Thanks to Audbile.com for getting this to us unabridged. Thank god. There is just no point in listening to a book that should be 20 hours, "trimmed" to 3 hours. If this whole series is released unabridged, I'll buy them all.
This book was one of the first fantasy novels I ever read when I was a kid. Listening to it now I find it to be as fun as I remember. Although now that I'm older and wiser, I can't help but notice the blatant Tolkien themes. I'm not talking about stuff found in every fantasy novel but actual parallel story lines. Those who didn't like the book because of this are missing the point that this is simply a great entertaining tale. On another note: Although I thought Scott Brick was an excellent narrator for Robert Littell's "The Company"; he didn't get into the characters for the Sword of Shannara. Roy Dotrice from George RR Martin's "A Song of Ice and Fire" series would have been better. If you haven't read that series your missing out on the best the genre has to offer.
Like many others I read the Sword of Shannara and the subsequent books in the series many years ago and was happy to see it available in audio format. I have no problems with the similarities of this story to other works of fantasy because there are enough differences in the overall world created by Terry Brooks for this work to stand on it's own merit.
For certain this is typical fantasy fare, the struggle of a heretofore ordinary individual thrust into fighting against the threat of an eternal evil. Scott Brick is an excellent narrator and I am fine with his representation of the characters. I never expected him to present them to me they way I created them in my head so many years ago and his efforts on this series are typical of his work. What I am not fine with is the fact that this book is nothing extraordinary yet it costs twice as many credits as many far superior works of fantasy.
I actualy enjoyed the next 2 books in the series more than this one because after this book Terry Brooks takes things in a more unique direction and those stories are more original. The Elfstones of Shannara for 1 credit is a much better offering than this book for two.
My advice - pick up two better fantasy books for your 2 credits instead of just this one. I am glad that picking up this book allowed me to spend more time with Shea and Allanon; however, if I did not have the bias of my fond memory of reading this book from long ago then I would not feel like those were 2 credits well spent.
I purchased the Shannara Series. Now I wish, I had not. I got to the point I was skipping chapters and felt I had not missed anything of any importance’s in the book. I have never done that in the several hundred audible books I have.
The narrator did a fine job. The story just seem to drag on and on and on.
This is a classic. I'm so pleased its been released at last in unabridged format: When Flick Ohmsford and his brother Shea are visited by the mysterious druid Allanon, their lives change for the worse, as they are hunted across the country by the minions of the evil arch druid and his skull-bearing horde of undead.
While many of the elements in this first book in particular, remind me a bit of Tolkein's classic work, the books have plenty of fun characters. I also really liked the narrator's voice. He did an excellent job! A++++
I've tried re-reading the paper version of the Sword of Shannara several times since I first read it in middle school, and the book has always seemed to drag so much that no matter how hard I can't finish these re-reads. Despite my hopes this did not change with the audiobook--it was just as boring and monotonous as the paper version. What really got me with this 'read,' however--since I was expecting it might drag--is how much the book lacks consistency and believeability. The narration or characters say something in an early part of the book, and then the characters do or say things in later parts that contradict this. The main characters have staunch opinions on concepts like government and society that you would expect from a scholar-taught, despite the fact that before the book they've never been more than a two-nights' journey from their small village, are the sons of an inkeeper, and grew up in a world where books are described as rare, precious things. I understand this was Brooks' first book when he was young, but I can't wonder whether his editor gave him any criticism at all, for all the inconsistencies.
Absolutely not. Fantasy can be an amazing genre, and while Brooks doesn't represent it well in this particular book, there are books of his that do, not to mention the many other fantastic storytellers in the Fantasy genre.
Quite honestly, out of the fifty or so audiobooks I've listen to, this was the worst narration I've heard thus far. It might very well have put the definition to "melodramatic." And, as others have mentioned, the characters' speech and thoughts were virtually indistinguishable from the narrative text unless followed up or preceeded by cues from the text. I had hoped that the audiobook would take out some of the lull of the middle parts of the part that always lost me when reading hard copies, but if anything the fact that Scott Brick's tone has two styles, "melodramatic" or "obscenely melodramatic," might have made those parts worse than in the paper copy. It certainly destroyed any parts of the book that were well-written. I'm disgusted by the fact that the unabridged version of the next book in the series is also Scott Brick--it was always one of my favorites in the Shannara world, but I simply cannot listen to another book with this narrator.
I would recommend who hasn't already given Brooks' other books a try do so. While this one was certainly a disappointment to me--and seeing the comments, many others--I quite enjoyed the paper copies of many of the other Shannara books.
Being the first book the writing is a little off and feels like a Tolkien ripoff, but it gets better and Brooks becomes a great great storyteller.
HOWEVER, the narration is absolutely horrible. Scott Brick uses over the top dramatic inflections. He sounds like a bad bad William Shatner mockery, but he is for real. He sounds really snobbish too, it's completely distracting and really ruined the book for me.
I went into this book fully aware of its reputation as a Tolkien knock-off. That didn't bother me in the least. And it turns out that I find negative comparison to Tolkien unfair and irrelevant.
What actually makes this audiobook unlistenable has nothing to do with its questionable creative origins. It is a combination of gutwrenchingly bad melodrama, death by self-congratulatory exposition, and a narrator who just feels like he's along for the ride.
I'd say that if you are new to this genre, you'll enjoy this book. To me --reading it for the first time in the year 2008--seemed like the storyline was too similar to others in this genre. And there were too many convenient coincidences for my taste. I've heard later books are more interesting so I might give them a try.