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British Literature

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T.

T. Taiji-cho, Japan Member Since 2010

Reading is one of life's greatest pleasures...and, now that I've found audiobooks, I can read even while performing mundane tasks!

HELPFUL VOTES
173
ratings
REVIEWS
262
23
FOLLOWERS
FOLLOWING
28
1
  • "a list of what you'll find in Volume 3"

    Overall
    Performance
    Story

    His Last Bow (short stories, published 1908-1913, 1917)

    The Adventure of Wisteria Lodge
    The Adventure of the Cardboard Box*(see below)
    The Adventure of the Red Circle
    The Adventure of the Bruce-Partington Plans
    The Adventure of the Dying Detective
    The Adventure of Lady Frances Carfax
    The Adventure of the Devil's Foot
    His Last Bow (told in the third person)

    The Valley of Fear (Serialized novel published 1914-1915)

    The Casebook of Sherlock Holmes (short stories, published 1921-1927)

    The Adventure of the The Illustrious Client
    The Adventure of the Blanched Soldier (Holmes narrates)
    The Adventure of the Mazarin Stone (told in the third person)
    The Adventure of the Three Gables
    The Adventure of the Sussex Vampire
    The Adventure of the Three Garridebs
    The Problem of Thor Bridge
    The Adventure of the Creeping Man
    The Adventure of the Lion's Man (Holmes narrates)
    The Adventure of the Veiled Lodger
    The Adventure of Shoscombe Old Place
    The Adventure of the Retired Colourman

    *(The Adventure of the Cardboard Box chronologically appears in the canon in The Memoirs of Sherlock Holmes - circa 1892-1893 - but, for some reason, appears in this Volume 3 audiobook.)

    More

    The Complete Stories of Sherlock Holmes, Volume 3

    • UNABRIDGED (22 hrs and 35 mins)
    • By Arthur Conan Doyle
    • Narrated By Charlton Griffin
    Overall
    (740)
    Performance
    (612)
    Story
    (608)

    Arthur Conan Doyle never wasted time in getting his stories moving. His plots are always direct and refreshingly lucid, and the narrative has a velocity that sweeps you along right to the end. This was no doubt a large part of his immense worldwide success. Not surprisingly, each time he tried to end the series, his fans would howl in protest. But, as he says in the preface to his last collection of Sherlock Holmes stories, all good things must come to an end.

    T. says: "a list of what you'll find in Volume 3"
  • "a list of what you'll find in Volume 2"

    Overall
    Performance
    Story

    The Memoirs of Sherlock Holmes (short stories, published in The Strand as additional episodes of The Adventures of Sherlock Holmes, between December, 1892 and November, 1893):

    The Adventure of Silver Blaze
    (The Adventure of The Cardboard Box) *(see below)
    The Adventure of The Yellow Face
    The Adventure of The Stockbroker's Clerk
    The Adventure of The "Gloria Scott"
    The Adventure of The Musgrave Ritual
    The Adventure of The Reigate Squires
    The Adventure of The Crooked Man
    The Adventure of The Resident Patient *(see below)
    The Adventure of The Greek Interpreter
    The Adventure of The Naval Treaty
    The Adventure of The Final Problem

    *(I almost titled this review: "The Curious Case of The Switched Introductions" because The Adventure of the Cardboard Box, which is listed in the order it appears above in my physical book of Holmes stories, is absent from this audiobook, but the introduction to Cardboard Box suddenly pops up in the middle of the introduction to The Adventure of The Resident Patient. Very curious! I assume that, for whatever reason, it was decided that Cardboard Box wouldn't appear on this audiobook, but that the part of the introduction that shows how Holmes can deduce someone's thoughts from observing their facial expressions shouldn't be left out, so that section of the Cardboard box introduction was added to the Resident Patient introduction. Incidentally, what comes from this is that the scene changes from being a hot day in August to a windy day in October, so it can be confusing because one minute Watson is telling us that his service in India trained him to stand heat better than cold, and the next he's bundling up against the chilly night air.)

