So hooked by audio that I have to read books aloud. *If my reviews help, please let me know.
"The tongue like a sharp knife, kills without drawing blood." Budha
In 150 pages, about 4.5 hrs listening, Barnes--nothing less than a word wielding genius--has written a poignant little novel that packs a big psychological punch, wherein every perfectly placed word evokes powerful images and thoughts. [Refers to Henry VIII as the "polygamist royal butcher".] (*No doubt there will be philosophical discussions longer than this book about this book.) But, my lovely journey with this petite gem didn't start out so lovingly...
Having read a few award winners in my time, I plugged in my earbuds and waited to be wowed while I indulged in the luxury afforded to us with audible books--multi-tasking. Two-thirds the way through this book I was about to toss it. Yes, the writing was masterful, the characters, though only briefly sketched out were still relevant and interesting, but the story itself seemed whiny and pretentious, overall depressing to the point of being a tiresome listen. But, In just a few words, I suddenly went from irritated to intrigued; ultimately I was awed and regretted an ending, so I listened again. I really listened. I sat down and this time was absorbed in the luxury of writing at its best. I've read the 6 books shortlisted for the Booker--my opinion is they got it right.
Like one character says in the book, this is "like an onion and reveals itself in layers"--the reader is dropped in to walk along and sense this experience, not be wowed by a complex plot, not to have the mysteries neatly explained. Sleek, eloquent, precise, and Richard Morant is an articulate narrator that heightens the experience. I went to the book store and bought a copy. It's with me still, on my book shelf and etched in my mind.
Because this has been re-released as an *Audible A-List Collection,* a selection chosen by Clare Danes for narration, I'll begin with the narration. This is one of the rare cases where a straight reading, sans the voice characterizations and the nuances one would think an actor would use, earns top scores from me. Ms. Danes reads the story with strength and conviction, wisely chosing to let the words of an outstanding poet/author give voice to the characters in this cautionary tale. The feel of this book is dark and dispassionate, a story about a violent new world where feelings and thoughts are prohibited, yet it is at the same time visceral, strong with emotion, because of Atwood's writing skills, her ironic wit, and superb story-telling abilities -- matched perfectly with Danes' talents.
I was introduced to this book in college. 1985, a women's rights to her body (i.e. abortion) was a hot topic, feminism was getting its first *report card,* and The Handmaid's Tale was either being showered with awards and praise, or being pulled from library shelves and crossed off reading lists -- a scene straight out of Farenheit 451, another *dystopian* novel where we see that repression of any kind has a price. (Atwood didn't think her work was sci-fi and argued that this was not science fiction, but rather speculative fiction.) In '85 I thought this was chilling and very futuristic.
Dystopian? Future? Speculative? ... The world is struggling from the effects (or more accurately the consequences of) of pollution, chemicals, GMO's, and radiation; our government has been extinguished, world-wide war rages, religious conflicts a large part of the cause; disease and sterility are prevalent, conception and healthy live births atypical; many species have vanished, food is scarce and rationed along with water. The Republic of Gilead (a country established within the borders of the former USA) is a violent male dominated theocracy where women have no power, young women are owned for breeding purposes, sex is a disturbing biblical ritual, the Eyes watch constantly for heretics and dissenters (routinely put to death and openly displayed). ...*Dystopian* along the lines of Clockwork Orange,1984, (Stepford Wives?), but more like good *speculation* now in 2012, where burkas, honor killings, or young girls being married off to old coots in polygamist sects are weekly headlines.
The ending of this book is troublesome for those that want a destination, or a wrap-up, as it leaves the reader unsure--left to decide between hope and complete despair. Atwood is a master at interrogating society and having the reader then try to explain it. Definitely one you will think about. Ageless and still chilling in 2012; a wonderfully distrubing tale made even better by Danes' insightful dead-on interpretation. (Fantastic to have this as a selection--great choice Audible.)
Like voices from the grave, devastatingly profound, and haunting. A review would be inappropriate, but my experience with this book was probably similar to other readers that were very young teens during the height of the Viet Nam war. Though I wore one of those MIA bracelets, sent neighbors and friend's older brothers off, went to Country Joe and the Fish concerts and yelled out the FISH cheer, I was young, distant, and naïve, and could only marginally intellectualize the atrocities and the nightly tally of deaths. Listening to Cranston narrate these stories gives faces to the words; the soldiers become flesh and blood -- not just characters and chapters. Their candid stories and Cranston's seriously brilliant interpretations were so achingly real that I could not listen long without pausing, or just stopping my device for a breather. (It took me 2 weeks to get through this.) This would be a much easier read, but hardly better; Cranston is able to convey the emotion, every chuckle, every hope, every pain, every horror. It's not always the obvious that is difficult to hear; the slaughter of the water buffalo wasn't half as savage as the fundamental experience that nurtured the attack... it's listening to the innocence and promise in these young soldiers as it ebbs away. It's looking back through the all-seeing eyes of retrospection and time, and probably also adding *mother* to the list of sister, daughter, girlfriend, neighbor. A vivid reminder of the fragility of life and the true cost of war. Like others have mentioned, there are several books concerning wars that give you that *boots-on-the-ground* feel, but this one, especially as it is performed here, is the emotional experience--to the degree that it can be shared.
I hear voices. But maybe that's because there's always an Audible book in my ear.
No question, this will be on my "favorite books of the year" list - and very near the top. Tartt examines some very big topics - love, loss, death, life, forgiveness, redemption and addiction - and she does so with a skill that's secondary to none.
The main characters are BIG - in personality, flaws, strengths - and enormously engaging. I adored Theo, Boris and Hobie and have loved having them live at my house while I was listening. There's a sense of loss now that they're gone.
I've read some harsh reviews of the narrator and I don't understand that. I thought he was perfect for this book. It was a fresh take. His interpretation of both Boris and Hobie was delightful. I never would have imagined those voices if I'd read this in print. It was an added dimension that made it all the more enjoyable.
With more than 30 hours of engaging story, this is one of the most credit-worthy books around. Really, what could be better? It's a good long listen that's beautifully read. I wish they were always this good.