Retired former magazine editor who is working harder than ever as Mr. Dad to his 11-year-old daughter.
I've liked all the books I've listened to by this author, but this might be the best one so far. Scott Brick did an excellent job of bringing out the slime that comprised the antagonist. I like my bad guys to be really bad, and Asad Khalil is about as slimy as they get. John Corey makes for a good character as does his wife. Boris was quite interesting too. But make no mistake about it, this book was titled The Lion for a reason. A riveting and satisfying ride.
This book would have gotten three stars but I really liked the character of John Corey, who raised it up to four stars for me. The middle 80 percent of the book seemed like the same stuff over and over again. I enjoyed the buildup to the conclusion, but prefer books with closure. The Lion is on my "to-listen" list and I hope that DeMille has done the right thing by letting our terrorist friend rest in literary peace at the conclusion of that one. Meanwhile I'm continuing to follow Corey's exploits by beginning a listen of Night Fall on the commute home today. It's my fifth DeMille book. He's a gifted author.
With the possible exception of the protagonist, Jack Graham, the characters in this book were a little too over the edge to believe. Still this was a story that kept you listening and presented some interesting ethical questions. Even beyond the question of ethics were a number of damned-if-you-do, damned-if-you-don't situations. The book was chock full of bad guys and you would be hard pressed to decide who was the worst. I'll listen to more of Baldacci.
This book is for people who like James Bond, Jason Bourne, and all those other super-ninja Gary Stu action heroes fueled by atomic testosterone. Except if you pay attention, Trevanian is laughing at you. Shibumi shamelessly exploits every single cliche in the genre and then sneers at them. Trevanian's mockery of American culture is acidly funny and not particularly affectionate. Sometimes the self-aware satire and the angry derision seem to blend together.
“It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.”
So what to make of a book where the main character is named Nicholai Hel? His mother was a Russian aristocrat, he was born in Shanghai, he was raised by a Japanese go master, and in the aftermath of World War II, he becomes the most ninjaest ninja ever. He learns Basque while spending three years in solitary confinement and so he moves to Spain to hang out in Basque country with his Afro-Euroasian concubine who is lovingly described as a collection of all the best body parts from the sum total of her ethnicities.
The plot is your basic revenge thriller: Hel's ties of duty and obligation bring him into conflict with the Mother Company, which is the umbrella organization representing all the world's energy interests and pretty much controls the Western world. In between snappy dialog in which Hel shows off how he is just so refined and Shibumi and shizzle with derision leveled at every Western country (the Brits, the French, the Italians, and the Germans all get it in the neck at some point, but no one more than Americans), there are action scenes where Hel proves he can do everything from cave diving to killing people with playing cards, equally over-the-top sex scenes 'cause of course learning to kill and play go also makes Hel totally awesome at the sexing.
What elevated this book above the schlock it is pretending to be is the vicious satire and the clever writing. Trevanian could write some sophisticated literary pulp fiction. He was having fun while poking his readers in the eye. He plays it straight all the way through: Shibumi reads like you are supposed to take it seriously, but you can kind of hear his snicker echoing in the main character's dialog. I suspect the racism and sexism was part of the performance. This is a Men's Adventure novel for the cynical hipsters of the 70s, back before appropriating Japanese culture was what all the cool kids did and the idea of structuring a killer thriller around the Oriental game of go (yeah, Shibumi uses words like "Oriental" unironically, and also refers to Arabs as "goat-herds" and portrays all the Arab characters as cowardly gay terrorists) made all the literati who wanted to read something a little more masculine than J.R.R. Tolkien groove on Trevanian's way cool, like, deeep understanding of Oriental culture, man.
Sorry, I can't mock Trevanian nearly as wittily as he mocks me.
This was a fun novel, entertaining on multiple levels. It really does have the tone of a literary author slumming in a chanbara cinema.