    The Return of Sherlock Holmes (short stories, published in The Strand between October, 1903 and January, 1905):

    The Adventure of The Empty House
    The Adventure of The Norwood Builder
    The Adventure of The Dancing Men
    The Adventure of The Solitary Cyclist
    The Adventure of The Priory School
    The Adventure of Black Peter
    The Adventure of Charles Augustus Milverton
    The Adventure of The Six Napoleons
    The Adventure of The Three Students
    The Adventure of The Golden Pince-Nez
    The Adventure of The Missing Three-Quarter
    The Adventure of The Abbey Grange
    The Adventure of The Second Stain

    The Hound of The Baskervilles (novel, published in The Strand between August, 1901 and April, 1902)

    (Chronologically "The Hound" appears before the stories of "The Return" in the canon, but I can see why it appears last on the audiobook, as one tends to want to hear of Holmes' return from his fate in The Final Problem right away.)

    More

    The Complete Stories of Sherlock Holmes, Volume 2

    • UNABRIDGED (27 hrs and 50 mins)
    • By Arthur Conan Doyle
    • Narrated By Charlton Griffin
    Overall
    (1296)
    Performance
    (889)
    Story
    (908)

    Volume two in this series consists of one novel, The Hound of the Baskervilles, and two collections of short stories, which include "Memoirs of Sherlock Holmes" and "The Return of Sherlock Holmes" (a total of 23 stories). These creations by Doyle represent the finest work of his Holmes series, and certainly the most famous.

    T. says: "a list of what you'll find in Volume 2"
  • "a list of what you'll find in Volume 1"

    Overall
    Performance
    Story

    A Study in Scarlet (novel; 1887)

    The Sign of the Four (novel; 1890)

    The Adventures of Sherlock Holmes (short stories, published in The Strand between July, 1891 and December, 1892):

    A Scandal in Bohemia
    The Red-Headed League
    A Case of Identity
    The Boscombe Valley Mystery
    The Five Orange Pips
    The Man with the Twisted Lip
    The Adventure of the Blue Carbuncle
    The Adventure of the Speckled Band
    The Adventure of the Engineer's Thumb
    The Adventure of the Noble Bachelor
    The Adventure of the Beryl Coronet
    The Adventure of the Copper Beeches

    From what I can tell from a quick internet search, Volume 1 of this audiobook covers the Holmes cannon faithfully from the first. I'm eager to start Volume 2 to see if the coverage will be as comprehensive.

    I liked Charlton Griffin's Sherlock and Dr. Watson, but I didn't like his portrayal of any of the female characters (they sounded so wimpy and foolish, even when they were written otherwise).

    I read several of the short stories, out of order, years ago. Listening to this audiobook to "read" the cannon from start to finish is great because I can follow the character development of Homles and Watson, and their relationship.

    More

    The Complete Stories of Sherlock Holmes, Volume 1

    • UNABRIDGED (20 hrs and 16 mins)
    • By Sir Arthur Conan Doyle
    • Narrated By Charlton Griffin
    Overall
    (2688)
    Performance
    (1811)
    Story
    (1827)

    First appearing in print in 1890, the character of Sherlock Holmes has now become synonymous worldwide with the concept of a super sleuth. His creator, Conan Doyle, imbued his detective hero with intellectual power, acute observational abilities, a penchant for deductive reasoning and a highly educated use of forensic skills. Indeed, Doyle created the first fictional private detective who used what we now recognize as modern scientific investigative techniques.

    David says: "mouth watering"
  1. The Complete Stories of S...
  2. The Complete Stories of S...
  3. The Complete Stories of S...
  4. .

A Peek at John's Bookshelf

Helpful
Votes
106
 
54 REVIEWS / 61 ratings 17 Followers / Following 0
 
John's greatest hits:
  • The Count of Monte Cristo

    "Ok, so I was buying a lawnmower..."

    Overall
    Performance
    Story

    ...and the guy says, "With a lawn as big as yours, you really need a riding mower." I smiled, knowing I had the perfect counterargument to his sales pitch. "That's ok, I have an iPod and I just started The Count of Monte Cristo."

    As the words left my mouth I realized I just forfeited any chance I had that this guy would treat me as a man and a brother. In the horsepower-and-self-propulsion world of your average lawnmower shop, literary discussions are not the ticket to respect. I imaged the thought that was forming under his feed cap: "What a dweeb."

    Instead, his jaw dropped, his eyes popped and he said "That's a great book! I read the unabridged version, and there's a lot of detail, but it's just fantastic!"

