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La malnacida [The Bastard]
- Narrado por: Sol de la Barreda
- Duración: 6 h y 19 m
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Resumen del Editor
El poderoso debut de Beatrice Salvioni, ganadora del Premio Calvino 2021, vendido en 28 idiomas antes de su publicación
«El indiscutible fenómeno literario del año. [...] Un libro magnético».
Irene Hernández Velasco, El Confidencial
Monza, Italia, 1936. Francesca, de trece años, yace a orillas del río Lambro bajo el peso de un hombre muerto que ha intentado violarla. Su amiga Maddalena se arrastra desde el agua y la ayuda a zafarse del cuerpo, que esconden entre unos arbustos. La relación entre las dos adolescentes comenzó un año antes, cuando Francesca quedó fascinada por la rebeldía de la que todos llaman «la Malnacida», de origen humilde y siniestros poderes. Contraviniendo la voluntad de una madre obsesionada por las convenciones e ignorando las malas lenguas que achacan varias muertes a la Malnacida, Francesca se unirá a su pandilla para descubrir una nueva forma de vida rebosante de libertad. Sin embargo, la guerra y el fascismo pondrán a prueba su vínculo, y las dos amigas deberán decidir si aliarse contra la opresión social y la injusticia o dejar que el curso de la historia las separe para siempre.
La Malnacida es el fulgurante debut de Beatrice Salvioni, premia_do por la Scuola Holden que dirige Alessandro Baricco y que, antes de su publicación, ha conquistado a treinta y dos editores en el mundo.
La crítica ha dicho:
«Una pequeña joya que resulta imprescindible y confirma que las letras italianas en femenino están viviendo toda una revolución».
Alberto Sisí Sánchez, Vogue
«Hay primeras novelas que fascinan por su fondo y hay primeras novelas que fascinan por su forma. La Malnacida lo hace desde ambos puntos de vista. [...] Sus reflexiones, sus escenas ásperas y sus incómodos escenarios parecen salidos de [...] manos experimentadas como las de Elsa Morante, como las de Alberto Moravia o incluso como las de Elena Ferrante. [...] Léanla».
Sonia Fides, Público
«La malnacida es llamativa por su dureza y por la sensibilidad con la que narra la historia de amistad -y en cierta forma de amor-».
Diego Moreno Bermejo, El Debate
«Un debut narrativo brillante, vital y hermoso».
Forbes
«Impecable y cautivador. [...] Un soplo de aire fresco».
Gudrun Palomino, Papel en blanco
«Con un final luminoso, Salvioni, pone el broche de oro a una historia llena de justicia e injusticia, de rabia, pero sobre todo una historia sobre el poder del amor aún cuando lo que reina es la miseria humana».
Pilar Martín, EFE
«La calidad literaria se nota en las primeras páginas. [...] Con una fuerte carga social y política, está plagada de empoderamiento femenino y la lucha contra el fascismo. De verdad que no deberían perderse este libro, qué manera más bárbara de escribir. [...] Un fenómeno literario al que no le deberían perder la pista».
Ana Rivera, Diari de Tarragona
«Al leer La Malnacida, se entienden enseguida las razones del aplauso colectivo anticipado. [...] La amistad poderosa y visceral entre dos jóvenes diferentes y complementarias recuerda, por momentos, a La amiga estupenda».
Leonetta Bentivoglio, La Repubblica
«Una madurez lingüística y un dominio de la narrativa que sorprende y fascina. [...] Beatrice Salvioni [tiene] la habilidad de imaginar universos literarios en los que resuenan grandes temas contemporáneos».
Giuseppe Lorenti, Il Venerdì
«Profundamente conmovedora: [...] una lectura emocionante que nos recuerda la importancia de abrazar la libertad y de luchar contra la opresión».
Sufy, Librered
Please note: This audiobook is in Spanish.
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Lo que los oyentes dicen sobre La malnacida [The Bastard]
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total
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Ejecución
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Historia
- Rosaura
- 06-23-23
Muy oscura
No me gusto, me pareció demasiada rebuscada, muy largos los párrafos y aburrido, demasiado descriptiva
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esto le resultó útil a 1 persona
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Total
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Ejecución
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Historia
- Edna
- 08-23-23
Muy molesto de escuchar.
La historia es interesante, sin embargo, las descripciones en su mayoría fueron alargadas sin ser necesarias. La narración consta de cantos que molestan que tampoco eran necesarios pues pudieron dejarlos a la imaginación. Además, al estar a un volumen alto y ser grotescos, interrumpían la narración por lo que la escuché en velocidad rápida la mayoría del tiempo. Me arrepentí de comprarlo. La historia no tiene fin. Es como haber escuchado para nada, y para colmo, un audio con "cantos" y dramatizaciones molestas. Mientras hablaba para narrar estuvo bien, cuando intentó dramatizar, terrible.
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