Painter, musician, bibliophile...
Having studied the Weimar era extensively, I am thrilled that this book is available! Much of what is discussed here was, at one time, only available in German, as I know only too well from my own years of research. It is an outstanding book in every way, and I would recommend it to anyone, from those who have researched the era to those who are new to it. Yes, the narrator is abyssmal, but I have heard worse. Perhaps the trilogy will become a classic and we will have better narrators in the future. Until then, try to put up with Pratt or read the print edition because there are invaluable and relevant insights and historical lessons for us all in this series.
One hundred years ago this July, events began to unfold which would change the world forever. This book examines of some of the factors which led up to them as they relate to three of Queen Victoria's grandchildren.
Miranda Carter is outstanding and her book is likely to appeal to many. It is not that there is anything particularly new here in the way of information, but that she tells the story beautifully and with great attention to detail, which makes the book a welcome addition.
Those who have an interest in the era or enjoy biographies will love the detail and careful rendering of setting and time period. Characterization is skillful, descriptions apt, and the story unfolds with perfect timing and holds one's interest to the final pages as we witness the vicissitudes of royal lives.
For those with an interest in the foundations of World War I, the view from the monarchies, as it were, is of great importance. Without hesitation, I recommend it to anyone who shares my obsession with the Great War, or who would like to understand its foundations better.
I read the book long ago but returned for a re-listen this week. I think I liked it even more the second time around.
Rosalyn Landor was, as ever, superb. What a lovely voice that actress has!
In this well-researched book, the author goes to great lengths to show how Hitler saw himself, whether or not we agree with or understand that self-concept. Hitler saw himself, first and foremost, as an artist.
So many myths and legends continue to be put about regarding Hitler's artistic impulses, from accusing him of "having no talent" to saying he was a housepainter. (Neither is true).
The author speaks of the great outrage that attends any book speaking about Hitler as possibly having human qualities. This tendency can eclipse a more balanced view of certain areas of his character and motivations, which is in no way to defend his undeniable responsibility for atrocities.
I was fascinated at an experience the author described. Showing prints of Hitler's watercolors (without signature) he described people's reactions to the pieces. Most expressed appreciation for the pleasing if unimaginative renderings of street scenes and architecture. Then he told them who painted them and the surprise was rather dramatic.
Hitler's obsession --- and it was indeed an obsession --- with all the arts is subdivided into several sections:
The Reluctant Dictator
The Artful Leader
The Artist of Destruction
The Failed Painter
The Art Dictator
The Perfect Wagnerite
The Music Master
The Master Builder
The book is a fascinating selection for anyone interested in Hitler's psychology, the Third Reich's policies regarding the arts, and German history. It provides valuable insights into a somewhat neglected area, and while it in no way defends or praises Hitler, it does illuminate aspects of his character which are not found in broader histories.