I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
Dostoevsky did not write many short stories so this is a rare gem. This is a very, very good short story narrated excellently. It is dark, surprising, touching, and real. A real bargain at a buck (don’t waste a full credit).
This is a late Tolstoy novella (perhaps his best short) examining one life facing death. The narration is good (not great) and does not get in the way of the text at all. The writing is excellent among the best you will ever read. The story is dark, quite non-religious, and largely existentialist, thus some may find it too depressing. Others may find in the story a powerful illustration of the primary lesson of life; If you waste it, you will regret it. It does this without being the tiniest bit preachy, moralistic, or predictable. At two bucks one of the best values on Audible. If you haven't read any Tolstoy, this is the place to start.
I am a very big fan of short stories and have listened to the Selected Shorts program for over 20 years. Any collection can be hit or miss, but this selection of american classics are all big hits. I liked every story and every reader. The stories range from funny to outrageous and touching to creepy. What more could one ask for?
Do you love to read and now wish you would have taken the American Lit course in college or, worse, that you had actually paid attention when you took the course?
If so, or if you just love lit and don't care if you'd taken it in college or not, this is a perfect chance to listen to over 16 hours of a soft-spoken, lively and enthusiastic Ivy League (Brown) professor Arnold Weinstein covering American literature in the 20th century. From the charm of small-town American life (with the secrets) of Sherwood Anderson; to the loss of innocence and the love of booze portrayed by Fitzgerald and Hemingway; the racism in the American South explored by Faulkner; God, religion and the religious (particularly in the South) in the short stories of Flannery O'Connor; the explosion of drugs in William Burroughs' novels; the mass destruction of war and extra-terrestrials in Slaughterhouse Five by Vonnegut; the Nixon administration and execution mocked by Coover; the prevalence of technology in DeLillo's White Noise; as well as the exploration of feminism and race by the wonderful authors, Zora Neale Hurston and Toni Morrison. Each of these novels and authors provides a fictional, provocative account of the issues of its/his/her day.
If you haven't read a lot of these materials, do not let that dissuade you. I hadn't either, but Professor Weinstein inspired me to read many of them and his teaching method doesn't require you to have read them to enjoy and learn from the course.
I highly recommend all of Professor Weinstein's lit courses. In my opinion, just a lecture or so out of the course's 32 lectures over 16 1/2 hours is worthy of a credit.