For the Connelly fans, this book is a little different. Missing are his two great characters, Detective Harry Bosch and Attorney Mickey Haller. Not missing is Connelly's ability to tell a story that holds the reader's attention. The Poet, whose villain reappears in one of the Harry Bosch books, has two main characters, Reporter Jack McElvoy and FBI Agent Rachel Waller. Their adventures are worth the read and as is usually the case with Connelly characters, they have enough warts to make you appreciate the good parts. The story has enough twists and turns and clues and red herrings for anyone who likes this genre. Connelly fans will miss Harry Bosch and non-Conelly fans will want to try more.
It's not just the dated references and the wow isn't the internet amazing moments meant to blow your mind, it's the whole mid-90s, Kiss The Girls, complicated plot, genius serial killer premise.
It was silly and long! At times fun and engaging, but between the engaging bits were lots of long, wordy, uninteresting parts.
Don't do it. I'm sure somewhere on the Internet there's a version starring Ashley Judd or maybe a Lifetime movie starring Mare Winningham. Either way it will be just as silly but more economic in the savings of your time and money.
This might be a great book but I couldn't finish it. If you are squeamish about cruelty and graphic descriptions, you'll want to give this a miss.
Jack McEvoy's twin commits suicide, but Jack doesn't believe it, thus begins the search for the truth. And boy, what a search it becomes: a one man struggle to find out what really happened to his brother that puts his own life in danger. He's a reporter that makes a huge discovery that ends up involving the FBI with one agent in particular, Rachel Walling working closely with Jack (very closely indeed) on the case.
This is an extremely intriguing 'who done it' that kept me up til the wee hours of the morning, just to find out what would happen with the bad guy, and this one has twists and turns aplenty, even after you think the case is solved.
The narration was very good, but I did switch back and forth between listening and reading.
"The Poet" is a very good police procedural, but not exceptional. A reporter tracks a serial killer through some unpredictable plot twists.
But, for me, the narrator raised this into 5-star territory. Even the most minor walk-on parts have their own distinct voices, and have more individuality than Connelly gave them. I was very impressed.
Interesting plot, but the writing itself is often awkward. The few suspenseful moments and paired with long periods of time with little happening. Characters are one dimensional. The narration was also often awkward and poorly acted. Overall, not very good. I definitely will not listen to this one again.
I have enjoyed every Michael Connelly book so far. The Poet was a standout. The story line moved quickly and the characters were varied and well developed. The plot twists kept you wondering what would happen next. I hope there are more books based on these main characters.
Retired former magazine editor who is working harder than ever as Mr. Dad to his 13-year-old daughter.
This was a good book and well on its way to five stars when, for some inexplicable reason, Connelly decided to add one final twist in the last hour or so before it ended. I saw this twist coming and I kept saying aloud, "no, no." But my pleas went unanswered. Up to this point there were enough twists to hold my interest in what I thought was a very well-told story with excellent narration by Schirner (despite the British pronunciation of pEdophile which drove my to distraction). Jack McEvoy is a much more likable character than Henry Bosch, although he possesses some of the same human frailties. Most of the other major characters in this book are well conceived and are in sync with the story line. I would have ended the book differently and tied up some of the remaining loose ends. But maybe that's why Connelly is a best-selling author and I'm not (although we both graduated from the University of Florida). I'm listening to The Scarecrow right now, which is another McEvoy novel. I probably should have listened to The Narrows first, but don't ask me why until you finish The Poet. It's well worth the Audible credit.
I first put down this book because suicide is a sensitive topic and I had a hard time making it through the first half hour of dwelling over suicide/depression etc.
After that I kept getting fed up with the 'getting the story' aspect of the book. The journalist gets criticized for being a journalist and sometimes he does act kind of sleazy trying to get his story.
If you can make it through that there is a good murder mystery with some good plot twists.
Reading, the arts and physical activity clarify, explain, illustrate, and interpret life’s goods and bads.
The Poet tells one tale of an FBI search for a pedophile infanticide; which then morphs into a second story of deception and trust. In the first, one might say the good guys get their man, but not without loss of life and virtue. In the second story, the lack of blind trust in love is the genesis of the tributary tragedy. The book is a page turner as is any Michael Connelly novel. Michael Connelly does not hesitate to bring one to the edge of horror, but thankfully does it with literary panache rather than putrid descriptions. Connelly’s style is the more effective. An extra added excitement in the tale is the interlacing short references to Edgar Allan Poe’s work. Not much, but enough to give the story additional depth, found memories of prior readings of Poe’s poems and stories, and an essential carry through theme between the two tiers of stories. If one wants to be entertained, one can certainly find it in The Poet.