I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
I eagerly purchased this audiobook of T. H. White???s complete The Once and Future King, because for a long time Audible only had the individual books available. And I loved the first four books, which begin with the halcyon fantasy of The Sword in the Stone, in which the boy Arthur (???Wart???) is educated by an anachronistic Merlyn. The scenes describing the daily life of a medieval castle during different seasons are vivid and beautiful, while those recounting Wart???s fantastic adventures and transformations into various animals are imaginative, suspenseful, and humorous. White loved and respected flora and fauna (even snakes), and this first book is encyclopedic and fantastic, dense and rich, absorbing and moving.
From the second book, The Queen of Air and Darkness, which opens in the cold north as Queen Morgause boils a black cat alive while her four sons are telling the story of their grandmother???s rape by Arthur???s father, begins the increasingly dark movement of the novel, centered on the tragedy caused by Arthur???s family history and the romantic triangle between himself, Guenevere, and Lancelot (The Ill-Made Knight). In the 2nd through 4th books White most closely follows Malory, though he also moves the era forward from the 11th to the 15th century and empathically imagines how medieval men and women felt and thought with modern psychological insight. At the same time, he writes plenty of joie de vivre, questing and combating knights, and fascinating details about medieval life (food, fashion, feudalism, etc.).
The novel really concludes with the 4th book (The Candle in the Wind) as the last battle between Arthur and Mordred is about to begin, but this audiobook then adds The Book of Merlyn, which may be good for completists, but which I found disappointing, as on the eve of the last battle Merlyn takes his former pupil off for a night of anachronistic political and philosophical debate with Badger and company about why humans wage war and what might be done to prevent it. Apart from Arthur changing into an ant and a goose to experience two different social systems, there is little ???story??? in this last book: too little Arthurian Matter and too much Whiteian Musing.
Jason Neville does a marvelous job reading the long work, effortlessly giving different characters distinctive voices and personalities without over doing it (so that, for example, his female characters sound like human beings rather than like a man imitating ???women???). And his King Pellinore reminds me of John Gielgud.
I recommend this audiobook for anyone interested in the Matter of Britain or philosophical and well-written fantasy.
Listening to Peter Pan read by Christopher Cazenove was a delightful and moving experience, a story of exuberant childlike imagination (in which the line between make-believe play and real adventure is blurry) with an undercurrent of painful adult loss. One moment we are laughing at the pathetic pirate Smee, the unlucky Lost Boy Tootles, the conflicted Captain Hook (who can never resolve the dilemma of ???good form???), or the playful narrator (who likes to hint at doom on the horizon or to remind us that we are after all only spectators), the next moment we are sighing at the sadness of Peter Pan???s existence or at the inevitability of maturity and mortality. Wendy and Peter playing at being and almost becoming the parents of the Lost Boys is affectingly humorous and sad, because it is not quite the real thing and because it cannot continue.
Christopher Cazenove???s reading of the book is flawless and engaging (just as is his reading of Howard Pyle???s The Merry Adventures of Robin Hood). He doesn???t need to change his voice dramatically to represent different characters, because his emotional engagement with them is so affecting.
I love Barrie???s fusion of ideal (joyful innocent play) and real (heartless selfishness and forgetfulness) childhood. He channeled his conflicting feelings for children, childhood, parents, and adulthood into a charming and moving classic. If you???ve only ever seen the Disney version of the story, or if you???ve never experienced Peter Pan in any form, I highly recommend this audiobook version of it. I know that I???ll listen to this book again many times.
Ralph Cosham does a fine job of reading Alice's Adventures in Wonderland and Through the Looking Glass, using a clear and engaging voice and avoiding trying to do too much. That is, he does not strain to alter his voice too much for the different bizarre characters, sticking close to his appealing natural speaking voice, while at the same time expressing plenty of emotion and color, depending on the situation. I like his approach, because it allows me to savor Carroll's text more fully than do the readers of some other versions available through audible.com, readers who change their voices for the different characters to an almost grotesque and distracting degree.
And the text, of course, is wonderful: full of Carroll's unique blend of nonsensical logic and logical nonsense and philosophical conundrums and questioning of identity and reality and language and humorous parodies and dreamy and nightmarish fantasy and melancholy love and sweet nostalgia, all revealed through the many funny and colorful, severe or rude or mad or childish adult-figures through whom Carroll fascinatingly interacts with Alice.
There are three minor problems with this audio book, however, that prevent me from giving it five stars. First, the sound is a little muffled. Second, no sooner does Cosham read the last word of one chapter than, without enough of a blank space, or pause, his voice startles the listener by saying the chapter number and title of the next chapter. Finally, the moving and beautiful closing poem that Carroll wrote for the end of Through the Looking Glass is missing from the audio book. Nevertheless, I recommend this audio book for being perhaps the best one (in price and quality) among the unabridged versions available through audible.com.
Anne Hathaway did a good job with so many different voices but I had a hard time with the voice of the Scarecrow because it sounded like Marge Simpson. Listen to the sample on audible then go to youtube and listen to Marge Simpson it was too close to being the same voice I just couldn’t picture the Scarecrow in my head because the voice was Marge! That was the main voice that was just wrong and it took me out of the story, the rest of her voices were good with a few being annoying and some just not fitting, like a valley girl voice just seemed out of place. I guess I liked her narration overall I just wish the Scarecrow had sounded different.I would recommend this audiobook even with Marge Simpson cast as the Scarecrow! Anne does bring many voices to the mix maybe at times too many because some of them don’t seem to belong in the land of Oz but what do I know I’ve never been there!...
As I listened to this I came to the realization that I have never read Wizard of Oz before, yes I know I was shocked too. This story was a bit more violent in parts than I was expecting also there were some huge differences from the movie we have all seen 1,000 times so I had to try to get the movie out of my head and just go with the story, which I did enjoy. But in the end you can’t help comparing the differences…the shoes (silver, not red)...Toto (black, not brown) …Dorothy is a much younger girl…the violence, there is a lot of lopping off of heads that I did not expect..Also the witches seem to play a much smaller part in this than they did in the movie.
Everyone knows the premise of this story there are over 3000+ reviews and 98,000+ ratings on Goodreads alone so really what am I going to add other than if you think you have read this book but aren’t sure give it a try you may be like I was and realize you have never read the story Baum wrote, you only know the Hollywood version!
3 1/2 Stars