I love the Prey series and have listened to almost all of them. I haven't heard Invisible Prey which maybe would have alerted me to this narrator. His narration is great, Lucas' voice is great but why would every woman in the story sound like a whiney dingbat? I think Sandford writes strong female characters and even our buddy, Dell, sounded like a whiney dope. I would recommend reading this one yourself. Great story as they always are, the narrator missed the boat.
Not really money well spent. The story is good, but the narrator reads the female villain in a horrible whiny nasal valley girl tone that was annoying at first but by the midway mark made me grit my teeth. I began to put on fast speed during her scenes. Totally ruined all suspense and interest in her as a character.
The female villain and her revelation should have been (and was in the paperback) but moment/impact ruined by terrible narration of her voice.
The female villains voice!! All other woman and all other books by this narrator are fine, just seems to be this book and this character. Why why why he read her like he did is beyond me.
I think the whole Prey and Virgil Flowers series would make a good tv show.
All the Prey books are great and I live them all. The narrator does a really great job on all other books and all other characters. The reading of this book was just a little off for some reason.
Ok. Let's get real.
Yes, the narration runs hot & cold, just like all the other prey books. However, in this book, he narrator has turned 'the fairy' character into Tangina in Poltergeist. I kept waiting for her (him) to say "go to the light".
The story is totally over cooked. There are far too many characters to even remotely follow. Less than halfway through, I gave up on trying to keep track of who was who. And since all the voices were basically the same, it's easy to not care.
I've listened to all the Prey books that audible offers in chronological order and this is the weakest, by far. Had I not already prepurchased more of the series, this would have been my last one.
I truly have loved the Prey series until now. This one goes "a little out there", and I had a hard time believing it was necessary. Bringing in the sci-fy type charters just felt strange. Rather than reveal any more of the story, suffice it to say it is not a typical Prey story line.
This book was not my favorite of the Prey novels, but more because the story felt too outrageous, than for any other reason. I love Lucas... in fact, I think I have a crush on him and this book did not change that. Ferrone's performance is right on as always. I really hated hearing the one female character speak... it grated on me, but that was exactly what it was supposed to do. Even in the novel, her voice was described as "high and younger, like a valley girl" and that's exactly what Ferrone gave us. Admittedly, it made the story frustrating to listen to at times, but I think the listener is supposed to be annoyed with that character and it was not enough for me to give up on the novel.
Although the story started a little slow for me, it quickly picked up kept and the excitement going. Thoroughly enjoy Richard Ferrone's narration.
Yes. I enjoyed the twists and turns in this book. While I thought I had the ending all figured out in the early parts, I was later dissuaded by artful storytelling. When I got to the end and was right all along, I was still quite satisfied.
Once they started to go after Lucas that had me listening closely - he has a propensity for getting hurt. You'd think he'd be a bit more careful by now.
All of the prior books in the series. I started with Field of Prey because it happened to be advertised and I loved it so much, I've started at the beginning of the series and this is as far as I've gotten. I love the storytelling. The cop work isn't quite in line with my experience, but this description of it makes for better storytelling. Three hours of report writing to every one hour of serious police work (like on at a crime scene or with interviews) would be very boring.
They're too long to listen to in one sitting. Plus, I like to let the details resonate. I usually start a book while driving to the parent's house, 4.5 hours. Then I listen for an hour or so each night as I'm relaxing in bed and I finish it off on the drive home. His books are timed quite nicely for this practice. My recent roadtrip to Seattle (7 hours away) and all the intermediary driving jaunts allowed me to listen to 2 books! Yeah me.
Too much has been said and resaid in the reviews about the cloying nature of voice used to depict one character which is shortsighted and unfair. Sorry, but here's a tiny bit of a spoiler alert. Using a cloying sounding voice to depict a person who is suffering a psychotic break and is an altered personality for the time being is a useful and reasonable tool in audio book production. I thought it was done with good finesse even if the voice was slightly annoying - the murdering psychopath was slightly annoying too.
Loved every minute.
Can't imagine reading one of these when it's much better to listen to Richard Ferrone!
One of the voices was really, really annoying! Luckily the voice was not enough to ruin the experience. Other than that it was a great book and performance.
I really felt that the author was going through his paces with this one. But it may be that what made it less than enjoyable was one of the voices the narrator used. It was just annoying.