The plot is quite simple: a scientific expedition isolated in Antarctica discovers a long-frozen alien ship, and a long-frozen alien corpse...
"Who Goes There?" is one of the top science-fiction novellas ever published. Well written, carefully thought out plot, (mostly) realistic characters and setting. Although the plot revolves around alien monsters, the interplay of the human characters makes the story very real and very well-balanced.
In addition to being a great story in itself, many of the themes and concepts have crept into many places in sci-fi and horror. The 1950's movie, "The Thing," and John Carpenter's later remake, are (loosely) based on "Who Goes There?".
William F. Nolan's narration is good, if a little slowly-paced. He is hampered by the fact that there are about a dozen speaking characters (all men), and making them all sound distinct is rough. I think a professional narrator might have done a better job, but Nolan's narration is more than acceptable.
The audiobook edition opens with a 6-or-7 minute introduction written by the narrator which provides background on Campbell, the story and "The Thing." Useful, but longer than needed.
An excellent dystopian view of the future, "Make Room! Make Room!" shows a world that is depressingly believable...vastly overcrowded cities, failing infrastructure and the struggle to secure the basic necessities (especially water) dominate every-day life. The book is very prescient; it reflects current concerns over environmental destruction and exhaustion of natural resources, which seemed remote and hypothetical when the book was published in 1966 (only 4 years after "Silent Spring" started the environmental movement).
The novel is written as a police procedural set in the New York City of 1999. Making the protagonist a detective was effective as it allowed the reader to see many aspects of the "Make Room!" world in a natural manner. However, between the setting and the realities of police work, the book is very bleak.
The movie "Soylent Green" was loosely based on "Make Room! Make Room!" Very loosely. More accurately, the movie setting was taken from the book and some of the plot elements, but the story, the themes and the conclusion are very different. For example, there is no "soylent green" in the book at all. If you've seen the movie, you haven't read the book, or vice versa.
Those who want to study such things might want to compare "Make Room! Make Room!" to the more antiseptic future envisioned in "Brave New World" (which was written about 35 years earlier).
Summerer's narration is quite good. He really pulls the listener into the story, and his reading is well paced and the characters are voiced distinctly without much apparent strain on Summerer's part, or the listener's (it helps that there aren't really all that many characters).
In conclusion, an interesting, if depressing, listen.
God Emperor of Dune compares well with the original Dune, better than the previous two sequels (Dune Messiah and Children of Dune). It doesn't quite measure up to the standard of the first book, but few books, anywhere, do.
Warning: God Emperor of Dune is the third sequel to Dune. Ignore this book until you are familiar with Dune and the first 2 sequels.
It is 3500 years since Leto II Atreides donned his living sandtrout armor. Leto is now a living deity as well as galactic emperor...prescient, super-intelligent, supremely strong, vengeful...and more sandworm than man. Arrakis is now lush and green; the sandworms (except for Leto) are all but extinct. There is no more spice, excepting centuries-old stockpiles.
This is Leto's Golden Path...the future for humanity that he foresaw and planned 3500 years ago.
Like most of Herbert's Dune books, this book has an operatic feel...it moves slowly and most of the book is taken up with dialogue. The story really is the people, their motives and their schemes. This book revolves almost entirely around the title character (more so than the prior books), but, then, the God Emperor is the dominant story of this time and place.
The narration is very well done; Simon Vance narrates most of the book, with Katherine Kellgren reading the occasional female-dominated chapter and Scott Brick delivering the epigraphs at the start of each chapter. Three excellent readers who did a great job.