excellent.
Will read just about anything. Favourites include Tom Robbins, Umberto Eco, Michael Connelly, Chris Brookmyre, Julian Barnes, James Joyce, Tim Butcher, Barbara Kingsolver, Ettienne van Heerden, Deon Meyer and ....
Everything. Funny, challenging, suspenseful, magical, gripping.
The slaughter of the cats. Not a favourite moment, but a memorable one.
Their pacing is superb.
Nothing is at it seems.
If you haven't discovered Murakami, you should.
Yes, I would recommend it. It may not be everybody's cup of tea as it leaves many things unanswered and puzzling, but I found it utterly captivating and couldn't wait to get back to it each time I had to put it down (if that's the right phrase for an audiobook). Murakami is a challenge in many ways (I've read others of his books) but he's constantly fascinating and engrossing and, lord knows, highly inventive.
I also loved On Such a Full Sea by Chang Rae Lee which is a dystopian novel set in a future Baltimore (called in the book B-Mor). That, too, had fantastic and thought-provoking elements and was equally captivating.
I was delighted to realize that Sean Barrett was reading the Nakata sections as I have been a fan ever since I listened to Bleak House read by him and Teresa Gallagher (a sensational performance by both of what is undoubtedly one of the best books in the English language). Oliver Le Sueur was new to me, but he was terrific.
No, it was much too long for that, I think, and I listen primarily while I'm driving.
Murakami is a wonderful writer and not to be missed by any serious reader.
Cryptic. Dreamy. Adolescent.
Overall, I find the Nakata-storyline to be the most interesting. The storyline about Kafka was good too of course (and somehow feels like the main story to me), just not as interesting.
Both narration-wise and character-wise I really liked Ooshima
Moved as in made me a little queasy, yes. The thing with Johny Walker.
I've heard that Murakami himself said this book is supposed to be read several times to find new connections and metaphors baked into the text. But there are parts of the book which is just really strange, and acknowleged as such by the characters as well with no further explanation.
I wouldn't mind this, but some of these things (such as the rains) just feel kind of cheap. I'm sure they had some intended metaphorical meaning, but I didn't get quite get it.
The narration is really good apart from the names, especially Saeki. Despite the names I really enjoyed the narration quite a lot, the one doing Kafka is especially good.
First off, there's no doubting the amazing imagination of Haruki Murakami. However, he has chapters of absolute and total brilliance and chapters of smug ramblings disguised as deep philosophy and culture.
The brilliant parts - the Nakata character and everything surrounding him and his life. Characters like Johnnie Walker and the Colonel were amazingly constructed and Murakami describes everything in such clear, vivid detail that I could effortlessly imagine everything happening as if I was watching it on a screen. Some of the imagery was so unbelievably revolting that you think "where on earth did Murakami think this stuff up?" but that's exactly how it was supposed to be!
Nakata was absolutely adorable, like a wise Buddha who hasn't the foggiest idea of his own wisdom. It was easy to fall in love with him.
The narrator who did the Nakata chapters was brilliant, he WAS Nakata for me. I think he may be an older gentleman because his Hoshino voice, while uniquely done, portrayed Hoshino as some middle aged Cockney fellow right out of Eastenders, not as the 20-something long-haired trucker that he was supposed to be. A bit weird at first, but you get used to it and can easily forgive it.
However, interspersed between the chapters involving Nakata were the chapters about the 15-year old kid, Kafka and his adventures. This is where the book falls down a bit. Imaginatively created - sure, but there are too many flaws to forgive so easily.
1. The narrator chosen for these chapters has to be the worst narrator I've ever heard. He reads as if he's in a junior high school classroom and Teacher has asked him to read aloud to the class. He feels his reading ability is above the other kids and he reads with an air of superiority and smugness. However, there's no understanding, empathy or emotion whatsoever to his reading. He reads everything in a smug, know-it-all monotone voice. Every character sounds the same. As I'm listening, the only thing I really want to do is smack this narrator hard! The best I can say about him is that he didn't trip over his words.
2. Maybe it's because of the narrator, or it may be because Murakami has totally forgotten what it's like to be a 15-year old boy, but Kafka reminds me more of a young man about 20-21 or so. Way more confident than any 15-year old kid I've ever known. Mostly though, where it really falls down is where the copious amounts of sex/masturbation are involved. Do you know of any 15-year old who happily and confidently talks about masturbation, his superior bedroom skills and describes his, ahem, member, in quite loving and graphic detail? To be honest, I couldn't care less about Kafka and didn't care at all what happened to him, the arrogant so-and-so. That's not good when the story is supposed to be about him and you, as the reader, are actually supposed to care about him.
3. Murakami throws in a lot about philosophy and lectures about classical music. On the surface, it all "sounds" deep but scratch a bit and there's just emptiness. It's as if Murakami read some books and wanted to show off how much he knows about stuff but with the illusion of depth. Lots of knowledge, no real understanding of the human condition involved. It's as if he wants the reader to feel inadequate and stupid.
OK, despite all of this criticism, I still think Kafka on the Shore is a great book. Every chapter not involving Kafka is so brilliantly and imaginatively constructed that they alone make the entire book worth listening to.