It seems that a lot of the characters interaction seemed forced and/or unrealistic. Items and ideas just seemed to be inserted and accepted without a lot of thought, which seemed out of place. Plot devices like the conspiracy, the big virus, the librarian and other things that just appear in the story seemed more like deus-ex-machina than anything else. I thought it was pretty clumsy attempts to move the story forward for the most part. What made this worse is that it was inconsistently bad. There were liberal sprinkles of interesting dialog, action, and plot. But truth be told it just made the bad parts stick out more. In all I got the impression that this book needed a good editor to make it shine. It has all of the elements, it just seemed rough around the edges, often, and that kept throwing me out of the story.
No, and I might try reading the author's books again too. Just going to be a bit more cautious about it.
he made the characters and the worldview concepts interesting and the dialog smooth. If it were anyone else I would not have finished the book at all.
I really liked the concept of the world and the way the different characters existed in it. The virtual world and how people worked with it was fascinating as The descriptions of the corporations and syndicates and how they existed in the world was also very neat to hear.
So far the two Neil Stevenson books I have listened to, Snow Crash and The Diamond Age, have proved to be very entertaining and thought provoking. The techknolodgy he creates as part of the setting and times is both imaginative and maybe even wildly plausable. I think for me , what sets him apart is his sense of humour. The combination makes for a very enjoyable read.
I get that this book was groundbreaking and has been massively influential on our culture, both literary and otherwise. However, I could not make myself finish this thing. I made it almost to the end and just stopped caring. Neither of the two main characters are particularly likable and every idea in this story has since been done better in other books. I couldn't get over how pretentious the whole thing feels--I could hear the smug satisfaction in Neal Stephenson's words. He frequently spends entire chapters explaining details that aren't relevant, or going on about history lessons that the reader's already figured out. The world he's created doesn't always make sense, either. Why would there be a company for the United States Government, if there's no United States? I made it well past the 75% mark and I still didn't understand half the motivations for the growing cast of characters. Doesn't help that the sound quality flickers back and forth--I found numerous examples where entire sentences just got washed out in bizarre distortion effects, and there's a large chunk later in the story where they just forget to mention what chapter they're on. It's not a terrible story, but it's got almost no merit now that all of its ideas have been done better since its release.
The reader was fine, though I found it a little annoying he kept pronouncing "Katana" as "Kuh-TAN-uh" instead of "Kuh-TAHN-uh."
Compulsive reader, compulsive listener.
Snow Crash is probably one of the best all-time science fiction books ever written. Genre-savvy enough to poke fun at itself, but packed with erudition as well. (Well, what do you expect from Neal Stephenson). The characters are interesting and engaging, and the plot appropriately-paced. As a computer professional and a language wonk, myself, it's one I always come back to.
Johnathan Davis' performance is surprisingly good. He manages to make each character's voice memorable, and has a decent facility with a range of accents.
This is great SF -- intelligent, interesting, well told, very well written, involving, and in this case hillarious. The audio book also has excellent narration. Of all books I've listened to from Audible, this is my top pick.
I love the fact that the reviews of "Snow Crash" are so mixed -- if someone doesn't give it a 4 or 5, they give it a 1 (and probably only because they can't give it a zero). It's probably very much a function of your personality: if you're the right type, it'll grab you and you'll love it. Otherwise, it'll seem stupid, boring, and pointless. I'm in the former group: I love it!
Either way, you won't have anything to complain about in the narration, in my opinion. Jonathan Davis does an excellent job.
i've been avoiding Snow Crash for ages, despite the high recommendations of my friends. in this case, i'm glad i went for the audiobook, because the reader they chose really made the listening a huge pleasure. the story is fast-paced, very entertaining, and rather amazing for how closely it parallels some of what is happening today. highly recommended.
I haven't been a reader (or listener) of science fiction for years -- since I was a teenager -- but I bought "Snow Crash" because I recognized the author's name as a major s.f. writer who had won awards (and I was attempting to understand why my teenage son was so enthralled with s.f.). I'm glad I did -- this book was great fun to listen to. The reader was good, the plot imaginative. Maybe not Great Literature, but definitely great escapism.
Avid in Car listener who commutes about 3 hours per day. Audible keeps me sane in LA traffic.
My second Neil Stevenson book that leaves me wishing there were more to hear. Excellent use of multiple story lines that merge into a final climax. Though the ending is slightly weaker than that of Snow Crash it is a good thrilling ending. Lot of subtile and not so subtile action and great technology thread through the story. A excellent book.
This one caught me by surprise. Because of the description on the back cover, and later of course the description in the Audible Listing, I honestly did not think I would like it. In fact that is why I avoided buying it in the bookstore, and then for the longest time here on Audible, until one day I heard a review on 2GB (an Aussie Radio Station) that favorably compaired the book to the Gibson Novels, and I thought to myself - give her a go!
You'll not be sorry you listened to this - and I might add that the babble inlays that seperate the chapters add to the intensity of the book once you fully appreciate what they represent. While I sincerely hope that the world never grows to be what this book presents, it still makes pretty good fiction, and what my dad would call a fair dinkum stunner!
As I listened I constantly found myself stunned by the fact that the predictions I made for the plot direction were not accurate. It's like diffi-q, in that there is more than one right answer - but either way, here is another title you'll be glad you had the opportunity to hear. Way to go Audible!