trying to see the world with my ears
This is a delightful mixture of light Austen-like comedy of manners with a dash of P.G. Wodehouse mania. There is no bodice ripping, violence, or sex (but no gritty social realism or insight either,of course) -- just "happily ever after" written (and read) well enough for the listener to suspend disbelief.
Heyer's books have stood the test of time, while I don't think most chick lit will. If you are in need of distraction, may Heyer be as pleasant a discovery to you as she was to me. I think if you are new to this author (I am a relative newcomer but have zoomed though five novels in the last stress-filled month), then I think either "Frederica" or "Cotilion" is worth a chance download. (But warning, this stuff can be addictive -- when tired or tested, I keep thinking that I will download "just one more...")
This listen managed to combine my two favorite types of lit - realistic depiction of another period (especially its social history) and reflection on faith in a troubled world.
I listened to this shortly after the more contemporary "Foreskin's Lament" and "Disobedience" -- and although I enjoyed those two (each in their own way)-- oh, how I wish I had listened to this first!
In addition to a beautiful "coming of age" portrait of two young Americans in the WWII/post war era, what a compassionate depiction of Jewish faith coming to terms with modernism! As other reviews point out, the novel portrays universal truths while giving outsiders to the Jewish faith a glimpse of its richness and diversity in the story's specifics. There are enough symbolism and imagery to satisfy a reader/listener without the literary complexity that demands much effort to digest.
I thank the reviewer who named Potok's follow-up novel, but since that is not on Audible (yet), I think as a follow-up, I will re-listen to Doctorow's "City of God" and hope for a re-release of "The Promise."
Although a little grisly in places for my taste, this is the kind of historical fiction that transports the listener to the world of the story. The writing is much above average for the genre,and the packed historical detail is fascinating without getting in the way of the story. The narration is excellent, too - both author and narrator seem to have made the wise choice that, since neither the prose nor the delivery is REALLY going to imitate 1845 New York, then make both sound modern and let the story, character, setting and appropriately chosen period vocabulary paint the images of the story world. I wade though a large amount of historical fiction flotsam to catch a few like this that really work - a good dense story, likeable characters, and, as a bonus, a social conscience without being hamfisted preachy.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Brutally violent, Blood Meridian turns the 19th century American West into a kind of hellish but hauntingly beautiful dreamscape, through which a gang of mercenaries wanders, killing without aim or reason. There is no comfort to be found anywhere in this novel, which overturns all Old West Myths, leaving only a stark, maddening world in which man exists on the edge of nihilism, "civilization" an illusion. The characters are almost opaque, reduced to actions in minimal dialogue. Even the language seems intended to confound and discomfit the reader, mixing arcane, half-forgotten scientific and philosophical terms with passages that sound almost like something from the Bible.
Yet, McCarthy is the definition of a powerful writer. His prose is hypnotic, the book's scenes affecting the reader as much by their eerie beauty and lyricism as by the horror and violence contained within. Their images will stick around in your head for days. The Judge, a monstrous, demihuman prodigy at the center of novel, whose amused, philosophical queries about whether or not the scenes around him represent man in man's natural state, is one of the more memorable characters I've come across in fiction.
Make no mistake, Blood Meridian is filled with powerful questions, about morality, about evil, about humanity's need for violence and dominance, about the nature of God, and so forth. Sometimes these questions are expressed explicitly, usually by the Judge, but mostly, they swirl just beneath the surface of the nightmare, challenging the reader to peer into the abyss and examine them. Though we don't live in such lawless times anymore, the distance from our safe doorsteps to the modern equivalent of a gang of roving, murderous scalpers may be shorter than we think.
McCarthy will certainly never be an author to everyone's taste, and not with this work, but Blood Meridian has made a few critics' "Best of the 20th Century" lists for a good reason. This is a first-rate work of modern literature.