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Drama

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Yuefang

Yuefang Luwuk, Indonesia Member Since 2013

Mom of 3 and a book lover.

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  • "Love This Classic!!!"

    Overall
    Performance
    Story

    My first with this play, full of excellent casts and I enjoy the story so much. I can see thoroughly the human side of aristocrats with humorous point of view. I find it so typical of Oscar Wilde's work. I think my next venture of this author is "The Importance Of Being Earnest"

    More

    An Ideal Husband

    • UNABRIDGED (1 hr and 39 mins)
    • By Oscar Wilde
    • Narrated By Rosalind Ayres, Jacqueline Bisset, Paul Gutrecht, and others
    Overall
    (52)
    Performance
    (30)
    Story
    (30)

    A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

    Katherine Michaels says: "Almost perfect"
  1. An Ideal Husband
  2. .

A Peek at Susan's Bookshelf

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Susan's greatest hits:

Sean

Sean Sudbury, Ontario, Canada 05-05-13 Member Since 2010

I am a reader of books.

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  • "Observations On Character, Setting ..."

    3 of 3 helpful votes

    Some Observations on Character, Setting and Perspective

    CHARACTER
    One of the novel's main themes is the unjust treatment towards the supposedly monstrous, towards someone or something that is different; in this case physically different. However, while the Monster is certainly a physically revolting abomination, he is not necessarily a moral monster or, at least, not an unreasonable monster. Indeed, the Monster’s immoral crimes and faults can be seen not necessarily as his own but are the consequence of his being so thoroughly ostracized.

    Despite the Monster’s physical deformities, it is Dr. Frankenstein who proves himself the more monstrous, ill receptive and unreasonable. It is Dr. Frankenstein who cannot get past his creation's horrible, physical nature, to sympathize with or at least listen to his creation's plight. This seemingly contradictory interaction between one who is reasonable but physically repulsive, and one who is unreasonable but physically normal, helps to communicate the novel's main theme of the unjustly accused monster.

    The language that Dr. Frankenstein uses about and towards his creation is consistently inflammatory: ‘wretch; too horrible for human eyes; vile insect; abhorred monster; fiend; devil; detested’. On the other hand, the Monster, attempting to create a dialogue with and appeal to Dr. Frankenstein, uses mitigating, reasoning, empathetic language: ‘thou are bound by ties; do your duty towards me; comply with my conditions; be calm; I entreat you; I will be even mild and docile; justice; clemency and affection; benevolent and good; virtuous; entreaties’.

    Not just for the sake of a richer, more interesting read are Dr. Frankenstein and his Monster not simple, one-dimensional characters but, in order to further illustrate the main theme of the novel, they are also multifaceted and oxymoronic. By contrasting the Monster’s physically freakish appearance and Dr. Frankenstein’s obstinate refusal to accept him as anything but a devil, with the Monster’s fluency and sound reason, Shelley here brings home her novel’s theme of, ‘don’t judge a book by its cover’, so to speak.

    SETTING
    One important setting is deep in the French Alps. The introductory chapter to the French Alps setting especially abounds with descriptions of the glacial mountain-scape, but even during the dialogue between Frankenstein and his creation there are ample descriptions of its awe-inspiring, fearful nature: 'the crevices in the ice; the cold gale; the temperature of the place is not fitting to your fine sensations; snowy precipices; the air was cold, and the rain again began to descend'.

    There is an ironic difference between how Dr. Frankenstein and the Monster experience this setting. To Dr. Frankenstein it is hostile and uninhabitable, but to the Monster it is homely: “the desert mountains and dreary glaciers are my refuge... the caves of ice, which I only do not fear, are a dwelling to me... These bleak skies I hail...”. That the Monster can make a comfortable dwelling of what we would certainly find, and which Shelley’s language describes as, an inhospitable wasteland, exemplifies the Monster’s inhuman or otherworldly nature.

    PERSPECTIVE
    This novel is largely written from the first-person perspective of Dr. Frankenstein and, because of this, the Monster can only be described to us through Frankenstein’s particular viewpoint. Shelley’s task is to describe and illustrate the Monster’s virtue to us strictly through what he says and does to Dr. Frankenstein, since it is only through Dr. Frankenstein’s inner monologue that we come to know the Monster. Dr. Frankenstein, however, is an unreliable narrator. He is furious and hysterical, albeit not without good reason, and seems eager to sooner engage in “mortal combat” with his enemy than heed his words.

    On the other hand, the convincingly persuasive and reasonable language that the Monster uses would make him seem more of a classical rhetorician than a brute beast. In light of all the Monster’s eloquence is revealed the biases and unreasonable, malicious ill will present in Dr. Frankenstein’s first-person narration. This again supports the theme, ‘don’t judge a book by its cover’. If the reader had up to this point the idea of the monster as nothing but pure evil, their misconceptions might also be dispelled along with the character of Dr. Frankenstein who, as it were, concedes to the Monster’s request and follows him to the hut to listen to his story.

    Also, I think that the cold settings in much of the novel serve as a metaphor for the cold, emotionally detached sterility of the scientific method.

    Copyright, 2013

    More

    Frankenstein: The Modern Prometheus

    • UNABRIDGED (8 hrs and 35 mins)
    • By Mary Wollstonecraft Shelley
    • Narrated By Jim Donaldson
    • Whispersync for Voice-ready
    Overall
    (131)
    Performance
    (122)
    Story
    (123)

    Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

    Darwin8u says: "A Monster of Fiction"

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  •  
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    Performance
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    Story
    (0)

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