Joe Gransden has built his brand on multiple levels, perhaps best known as big band leader, heading up the 16-piece group of jazz musicians that filled Café 290 on Monday nights for more than 12 years and continues to entertain at venues and events around Atlanta and beyond, as well as performing with a variety of combinations for a variety of gigs, from restaurants to corporate parties to his own popular jam sessions.

At 57, Roderick Harper is gaining steam. A versatile artist with both jazz and R&B albums, he calls on a background that started as early a small child singing along with TV commercials, through early lessons in the American Songbook and a minor in jazz studies at Southern University, to a performer audiences love for the passion and integrity of his singing. Mike and Kevin talk with Roderick in between two nights of his performances, accompanied by Kevin, at the Atlanta-area jazz club, The Velvet Note.

Every Elton John has his Bernie Taupin. Jerome Kern had to have his Oscar Hammerstein. Even Duke Ellington needed a Billy Strayhorn or Irving Mills or Bob Russell. Point is, a song isn’t much of a song without lyrics, and how lyricists and composers work together, if unique to each pair, is one more example of the cooperation involved in making great music.