On Audible since the late 1990s, mostly science fiction, fantasy, history & science. I rarely review 1-2 star books that I can't get through
For my money, Peter Hamilton is the best writer of space operas working today. Like all of his books, this one has a cast of many characters, frequent shifts in perspective between at least 8(!) storylines that initially seem unrelated, some great action sequences, lots of interesting speculation about far future technologies, and an occasional need for an editor.
This book takes place 1500 years after his last two-book series (Pandora's Star and Judas Unchained). Some of the characters from that series are still around, due to the virtual immortality provided by future medicine, but knowing the previous books is not required, though it will make some of the story more interesting.
As the first book of three, this one starts a bit slower than Pandora's Star, but builds over the first third or so of the audiobook to become a really compelling story that weaves together the stories of a far-future hitman, the leader of a religious movement, a semi-omniscient AI, a young woman launching a business career, and a young man who initially seems to be living in a fantasy novel. And yet, as the story comes together, these desperate elements weave together into a story about interstellar intrigue and an upcoming event that could threaten the galaxy.
I thought this was an excellent start to a new space opera, much better than Hamilton's Nights Dawn series, but not as immediately action-packed as the previous Pandora's Star novels. Some segments run a bit long, and the occasional sex scenes can seem a trifle gratuitous, but if you like sprawling novels with dozens of characters (think George RR Martin, but in space) and innovative space opera spanning dozens of worlds, this is a great, very well-read choice.
I am a huge fan of Peter Hamilton, and, if you like the kind of epic hard-ish space opera that he tends to write, this is yet another amazing novel. It moves from the far future of his recent books to a single-volume near future adventure, but all of things that make Pandora's Star or the Void Trilogy great are here. But, for new readers, you should know that Hamilton tends to write a very specific sort of novel, and this is no exception.
So, here is what you should expect: As in all of his novels, it starts a bit slow, as Hamilton throws you into the world with little explanation, while the viewpoint switches often between many well-rounded characters, most of whom have obvious mysteries in their backstories that will only be slowly revealed. The book therefore takes a bit of patience as a result (though it is never boring) and Hamilton takes his time filling in the details of his plot. As a reader, I find the journey from confusion about the world to eventual understanding to be a huge amount of fun, and it is a pretty standard approach among the best epic space operas (think Alastair Reynolds or Iain M. Banks). If you don't like the same progression, you may wish the novel had more info-dumps, and fewer characters.
There are lots of other standard Hamiltonian elements as well. There are gateways to other worlds and hardboiled detectives who won't give up the case. There is detailed technology (especially military technology) and top-notch worldbuilding, including governmental and economic elements left out of most other science fiction. There are the usual (very) slowly revealed mysteries and complex wheels-within-wheels plot elements. There are lots of high-powered action and adventure sequences. And, at the heart of the (really long) novel, are some fundamental mysteries that keep you listening late into the night.
In short, this is Hamilton at the top of his game, and is much tighter than a lot of his previous work. If you love epic near-future science fiction, this should be an instant buy. Your patience in figuring out the details of the world will be well-rewarded, and the reading is superb.
I assume you won't listen to this until you have listened to the previous 100+ hours of books in the Commonwealth Universe. That is, I assume you wouldn't even be reading this review unless you were already a fan of Hamilton. If you are, I have good news! This book is great, and shows real evolution in Hamilton's writing.
If that worries you, it shouldn’t: there is a lot of typical Hamilton here: we return again to the Commonwealth Universe, old characters re-appear, the book title is again bad, the worldbuilding is incredible, and the plotting is propulsive. And the man can write action scenes!
But some things have changed, nearly all for the better. For example, the two dozen character perspectives that Hamilton typically uses are reduced to just a few, allowing the reader to better settle into the characters and the story. This is combined with a slightly shorter overall book (closer to 20 hours than the usual 30+) which makes the plot feel tighter and more focused without losing the worldbuilding and detail that Hamilton is famous for. Also, the way Hamilton has traditionally built up the central mysteries in his books is by having characters with secrets in their backgrounds that are only revealed gradually as the book goes on. Here, he greatly reduces his use of that crutch, making the twists and turns in the plot involve less unexpected slight-of-hand, which helped me engage with the plot.
Finally, Hamilton does some very clever things with the plot of the book, building up expectations based on the previous Void Trilogy that are subverted in interesting ways. The end result is that this feels like the best written Hamilton book to date, while keeping all of the usual cool elements - hard(ish) science fiction worldbuilding, universe-scale action, and tight plotting – that have made his books so great. And Lee, as usual, is awesome.
Honestly, if you have spent 100+ hours with Lee and Hamilton, you probably are going to get this. Just be ready to find excuses to listen to your audio book, because it is excellent…