I've read this book several times -- never seen either of the film adaptations -- so I knew the story well. I thought it would be fun to have someone read it to me for a change.
It was. I loved the introduction at the beginning -- told a little bit about the book when it was published in 1953, when Ira Levin was just 23 years old, about how it was received back then. That set the stage.
Suffice it to say that the audible version is a total delight, doesn't disappoint in the slightest. It's stood the test of time very well -- nothing in it is old, everything could happen just as easily today as it did back them.
Most fascinating was thinking about the mind of the author, Ira Levin-- how he could come up with this innovative plot, then move on to works like 'Deathtrap', surely one of the most pleasantly confounding plays ever produced. Then to move on to the Nazi thriller, 'The Boys from Brazil' then 'Rosemary's Baby' -- a very different genre.. After that, 'Sliver' -- also outstanding -- and 'The Stepford Wives', a classic in its own right And all this from an author who's first produced play was the comedy "No Time for Sergeants"!
I've loved every one of Levin's books for different reasons. I'm so happy the Audible made "A Kiss Before Dying" available in audio, and hope that both 'Sliver' -- which is much like 'Kiss' in many ways -- and "The Stepford Wives" will be available soon, too. Although the film version of that, starring Katherine Ross and Tine Louise, of all people, was very good, it doesn't compare to the written version. Levin's books are really are classics, all of them. I know I'll listen to "Kiss" again and again. It's just a very very good book.
One of my favorite series of all times, these books by Susan Hill featuring the enigmatic Simon Serrailler, the non-doctor, third-of-a-set-of-triplets, contemplative sort of police detective who outdoes Adam Dagleish every time. "The Various Haunts of Men" is the first in the series, and while not exactly required to read or listen to them in order, it helps.
This book has everything -- story, fascinating and complex chatacters, family issues, a baffling crime (ie series of crimes), plenty of tension and maybe most importantly, a whole string of people you come to care about, many of whom continue into subsequent books.
Susan Hill is remarkable. No one creates characters like she does, and no one spins original stories with more veracity. These are people you know, with all their strengths and faults, their hidden sins and unexpected virtues.
Steven Pacey's narration is perfect -- just the right pace and tone.
The only real problem with these books is pacing yourself -- there aren't that many, and you can only read them for the first time once.
Starting back in the mid 1980's, I was one of the few lawyers who was trying to defend rural landowners like the Roberson's, the endangered protagonists of "Breaking Point". When I say "trying", that's what I mean: As author Box suggests, these federal agents operate outside the Congressionally-enacted law, with unpublished rules and regulations, to the point that it's almost impossible to clear your clients in these cases. Besides, if you try to fight back, they just throw in more charges -- again, as Box suggests. The best you can do is to try to work out some plan that will let your client keep some portion of his land -- although by the time they get done defending themselves, most abandon the farm. Everything they valued has been destroyed. It got so bad that by the mid-1990's, I had to quit. I decided that if I had another sobbing farm wife sitting in my office, listening while I had to explain that there really wasn't much that could be done other than to work out a "deal", I'd go crazy myself. Like my clients, I too walked away. It just hurt too much.
A few things in "Breaking Point" are fiction: I never had a client kill, or even try to kill, a federal agent -- but I did have two who killed themselves. The trauma of having your farm -- in your family for over 100 years -- plowed, planted and harvested every year -- suddenly declared a "wetland" and therefore off limits, subject to horrendous penalties if "disturbed", is just too devastating. Can planted acres be a "wetland"? Indeed. Under federal law, a "wetland" is determined by soil type -- it has nothing to do with its being "wet". No self-respecting duck would ever look at this land, let alone land there. All that's required to constitute a "wetland" is a particular soil type -- merely that the land WOULD SUPPORT hydrophytic vegetation IF IT WERE wet, is enough. Kafkaesque, certainly, but entirely true.
There's more in this book than just the trauma faced by the Roberson family -- the range fire at the end, the tense escape, is one of the best white-knuckle scenes in history. Box is so good that you can picture the whole thing, feel the heat.
As far as I know, C. J. Box is only one of two popular authors who dares to make federal agents the 'bad guys' in some of his books -- P. T. Deutermann being the other. And why not? It's not just pharmaceutical company owners, businessmen, religious leaders and Republicans who do bad things, as virtually every other contemporary author would have you believe. Sometimes there are rogue federal agents, too.
I love Connelly's Bosch novels and normally, an author of gets better with age. Having said that, I wasn't expecting this first book in the Bosch series to be as good as the later novels in the series.
This book is probably one of my top 2 or 3 favorites!!
Connelly manages to weave together a very intriguing and complex story!!
I kept saying to myself, "This Story is going to have SOOOOOO many holes", but he masterfully ties up all the loose ends.
The reader does a good job as well.