The Swans of Harlem

Five Black Ballerinas, Fifty Years of Sisterhood, and Their Reclamation of a Groundbreaking History

De: Karen Valby

Narrado por: Karlya Shelton-Benjamin, Sheila Rohan, Lydia Abarca Mitchell, Marcia Lynn Sells, Khadija Tariyan McKinney G., January LaVoy

Duración: 10 h y 12 m

Resumen del Editor

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now.

“This is the kind of history I wish I learned as a child dreaming of the stage!”—Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy

“Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!”—Tia Williams, author of A Love Song for Ricki Wilde

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.

These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.

Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

©2024 Karen Valby (P)2024 Random House Audio

Reseñas de la Crítica

A Most Anticipated Book from The New York Times, The Washington Post, Vanity Fair, Goodreads, The New York Post,Town and Country, Oprah Daily, AARP, Cosmopolitan, The Week, The Millions, Book Riot, and Arlington Magazine

“If [The Swans of Harlem] were just a quest for cultural redress, the result might have been a dusty scroll of the Swans’ ballet bona fides. It’s by getting personal that it leaps high…Valby skillfully maps the ugliness of a segregated art form…All of this [history] is absorbing. Yet it’s the odd details that shine brightest…There’s so much meaning and humanity in this kind of minutiae…The moral of this important and tear-stained book is actually a reminder: Bare oneself, fly into the grandest of jetés and live free.”—New York Times Books Review

“Karen Valby’s The Swans of Harlem brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams. This is the kind of history I wish I learned as a child dreaming of the stage!”—Misty Copeland, New York Times-bestselling author of Black Ballerinas: My Journey To Our Legacy

“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell’s founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It’s thrilling to watch as they join forces at last and claim their unique place in American ballet’s past, present and future.”—Margo Jefferson, author of Constructing a Nervous System

Superb! Well written and informative

This was a great book which provided background and did s full circle from describing early black ballerina treatment to current day.