    A few weeks later I was catching the train to work. A guard I've become friendly with was supervising the restocking of the vending machines. My train wasn't for a few minutes so I made a detour. After a few casual remarks about the weather the guard noticed the iPod clipped to my jacket and asked what I was listening to. I said The Count of Monte Cristo, with that same shrinking feeling I had at the lawnmower emporium. But the vending guy stood bolt upright, his eyes wide and his hair a-bristle: "That's a great book!"

    I was now convinced I was the only person in the universe who hadn't read The Count of Monte Cristo. And thanks to John Lee and Audible, that flaw in an otherwise blameless upbringing has now been repaired.

    Yes, it includes everything I don't like about 19th Century novels (Jane Austen excluded): it is sloppily, even glutinously sentimental. It is overwrought. It is insanely improbable. It is Gothic. It is Romantic in that overly-ripe, Victorian/Dickensian way that gets under my skin.

    And it is also one of the greatest books I have ever read. Or listened to.

    For all its improbabilities it is true to life. For all it's sentimentality it almost moved me to tears. For all its Gothic cloak-and-dagger antics it is a profoundly, even beautifully Catholic work of literature. It is a big, baggy story full of cul-de-sacs and blind corners, memorable characters and quotable sentences. Yes, the good people are a little too saintly and the bad ones a shade too bad. But what holds it all together is the Count himself. What he suffers, what he does and, finally, what he learns about revenge, forgiveness and redemption are well worth the 56 hour journey. And the lawn looks really good, too.

    John Lee's clean, clear delivery seldom falters. In a six-part audiobook I needed to back up and re-listen only a handful of times to catch something I'd missed. Sometimes the male characters get a little mixed, but that's to be expected in conversations where 4 or 5 are speaking at once. And an invaluable aid to keeping the story straight is supplied by Dumas himself. Since the novel was originally serialized, he's always reminding us of when we last saw a character he's reintroducing to the story--knowing that the newspaper with that vital information has long since been wrapped around a fish in a Parisian gutter.

    I got this one on sale, but even at full price it is a bargain.

  • Big Money

    "Another Dry Martini. Another Perfect Souffle."

    Overall
    Performance
    Story

    Someone, one of those big-brained chaps no doubt, like Darwin or Shakespeare or Thomas Hardy, once said that trying to describe the pleasure of reading Wodehouse was like trying to describe the perfect dry martini. Similarly, someone else equally brain-burdened likened any attempt at criticizing a Wodehouse story to taking a spade to a souffle.

    Just so. Therefore I'll limit myself to saying this story is standard Wodehouse fare, which means it's a cut above most other humor you're likely to find out there. Another tour of life among the inane and the earnest, the lovelorn and the broke. Of course, it all comes out right in the end. The fun is seeing how that happens. And the fun is also hearing Jonathan Cecil narrate how it happens. Like Frederick Davidson, Cecil gets Wodehouse and never overdoes it, giving the words and the humor the right, light touch.

  • The Scarlet Pimpernel

    "Great Performance, Awful Production"

    Overall
    Performance
    Story

    There are a round dozen recordings of The Scarlet Pimpernel available at Audible. Unabridged, abridged, a radio play featuring the great Leslie Howard and even a version in Italian. I chose the one by David Thorn for three reasons: it is unabridged, it is by far the cheapest and, to my ear anyway, it is the best performance. I’ll add a fourth: it isn’t in Italian.

    These impeccable reasons overcame my uneasiness at the cover art: a sort of CGI nightmare of two humanoids in non-period costumes swooning woodenly toward each other (if that’s possible) in the sort of faux-medieval atmosphere familiar to dedicated gamers (or “Barbie Princess” video viewers). But the real problems started when I hit “play”.

    First, my eager ears were saluted by a gaggle of kids chanting, “This is Audible Kids!” Really? This tale of intrigue and guillotines, set in the complex political atmosphere of Revolutionary, Republican France, riddled with references to Gluck and Burke and Fox, is a kid’s story? Granted, what the good baroness wrote is not great literature—in the pantheon I’d put her somewhere near Ian Fleming: a gifted spinner of tales, observer of people and writer of dialogue. Her book is one of the best examples of an iffy genre: popular historical fiction. I can’t recall another story I’ve seen spoofed more often. Still, this isn't kid’s stuff.

