I ignore genre labels. Some of my favorite books are outside my genre comfort zone. Listening to audiobooks is still reading. Not theater.
But not quite. And my issue is tiny enough I can still recommend this book quite highly.
Ms. Moyes does a great job of taking a controversial issue and helping you see it from a fresh perspective. The issue isn't quite as intense as assisted suicide, as she tackled in her most recent book. But it is still polarizing - repatriation of illegally obtained valuables and personal items during a time of war. This book takes a fresh look at the issue and the perspective she crafted was quite ingenious. She takes a step backwards from the more common storyline of evil Nazis and the pillage they committed during World War II and sets the events in motion during World War I.
The story is told from two perspectives, almost 100 years apart. Two women who are terribly different - one who continues to fight and to hope long after everyone around her has stopped and one who seems to have stopped fighting and hoping a long time ago. Through the artwork they share, the strength and righteousness of Sophie gradually becomes imbued in Liv.
The narration was wonderful, especially Sophie's voice. But both narrators performed multiple characters and accents beautifully.
Here is my one tiny complaint. I will try and express it without giving the ending away, but the resolution in Liv's story has one too many last minute reprieves to me. I felt like I was brought to the bring of resolution, only to find out it wasn't once too often.
I finished the book terribly satisfied. It is the 3rd book I've read by this author. I will definitely read another one and I recommend this one highly.
I had read a few audiobooks and had even joined Audible. But until I read this book I did not understand the magic of the format. Before reading this book I had no interest in1) romance 2) science fiction or fantasy and 3) time travel genres. I'd heard enough about the series that it piqued my interest because I loved historical fiction. Especially the period of time I knew the book covered. And I always found the challenge of tackling a big book rewarding.
This book changed so many of my perceptions of genre and reading format. While I still argue that though there is definitely a romantic and sexual relationship at the books core, it was only one part of the adventure. It still doesn't fit the romance genre to me, but it did such a good job of weaving romance and sexuality into the adventure it made me curious to read more traditional romance novels and see if they handled the topic as well. They didn't, but I discovered other good books I never would have tried of not for Outlander.
Likewise, other than Anne Rice's Vampire series which I had read many years ago, this was one of my very rare ventures into fantasy-science fiction. Setting aside my understanding of reality to accept someone else's is always difficult. But reading Outlander and the subsequent books in the series, I found myself trying to work out in my mind how this might have happened. It encouraged me to explore this genre more thoroughly as well. Even more surprising, it made me evaluate my perception of "time", what it means and how it works. I found myself paying more attention to physics and the study of the time and space relationship.
The twists and turns of the plot kept me turning the page just like the best mysteries I read. While reading the book there were enough unanswered questions, clues and short glimpses of scenes or events that caught my attention and made me store them away to remember "when all was revealed." But all was not revealed at the end and I found myself turning over these clues and snippets, trying to determine their significance, what I thought they meant and what their purpose was. One requirement of a great book is that you cannot get it out of your mind after you turn the last page. This book met that criteria. I thought about it for weeks.
Most importantly I learned that other voices can bring a whole new level to the reading experience, if it is the right voice for the right book. I would have enjoyed this book regardless, but if I read it myself and heard my voice in my head the characters would never have come so alive as they did in Davina Porter's voice. This is a perfect marriage of book and narrator. I was so surprised when I later discovered more about Porter's age, experience and background. She made a 21 year old Scotsman come to life. Her voice is Jamie to me. She handled each character wonderfully, although it is the first and only time I have ever listened to a book or series of books and thought a woman narrator did a better job on the men's voices than she did on the women's. I have loved hearing how the narrator has aged the character's voices throughout the series. You hear the young Jamie in the middle aged Jamie's voice, but you also hear the growth and maturity. I have accepted the narrators in the Lord John series, even when the book includes Jamie and actually think they are narrated well. But I am not certain I could accept another narrator for future Outlander books.
Finally, my initial interest in this book was from a historical fiction viewpoint. A good historical fiction novel, by Bernard Cornwell or Sharon Kay Penman sticks to as much historical fact as possible but presents it in an engaging and relate-able format. It makes you interested enough in the times and events that you will endure the dry-er, less lively recitation of facts of that same event or time in a nonfiction book, just to learn more. Outlander and this series delivered that in spades.
All of the Cynster books Recorded Books produced with Simon Prebble narrating are worth listening to, if only to wait for and truly appreciate the way he says "... and ... then ... she ... shattered!" That alone makes these books listen-worthy. It is in every single book. Wait for it...
Devil's Bride seems to be considered Ms. Lauren's best work. I probably agree. It started off with a very unique twist, especially for an historical romance. And the two main characters are both larger than life. I give Ms. Lauren's credit for creating heroines every bit as brave and stubborn as her heroes. And I also like that in her books it is typically the man who falls first and he has to work hard to convince the woman of his dreams to take him on. I also appreciate that she puts a plot in each of her books. It may not be plausible or complicated, but it is much preferable to so many historical romances that focus solely on the relationship between the two main characters.
But again, Simon Prebble's narration alone makes this book and all of the Lauren's books he narrated worth listening to. I doubt that I would ever have picked this book up in paperback.