I believe a reviewer should finish a book before submitting a review. What do you think?
We Are Water is the story of family, marriage, parenting, love, homosexuality, suicide, death, murder, racism---overt and subtle, wealth and poverty, anger, violence, secrets, ghosts, atheists, religion, the power of prayer, classism, drowning in a flood, physical abuse, pedophilia, disabilities, theft, art, alcoholism, politics---liberal and conservative, trauma, and community.
Each character in this book has her or his own voice in this story. The voices are braided together making this important novel unique and so special. The author narrates the voice of Orion Oh the patriarch in the book. Unlike some other authors, Mr. Lambs contribution to the narration is perfection.
Annie and Orion Oh are married and they have three children Ariane, Andrew, and Marissa. Annie is first struggling, then becomes a successful artist. Orion is a psychologist who cannot heal his own family. Annie's traumatic childhood and time in foster care and Orion never knowing his father impacts both parents and their children in profound ways. After over 20 years of marriage they divorce; Annie leaves Orion for a woman.
The backdrop of this story is the narrative of the short life of Josephus Jones and his brother. These black men are ostracized from and suffer abuse from their Connecticut community. Josephus's brother lives with a Dutch white woman. Josephus is a painter of "outsider art" never receiving recognition for his art until after his violent death. The story of the artist, his death and his art are woven throughout the book.
Another voice in this book is Kent, Annie's cousin who is a pedophile. This part, hearing Kent's voice and of Annie's abuse is very difficult but is an integral part of this book. I think it very brave of this author to include this peek into the persona and psyche of this man. Fortunately in the afterword the author explains his reasons for including Kent's voice.
This book touched me in a way few books do. I loved everything about this book; thank you Wally Lamb.
This story envelops the reader. I cannot think of another book I have so thoroughly relished. With each and every sentence the author invites you to feel, taste and smell the Night Circus.This circus is like nothing else, beyond imagination. Yet I could see myself there, and although the circus is in only black and white, I was immersed in color and texture. Listening to this story is like eating the most amazing meal in the most beautiful placed you can imagine while sitting next to someone with whom you are infatuated. What a wonderful dream, I want to return and feel it all again, so sad when the book ended. And the narration brings it all alive, kudos to both author and narrator.
Hattie bore eleven children. In the death of her first two, twins, Hattie becomes a shell of a woman. She is a victim of circumstance, from the times, from her relationships and from herself. Her husband August can't or won't be the man she needs yet he was the one person who shined with love, passion and tenderness toward the children.
The writing was superb; the twining of the twelve tales worked. I felt the ending abrupt and a bit disappointing.And I am so glad to have experienced this book.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
I really enjoyed this book, though, as you can tell from other reviews online, it's not a novel for every taste. Let me put it this way: if you like the films of Hiyao Miyazaki (Spirited Away, Howl's Moving Castle, Princess Mononoke), and relish a few dashes of metaphysics, literary/movie/music references, and existentialism, then Murakami's mix of fantasy, surreality, and realism might speak to you. If not, you'll probably be frustrated with the listening/reading experience. (If you don't know Hiyao Miyazaki, then get ye to Netflix first, then come back here.)
On the surface, the book has two intertwining stories. One is about a 30-something loner guy with slacker tendencies and cyberpunkish skills who lives in Tokyo and takes a job with an eccentric scientist, a choice which soon sets off a cascade of strange consequences. This is interleaved with a second story, in which a man with no memory finds himself trapped in a fantastical, dreamlike town, trying to make sense of its fable-like inhabitants and his reasons for being there. As the novel progresses, the two stories begin to intersect. While "magic realism" is a genre that can really fly off the rails sometimes (see Mark Helprin's A Winter's Tale), Murakami keeps his story readable and grounded in a coherent flow of events.
This is one of those books where (in my opinion), you'll enjoy it more if you don't expect the author’s stew of ideas and imagery to make perfect sense or try to analyze his science and philosophy too much. Yes, there are a few logic holes and not everything in the surface-level plot gets resolved in an obvious way. Rather, this is a novel to read for its oddball characters, the vision of the writing, the strange-but-fitting twists and turns of the story, the humorous juxtaposition of the surreal and the everyday, and the existential questions under its fanciful trappings. If you had only 36 hours to live, what would you do with the time? I found the way Murakami chose to answer this question unexpectedly moving. Even with the end of the world coming, you might still have to do laundry...
I enjoyed the narration and voice-acting in the audiobook. The main character's voice reminded me of Spike from Cowboy Bebop, which (in my world) was a bonus.