    Next came the musical accompaniment at the beginning and end of every chapter. I suppose it’s meant to cast a spell of mystery and intrigue. What sounds like a synthesized guitar (or harp?) wanders up and down the scale hand-in-hand with a toy piano—or possibly a miniature xylophone? I didn’t know what it reminded me of. And then I got it: 70’s lounge music. I could see the shag-carpeted electric piano, the cocktails with little umbrellas. Next thing I expected was Bill Murray belting out, “Sta-a-a-a-a-r Wars, nothing but Sta-a-a-a-a-r Wars!” (Youtube it if you’re too young to remember.)

    Then I discovered that the chapter divisions on my iPod didn’t sync up with the chapter divisions in the book. Instead, my menu showed eight “chapters”, each an hour-and-some-odd minutes long, each containing several actual chapters. In other words, lose your place and you’re lost.

    And in between every chapter was wedged a generous slab or two of the lounge music. But I shouldn't complain. Those oases of synthesized smarminess served as the next best thing to chapter divisions, making the job of finding your place a little easier.

    But the real problem, the thing that makes this recording a tragedy, is that there are words missing.

    At first it wasn’t so bad. At the end of chapter 5, the last few words of the final sentence actually begin to fade away in order to make room for the dreadful muzak. But at least I could hear them.

    Then, at the end of chapter six, the final sentence didn’t make sense at all. Looking up The Scarlet Pimpernel on the Guttenberg Project, I discovered that the sentence was missing its entire second half—words that reveal a detail I very much needed to hear if the story was to make any sense later on. The same thing happens at the end of chapter seven, the middle of chapters thirteen and fourteen and, I have no doubt elsewhere in places I didn’t notice. Admittedly, these later gaps are not nearly as crucial. Still, they’re flaws any competent producer would have caught.

    I called this a tragedy but that’s too strong a word. This is simply a waste. Because David Thorn’s performance—his delineation of character, his pacing, his ability to keep several simultaneous voices (and the narration) distinct and vivid—is very good. It is a shame that his fine performance should be marred by such slipshod production. And it’s a shame that such a good yarn—a story that has come, like the Three Musketeers, to define our collective image of the period in which it is set—should be robbed of it’s full vigor.

    I can give you no better proof of that vigor than by saying that, in spite of all the production flaws, I persevered because I was hopelessly hooked. It really is a glorious, swashbuckling rip-snorter of a story. Yes, at heart it is a bodice-ripper. The horns of Lady Blakeney’s various dilemmas are dwelt upon ad nauseum. One more reference to “a woman’s heart” and I probably would have given up. But there is good writing here and even shrewd insights.

    For example, this description of an empty dining room is something of a tour de force:

    “When Chauvelin reached the supper-room it was quite deserted. It had that woebegone, forsaken, tawdry appearance, which reminds one so much of a ball-dress, the morning after.

    “Half-empty glasses littered the table, unfolded napkins lay about, the chairs—turned towards one another in groups of twos and threes—very close to one another—in the far corners of the room, which spoke of recent whispered flirtations, over cold game-pie and champagne; there were sets of three and four chairs, that recalled pleasant, animated discussions over the latest scandal; there were chairs straight up in a row that still looked starchy, critical, acid, like antiquated dowager; there were a few isolated, single chairs, close to the table, that spoke of gourmands intent on the most recherche dishes, and others overturned on the floor, that spoke volumes on the subject of my Lord Grenville's cellars.

    “It was a ghostlike replica, in fact, of that fashionable gathering upstairs; a ghost that haunts every house where balls and good suppers are given; a picture drawn with white chalk on grey cardboard, dull and colourless, now that the bright silk dresses and gorgeously embroidered coats were no longer there to fill in the foreground, and now that the candles flickered sleepily in their sockets.”

    Not bad. Not bad at all.

    Then there are keen observations that get at the heart of the paradoxes of the French Revolution and, indeed, of all modern totalitarianism:

    “On seeing the strangers…[the innkeeper] paused in the middle of the room… looked at them, with even more withering contempt than he had bestowed upon his former guests, and muttered, "Sacrrree soutane!"

    “[One of the newcomers] had taken a quick step forward towards Brogard. He was dressed in the soutane, broad-brimmed hat and buckled shoes habitual to the French cure, but as he stood opposite the innkeeper, he threw open his soutane for a moment, displaying the tri-colour scarf of officialism, which sight immediately had the effect of transforming Brogard's attitude of contempt, into one of cringing obsequiousness.”

