A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Finished reading this with my kids, but I probably enjoyed it the most. It was a fun introduction to Lawrence of Arabia written by Alstair MacLean in 1962. It focuses on the role that T.E. Lawrence played in the Arab Revolt during WWI. There is just enough wind-up with his early life, character, etc., and the history/geography of Arabia to insure the thrust of MacLean's small biography doesn't lose nonserious readers in a desert of Arab ignorance. But the book's real brilliance is in MacLean's depiction of the Capture of Aqaba, Battle of Tafileh and the Fall of Damascus. At the end, MacLean also ties the book off with a summary of the post-War years and some of the political results of T.E. Lawrence's work with Winston Churchill and the Colonial Office.
Again, as a biography this is probably not where I would start for T.E. Lawrence. This is more literary hagiography than biography. Alistar MacLean is better known for his war novels like 'The Guns of Navarone' and 'Where Eagles Dare'. MacLean's book came out the same year as Lawrence of Arabia the academy award winning movie (which suggests this was one of those books intended to surf the wave of interest generated by a popular film). But still, if you are going to read one biography to your kids designed around a legend, saint, or mythmaker ... you could certainly feed the kids worse.
Just finished this with the kids. I remember reading this with my mother when I was 10. It is a nice generational conveyance. When I was young, the STORIES of Tom and Huck affected me the most. Now, however, it is Twain's language that touches me. I love how Tom's life and play is impacted by the adventure books he reads. One day Tom is animated by a bounty of pirates, the next day by a shadow of robbers, and everyday Tom's vocabulary and actions are endowed with the books of his youth. 'Tom Sawyer' is just as much an ode to his youth as it is a poesy to the adventure books of a more tender age.
*** First a preamble:
Just so you know, this audiobook contains Books 1 -4 of The Once and Future King AND Book #5 (The Book of Merlin). I didn't know #5 was included, but was thrilled to discover it came with the rest.
*** OK, preambulations are done, on with the real review:
I loved it and my two brats (11 & 13) absolutely enjoyed it, even if many of the jokes, the funky anachronistic blending of the Medieval with the Modern, might have floated a bit over their tiny wee heads.
Anyway, I think White perfectly captured the magic, power, fears and the joy of both youth and myth with this retelling of early Arthurian legend. White's theme of power and justice ("Might Makes Right") seem to perfectly capture the political Zeitgiest of now. Perhaps, White like Merlin was just writing through time backwards and wanted to capture the queer contradictions of Imperial Democracy in the global 21st century, but wanted to write it in the 1930s so Disney would be around to animate it (ugh) in the 60s and thus make his point resonate better in the early 21st century.
You might think a novel that basically focuses on a love-triangle (a quadrilateral if you include God), several affairs, a man's struggle between his love for a woman, love for God, love for his best friend, would not hold the interest of a 13 and an 11-year old for long, but this is T.H. White. The characters are so human, so filled with frailties, heroics, and insecurities that White could have written about cooking for 300 pages and my kids would have been rapt from page 1 to the end.
The story turns, about half-way through, solidly to Lancelot. It is impossible to understand Lancelot without looking at Arthur, Guinevere, Elaine & Galahad. And White digresses throughout TO&FK to capture these stories. The middle of the book pivots as Camelot, under Arthur's leadership, undergoes a change from physical quests (Round Table v. Might makes Right) to spiritual ones (Round Table > Grail quest). This change captures/mirrors the dynamic of Lancelot's own story (the vacillation between the physical and spiritual).
Finally, the weight of the conspiracies, the betrayals, the killings, and the expulsions are all there pushing against the King (I love when T.H. White calls Arthur - England) and his faith in man and justice. It just isn't to be. Do I need to hide the ending? Am I going to spoil the book for you? Come now, we are all mostly adults here. Camelot fails, but T.H. White explores the failure almost as beautifully as he does the magic of Camelot. He captures the magic of Camelot by focusing on the humanity of the people. He isn't satisfied with making (or keeping rather) Lancelot, King A, Guinevere, and even Mordred locked up in the stale symbols they often become. The trite shadows of type is not T.H. White's jam. He wants to humanize everybody. He wants to show the motives, the nuances of character that makes the reader LOVE these figures not because they symbolize things like bravery, chivalry, or justice ... but because they remind the reader of elements, times, moods and flaws found buried within. T.H. White started with a fantasy novel, but ended with an exploration of war, humanity, love, and hope.
Look, I'm skeptical of fantasy novels. They aren't my thing. I want literature. I want something that pushes you against the wall of your own head and dares you to think bigger. I think T.H. White was aiming for that -- and holy anachronisms - he nailed it.
My 10 year old and I went right to this one after listening to The Giver. We loved it even more than that one! My daughter read ahead during reading time at school (she checked out the book from the school library) but she would still go back with me to listen to the story so I could keep up. The narrator does a wonderful job of portraying the different voices in the story, which is told from the point of view of children.
Kira is the main character. She is an adolescent girl who is growing up in a harsh and fairly primitive community. This story seems to be set in a dystopian future, after some undescribed calamity has reduced society to a level of subsistence and survival. She is orphaned, alone, and has a twisted leg. She struggles with how to survive in the community that is dominated by the physically strong. Kira is an artist and has a special gift for weaving. The community leaders recognize this ability and take her in for a unique role. However, Kira's freedom of artistic expression is also taken away. She gradually recognizes that life could be different.
The author uses humor and foreshadowing to make the story fun and suspenseful. We enjoyed pausing it to talk about what had happened, what we thought of the different characters, and what we thought would happen next. The story ends in a way that leaves much room for thought and interpretation. We immediately went on to download the third book in this series: The Messenger. I can't wait to start listening to it tonight!
As the parent of a child with dyslexia, I am so happy to have discovered Audible.com. My daughter and I can listen to many interesting and challenging books that are at her intellectual level, which would be very time consuming for her to read in print. We choose books she can check out of her school library and she reads ahead with the printed versions at school. She takes Accelerated Reader tests on the books and earns points just like her classmates, and she is developing a joy of reading that I don't think would be there if she had to struggle through the entire printed book.