Some people may be put off by the academic language and many references to history (which a widely-read person will recognize), especially early in the book. For me, my patience was pretty quickly rewarded. Listening to the sample will give a good sense of this. This author is digging through (and mapping out) something absolutely vital: what we see as good, right, wrong, by ourselves and in groups, and then, how we really act in situations that challenge us in these ways. The author takes us through history and all kinds of ways of thought from ancient times through the present (spanning philosophy, various branches of science, folkways and religions, tracing right up into the recent cognitive psychology) showing the sort of grab-bag we use, in arriving at who to be, what to do, and how to react. I find the language to be crackling English prose with an ideally English narrator, but I admit I do have a high verbal IQ and lots of education. If you like to take apart what you and others feel and do, and you like a bigger context in history and various ways of thought, it's ideal.
This work has changed my thinking and everyday experience -- my highest praise. It's not that I swallow whole every assertion made there about a narrative flow of the "end of the world," though a credible if very non-rigorous model is sketched. This is not a formal work trying to bring a microscope to the exact problems we face as a species. What uniquely grabbed me was the radical approach to meaning and experience that peels off every comforting and supposedly "safe" surface or refuge and instills an amazing vertigo and bracing penetrating discomfort about -- pretty much whatever one clings to. I admire someone with the courage to rip into my stodgy mental structures and at least shake them up. And aside from its content, its form is arresting too. I think this a great performance in the audiobook genre specifically. The narrator's intonations coupled with the writing style make it a work and experience of -- philosophizing art -- an incisive commentary and a prose poem in the same moment. The least appealing parts to my mind were perfectly fine (and occasionally brilliant) descriptions of modern art works and their rhetorics -- I preferred when the author put his mental scalpel right into the stuff of everyday experience and thought, and turned the same in effect inside out. If one wants to open doors of perception, there's no need to make recourse to drugs. Just strap this sucker on and take a walk, anywhere. It is like walking inside a vast many-faceted work of art.
People more versed in such schools as poststructuralism may not have this beginners' delight in the arresting clashes with the comfortable I find here. That's my next stop.