"... there are times when silence is a poem." - John Fowles, the Magus ^(;,;)^
This book is amazing. In it, Arendt struggles with three major issues: 1) the guilt and evil of the ordinary, bureaucratic, obedient German people (like Eichmann) who contributed to the attempted genocide of the Jewish people, 2) the complicity of some jews in the genocide (through organization, mobilization, passive obedience, and negotiations with the Nazis, 3) the logical absurdity the Eichmann and Nuremberg Trials, etc.
In this book (and the original 'New Yorker' essays it came from) Hannah Arendt isn't going for easy, cliché answers. She isn't asking rhetorical or weightless questions. While some of her positions might not be fully supportable, the very act of asking tough questions (that don't fall into easy boxes) is a gift to humanity. Arendt's tactic of giving no one an automatic free pass, while also not allowing people like Eichmann to become cartoonish characters of evil, allows her the room to push the idea that the potential for evil exists not just in dark, scary places, but in well-lit, and very efficient bureaucracies and we all (even Israel) might be asked to push or pull a lever if we aren't paying close attention.
The narration was solid, but not top shelf. The Histories, however, is one of those books where an audiobook helps. Reading Herodotus, one can often get bogged down in the loops of geography, people, history, culture and meandre through miles of esoterica. The audiobook gives you a good pace and force-marches you through to the end. I enjoyed the audiobook, but utilized it more as a tool as I read the Landmark series. That is another aspect where the audiobook helps. When reading one translation and listening to another, similar translation, the reader/listener is often able to glean additional information.
A fascinating history of both Poggio Bracciolini's persuit of fading Latin texts, focusing on Lucretius' "On the Nature of Things", and the impact that Lucretius' philosophic poem had on the development and shape of the modern world.