    In other words, the political saviors have quickly become even more terrifying (and hateful) than even the Church that had supposedly been oppressing everyone so ruthlessly up until then.

    Long story short: this is a good book and a very good performance, hampered by lamentable production. Which is probably why it was the cheapest.

  • The Luck of the Bodkins

    "There's a Serious Gap in this Recording"

    Overall
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    Story

    And it eliminates a major twist in one of Wodehouse's most twisted plots. Running from page175 to page 181 in the Overlook Press edition, it renders the story absolute nonsense from that point forward. Fortunately, the break in the narrative flow is so obvious, and the pause that precedes it so long, that it's hard for even a casual listener to miss.

    Other than that I'm enjoying Jonathan Cecil's performance very much. It's a book I didn't like all that much when I read it several years ago. It is, I believe, Wodehouse's longest work and it does get a bit tedious on paper. But listening is a pleasure and, armed with the complete text, one can bridge over this unfortunate gap--along with any others that may crop up along the way.

Ilana

Ilana Montreal, Quebec, Canada 04-03-12 Member Since 2011

Audiobooks have literally changed my life. I now actually ENJOY doing mindless chores because they give me plenty of listening time!

HELPFUL VOTES
372
ratings
REVIEWS
268
114
FOLLOWERS
FOLLOWING
64
11
  • "A Suspense that Keeps You Guessing"

    33 of 33 helpful votes

    Walter Hartright, a young art teacher, is startled when he is overtaken by a young woman dressed entirely in white while walking on the road from Hampstead to London. Visibly distressed, the young woman begs him to show her the way to London, and he offers to accompany her there. The young woman accepts his offer on the condition that he allow her to come and go as she pleases. Once he's dropped her off in London, two men in hot pursuit claim that the girl has escaped a mental asylum and must be returned there at once, but Walter does nothing to help them in their search. The next day he arrives at Limmeridge House, where he has gained a position as a drawing master. There he meets his young pupils, half sisters Marian and Laura. In no time at all, her befriends Marian—no great beauty is she, but quick, smart and amusing—and falls desperately in love with the heavenly loveliness that is Laura. But the encounter with the woman in white will carry many consequences.

    I took absolute delight in discovering all the plot twists of this great classic mystery, so will disclose no more of the story nor of how it is told, but will say that it offers a wonderfully evil conspiracy and several highly memorable characters, not least of which the strange and compelling villain Count Fosco, who stole every scene in which he appeared, in my view. Also, the sublimely selfish Frederick Fairlie is one of the most memorable invalids I have ever encountered in a work of fiction. I must say that this version, narrated by Simon Prebble and Josephine Bailey, greatly increased my enjoyment of the tale, with wonderfully rendered characters. Now that I've listened to it and that there are no more secrets for me to discover, I still look forward to listening to it again for a fun romp with highly colourful characters and plenty of Gothic frissons.

    More

    The Woman in White

    • UNABRIDGED (25 hrs and 5 mins)
    • By Wilkie Collins
    • Narrated By Josephine Bailey, Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (1011)
    Performance
    (816)
    Story
    (817)

    One of the greatest mystery thrillers ever written, Wilkie Collins's The Woman in White was a phenomenal best seller in the 1860s, achieving even greater success than works by Charles Dickens. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall audiences today.

    David says: "Gripping novel, excellent production"

What's Trending in British Literature:

  • 4.8 (174 ratings)
    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard (






UNABRIDGED) by J.R.R. Tolkien Narrated by Rob Inglis

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
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    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
  • 4.8 (14 ratings)
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UNABRIDGED) by Henry Fielding Narrated by Bill Homewood

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    Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

    Lawrence says: "Fantastic narration"
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    • UNABRIDGED (27 hrs and 15 mins)
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    In 1938 Maugham wrote, "Fact and fiction are so intermingled in my work that now, looking back on it, I can hardly distinguish one from the other." Maugham also wrote that most of his short stories were inspired by accounts he heard firsthand during his travels to the lonely outposts of the British Empire. In volume three of this series, we present all of the remaining short stories which Maugham published after World War I and which he subsequently caused to be republished in various collections.

    Die Falknerin says: "What a treat!"
  • 4.5 (8805 ratings)
    The Hobbit (






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    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
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    The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

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    Ellen says: "At last - The Definitive Recording!"
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    A Christmas Carol: A Signature Performance by Tim Curry

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    Nanci says: "Superb story and reading!"
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    1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
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    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Kit McIlvaine (GirlPluggedN) says: "Come one, Come all into 1984!"
  • 4.5 (3780 ratings)
    The Count of Monte Cristo (






UNABRIDGED) by Alexandre Dumas Narrated by John Lee

    The Count of Monte Cristo

    • UNABRIDGED (47 hrs)
    • By Alexandre Dumas
    • Narrated By John Lee
    Overall
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    Dashing young Edmond Dantès has everything: a fine reputation, an appointment as captain of a ship, and the heart of a beautiful woman. But his perfect life is shattered when three jealous friends conspire to destroy him. Falsely accused of a political crime, Dantès is locked away for life in the infamous Chateau d'If prison. But it is there that Dantès learns of a vast hidden treasure.

    Prsilla says: "Really-REALLY Classic!"
  • The Hobbit (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
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    (8044)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (4620)
    Performance
    (4156)
    Story
    (4239)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • Brave New World (






UNABRIDGED) by Aldous Huxley Narrated by Michael York

    Brave New World

    • UNABRIDGED (8 hrs and 5 mins)
    • By Aldous Huxley
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (2610)
    Performance
    (1872)
    Story
    (1891)

    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Jefferson says: "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"
  • The Screwtape Letters (






UNABRIDGED) by C.S. Lewis Narrated by Ralph Cosham

    The Screwtape Letters

    • UNABRIDGED (3 hrs and 38 mins)
    • By C.S. Lewis
    • Narrated By Ralph Cosham
    Overall
    (2004)
    Performance
    (1095)
    Story
    (1117)

    A masterpiece of satire, this classic has entertained and enlightened readers the world over with its sly and ironic portrayal of human life and foibles from the vantage point of Screwtape, a highly placed assistant to "Our Father Below". At once wildly comic, deadly serious, and strikingly original, C.S. Lewis gives us the correspondence of the worldly-wise old Devil to his nephew, Wormwood, a novice demon in charge of securing the damnation of an ordinary young man.

    Amazon Customer says: "So much truth, much of it scary."
  •  
  • The Two Towers: Book Two in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (3147)
    Performance
    (2844)
    Story
    (2899)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • The Return of the King: Book Three in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2851)
    Performance
    (2567)
    Story
    (2620)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • 1984: New Classic Edition (






UNABRIDGED) by George Orwell Narrated by Simon Prebble

    1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3886)
    Performance
    (2446)
    Story
    (2478)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Kit McIlvaine (GirlPluggedN) says: "Come one, Come all into 1984!"
  • Persuasion (






UNABRIDGED) by Jane Austen Narrated by Juliet Stevenson

    Persuasion

    • UNABRIDGED (8 hrs and 47 mins)
    • By Jane Austen
    • Narrated By Juliet Stevenson
    • Whispersync for Voice-ready
    Overall
    (1136)
    Performance
    (800)
    Story
    (811)

    Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

    Emily - Audible says: "Juliet Stevenson is Simply Amazing"
  •  
  • Gulliver's Travels: A Signature Performance by David Hyde Pierce (






UNABRIDGED) by Jonathan Swift Narrated by David Hyde Pierce

    Gulliver's Travels: A Signature Performance by David Hyde Pierce

    • UNABRIDGED (9 hrs and 52 mins)
    • By Jonathan Swift
    • Narrated By David Hyde Pierce
    • Whispersync for Voice-ready
    Overall
    (717)
    Performance
    (525)
    Story
    (530)

    A Signature Performance: Four-time Emmy Award winner David Hyde Pierce delivers an air of lovable self-importance in his rendition of the classic social satire that remains as fresh today as the day it was published.

