I believe a reviewer should finish a book before submitting a review. What do you think?
I just loved this book. As always, Hiaasen is such a fun listen/read. This story is a terrific satire on our obsession with fame and the famous. The main character and her entourage are appropriately obnoxious and annoying, so much so that I found myself laughing out loud ...more than once embarrassing myself in public.
The story has elements of mystery, romance (sorta), sex, drugs, and lots of bad music.
Chemo and Skink, my favorites, are major characters in this book.
I thought that the narrator was fine, although I have listened to many of Hiaasen's books, I am not so attached to the other narrators as some reviewers seem to be.
Have fun listening.
We Are Water is the story of family, marriage, parenting, love, homosexuality, suicide, death, murder, racism---overt and subtle, wealth and poverty, anger, violence, secrets, ghosts, atheists, religion, the power of prayer, classism, drowning in a flood, physical abuse, pedophilia, disabilities, theft, art, alcoholism, politics---liberal and conservative, trauma, and community.
Each character in this book has her or his own voice in this story. The voices are braided together making this important novel unique and so special. The author narrates the voice of Orion Oh the patriarch in the book. Unlike some other authors, Mr. Lambs contribution to the narration is perfection.
Annie and Orion Oh are married and they have three children Ariane, Andrew, and Marissa. Annie is first struggling, then becomes a successful artist. Orion is a psychologist who cannot heal his own family. Annie's traumatic childhood and time in foster care and Orion never knowing his father impacts both parents and their children in profound ways. After over 20 years of marriage they divorce; Annie leaves Orion for a woman.
The backdrop of this story is the narrative of the short life of Josephus Jones and his brother. These black men are ostracized from and suffer abuse from their Connecticut community. Josephus's brother lives with a Dutch white woman. Josephus is a painter of "outsider art" never receiving recognition for his art until after his violent death. The story of the artist, his death and his art are woven throughout the book.
Another voice in this book is Kent, Annie's cousin who is a pedophile. This part, hearing Kent's voice and of Annie's abuse is very difficult but is an integral part of this book. I think it very brave of this author to include this peek into the persona and psyche of this man. Fortunately in the afterword the author explains his reasons for including Kent's voice.
This book touched me in a way few books do. I loved everything about this book; thank you Wally Lamb.
Arthur Opp says "the pleasure of finally making a clean break into misery after always dangling above it's canyon...." sums up the depth of this character's journey in life, and for me the depth of this story too.
I was hooked, I wanted to get back to the book each time I set it down. I loved the way the author entwined the characters, it all worked so well.
I cannot begin to sing enough praise for these amazing narrators who made the characters, each one, truly alive. This is the best narration I've ever heard in a book, I think.
I can only say I couldn't give the story 5 stars because of the abrupt ending, I didn't quite get that, a bit of a disappointment. But overall such a winner.
63 y/o psychologist with two sons, living in SF Bay Area. I absolutely love all the feedback I've been getting for my reviews. It's very gratifying. Thanks to all of you.
You might not expect a story set in Southeastern Mississippi to be so poignant and so
completely involving. (I apologize to all Mississippians). The title refers to the method in which
children are taught the spelling of their state's name. However, the story and the characters here are so thoroughly, so brilliantly conceived that the book holds your interest in a spellbinding way. Virtually any other book will find that this one is a hard act to follow. The primary characters, Larry Ott and Silas (who is known as 32) have a story to tell that draws you in and grabs you by the brain and heart. I searched for Tom Franklin's other work, and was disappointed to find how little there is. Very hard to make a living as a writer these days, no matter how breathtaking your talent is. I can rave about other books, but I can't rave hard enough to do this one justice. The two men have intertwining life stories that encircle each other in a way that constantly surprises you. Justice, that wonderful construct (in the abstract) follows them for twenty or thirty years of their lives. I won't spoil the plot or the nature of these two men for you: the delight is in your own discovery. The secondary characters are also extremely well drawn, although the women are less so than the men, as we have come to expect, even from the best of our male writers these days. One of the women turns out to have an absolutely critical role. I will say little more, except to tell Tom Franklin, if he happens to be reading, to bear up and be brave: his talent is almost matchless. We are out here reading, and we are waiting for him to write again.