I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Which is more impressive in this audiobook, the fairy tales of Oscar Wilde or the readings of them by the assembled famous British actors? At their best, Wilde's stories are exquisitely beautiful and painful and reveal deep understanding of the tragedy of the human condition (mortality, inequality, prejudice, selfishness, and hatred), as well as its transcendence through generosity, self-sacrifice, beauty, faith, and love. The readers are perfect, with wise, compassionate, and flexible voices and deep understanding of each word they say and of each scene they depict.
Special highlights are Dame Judi Dench reading "The Nightingale and the Rose" so full of wit and emotion, Jeremy Irons reading "The Devoted Friend" with a surprisingly wide range of voices for different characters, Joanna Lumley reading "The Star Child" and moving me to tears, and Robert Harris reading "The Happy Prince" and moving me to tears, too, especially whenever he says, "Swallow, Swallow, little Swallow." Sir Derek Jacobi reading "The Fisherman and His Soul," Sinead Cusack reading "The Birthday of the Infanta," and Sir Donald Sinden reading "The Selfish Giant" all do fine jobs with fine tales.
The only dud (forgive the pun) is "The Remarkable Rocket," which, despite Geoffrey Palmer's excellent reading and despite the interesting concept (sentient fireworks talking about their upcoming royal display) is finally a mediocre joke that long overstays its welcome. The only disappointment is that the cover art says that there is a bonus track of "The Actress" read by Elaine Stritch, but it's absent from the audiobook.
Anyway, I highly recommend this excellent audiobook.
In The Children???s Homer Padraig Colum weaves The Iliad into The Odyssey to make a single narrative in two parts. He begins the first part with the scene from the Odyssey where Athene recommends Telemachus to embark on a voyage to search for news of his father, and then has a minstrel, Nestor, Menelaus, and Helen narrate to Odysseus??? son the major causes and events of the Trojan war. In the second part Colum closely follows the sections of The Odyssey from Odysseus??? leave-taking from Calypso to his arrival back home at Ithaca. As the subtitle of Colum???s book reveals (The Adventures of Odysseus and the Tale of Troy), Odysseus here becomes the focal point of both The Odyssey and The Iliad.
Colum keeps many of the humorous insults, terrible battles, moving conversations, cultural textures, vivid similes, fantastic elements, and epic flavors of Homer???s epics in his 4.5 hour book. Perhaps due to his young audience or limited space, he also leaves out many impressive things, like Achilles repeatedly dragging the body of Hector around the walls of Troy, Odysseus visiting Hades, and Odysseus executing his serving women after having them clean up the gory remains of his slaughter of the suitors. The English translation seems faithful and strong, though it does favor thee, thy, and thine, as well as ???archaic??? forms like hast and spake.
I believe that although any reader (from child to adult) should really listen to the unabridged Homerian epics (of which there are many excellent translations and readings available on audible), if kids would be daunted by their length or more graphic gore, this would be a good choice, for although much shorter than the originals, it is not dumbed down and retains their grim view of mortality and vibrant view of life. And Robert Whitfield (Simon Vance) gives his usual elegant and assured reading.