    Rose says: "Loved every minute"
  • Dracula [Audible Edition] (






UNABRIDGED) by Bram Stoker Narrated by Alan Cumming, Tim Curry, Simon Vance, Katherine Kellgren, Susan Duerden, John Lee, Graeme Malcolm, Steven Crossley

    Dracula [Audible Edition]

    • UNABRIDGED (15 hrs and 28 mins)
    • By Bram Stoker
    • Narrated By Alan Cumming, Tim Curry, Simon Vance, and others
    • Whispersync for Voice-ready
    Overall
    (2332)
    Performance
    (2127)
    Story
    (2152)

    The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

    N. Houghton says: "Gothic Horror Never Sounded So Good"
  • Animal Farm [Dramatised]  by George Orwell Narrated by Tamsin Greig

    Animal Farm [Dramatised]

    • ORIGINAL (1 hr and 26 mins)
    • By George Orwell
    • Narrated By Tamsin Greig
    Overall
    (66)
    Performance
    (60)
    Story
    (62)

    Animal Farm - the history of a revolution that went wrong - is George Orwell's brilliant satire on the corrupting influence of power. Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges....

    Leslie says: "Are you sure this is Animal Farm?"
  • Why Shoot a Butler? (






UNABRIDGED) by Georgette Heyer Narrated by Ulli Birvé

    Why Shoot a Butler?

    • UNABRIDGED (10 hrs and 43 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her – at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up. In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled.

  • Query (






UNABRIDGED) by

    Query

    • UNABRIDGED (27 mins)
    • By "Seamark", Austin Small
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Thomas Masterick had spent the best years of his life trying to solve the problem. Why had he been convicted of the murder of Fred Smith? Why had life and "the system" been so unfair to him? He knew he had not killed Fred Smith. He wasn't even sure that Fred Smith had been killed. Eventually Masterick solves the problem and sends a greater shock through the legal world than it has ever known.

  • The Interruption (






UNABRIDGED) by W. W. Jacobs Narrated by Cathy Dobson

    The Interruption

    • UNABRIDGED (31 mins)
    • By W. W. Jacobs
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Spencer Goddard's wife has died suddenly after a short and intense illness. Finally Goddard has his freedom and full use of his wife's wealth. But before he can begin to enjoy his new-found freedom, Hannah the cook begins to behave rather oddly. Goddard realizes that Hannah knows his secret...and a terrible power struggle begins.

  • The Burglary (






UNABRIDGED) by Arnold Bennett Narrated by Cathy Dobson

    The Burglary

    • UNABRIDGED (27 mins)
    • By Arnold Bennett
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Arnold Bennett (1867-1931) was an English author, born in one of the "Five Towns" which form the background of so many of his witty stories. In The Burglary, Bennett tells the story of a highly respectable and distinguished citizen who hires a burglar to rob his house.

  • Why Shoot a Butler? (






UNABRIDGED) by Georgette Heyer Narrated by Ulli Birvé

    Why Shoot a Butler?

    • UNABRIDGED (10 hrs and 43 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her – at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up. In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled.

  •  
  • The Unfinished Clue (






UNABRIDGED) by Georgette Heyer Narrated by Ulli Birvé

    The Unfinished Clue

    • UNABRIDGED (10 hrs and 10 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    It should have been a lovely English country-house weekend. But the unfortunate guest list is enough to exasperate a saint, and the host, Sir Arthur Billington-Smith, is an abusive wretch hated by everyone – from his disinherited son to his wife's stoic would-be lover. When Sir Arthur is found stabbed to death, no one is particularly grieved and no one has an alibi. The unhappy guests find themselves under the scrutiny of Scotland Yard's cool-headed Inspector Harding, who has solved tough cases before.

  • The Murder of the Countess Görlitz (






UNABRIDGED) by Sabine Baring-Gould Narrated by Cathy Dobson

    The Murder of the Countess Görlitz

    • UNABRIDGED (59 mins)
    • By Sabine Baring-Gould
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The bizarre death of the Countess Görlitz at Darmstadt in Germany, in 1847, was one of the greatest mysteries of the age. For several years it was widely believed that the Countess had spontaneously combusted at her writing desk. Another popular theory was that her husband, Count Görlitz, a Privy Councillor and Chamberlain to the Grand-Duke of Hesse had murdered her - a charge which he vigorously denied.

  • Masterpieces of Murder: Intriguing and Unusual Crime Stories (






UNABRIDGED) by G. K. Chesterton, Edgar Allan Poe, A. J. Allan, Stacy Aumonier, Sabine Baring-Gould, Nathaniel Hawthorne, E. W. Hornung Narrated by Cathy Dobson

    Masterpieces of Murder: Intriguing and Unusual Crime Stories

    • UNABRIDGED (10 hrs and 20 mins)
    • By G. K. Chesterton, