Loved how it made my imagination fantasize in new peculiar ways! The situations were brilliantly portraited in an old Moscow that just envelope you. And oh the tales from Pontius Pilot! Exquisite reading. Thank you Messiah.
The jury is still out on the story - at the moment, I don't like the fact that Satan is benevolent in the tale, because he is definitely NOT like that in reality - but I felt compelled to review this book for the superlative performance. It is a sublime to experience the reader getting on the inside of each character, and giving the voice, intonation, accent, etc. that suits the character to perfection. His rendering of Woland is the absolute tops. I just finished - and feel like starting over just to hear again this genius of a reader.
Would love to see this as a movie or play...it's so visual. Charting the characters names would have been helpful since many are called by more than 1 name. I will read this again when I have time to reread the references and more of the historical reality being satirized.
A relieved "Yes!" I have recommended the written version again and again over the years, and am happy to say I can now recommend this audio version, as well.
It's possible that comparable elements might be found in other books, but there is no one book out there that is quite like The Master and Margarita. Ask anyone who's ever read it and s/he will likely say the same.
I discovered this book in my early twenties and have read it maybe seven or eight times over the years - every time there's been a new English translation, and once or twice just to visit an old friend. I am 50 now, and this treasure of a novel just keeps giving.
As a person who tends to have a hard time choosing any one "favorite" thing, I don't use the term lightly. My fellow book lovers will understand, then, the depth of my gratitude to Julian Rhind-Tutt for not ruining my favorite book of all time.
He did more than not ruin it - in fact, he nailed it, with great energy and precision. So much so, that I began to think he must love this book as much as I, and so many others, do.
His character voices were excellent (thankfully, the hilariously depraved Behemoth is rendered flawlessly, as is his comrade-in-irreverence, Koroviev.) It seemed to me a good choice to use a variety of British/UK and other western European accents, as opposed to Russian ones; It made the humor, in particular, just that little bit more accessible to the English-speaking listener. Having said that, Mr. Rhind-Tutt seemed to have no trouble with Russian nomenclature. I don't speak Russian so I'm no expert, but his pronunciation was at the very least smooth and consistent.
Turns out Julian Rhind-Tutt is a fine actor. My biggest concern was that he'd miss some of the moods of this complex novel, but he caught them all - the snark, the slapstick, the darkness, the restlessness, the passion, and the poignancy - and all with the same deftness. I was already somewhat familiar with his work in movies and various BBC series, so I know him to be an engaging performer. However, as fans of audio books know, listening to a good actor narrate a good book is a peculiarly intimate experience. I now have new respect for Mr. Rhind-Tutt. In particular, he captures - surprise! - Margarita beautifully.
When I purchased this audio edition over a year ago, I found myself avoiding listening to it because I feared it might be a disappointing experience. I'm glad that last weekend I finally decided to give it a chance. Everyone knows there is no harsher critic than a disappointed fan; Mr. Rhind-Tutt may consider himself officially Worthy. Other TMAM fans rejoice! A thousand thanks to the producers & director(s), and, most especially, to Julian Rhind-Tutt.
No. It needs to be savored.
This story is unexpected and surprises you at every turn. You really can't see where it's going. Really a fun listen.
The character of the devil was never who you thought he would be.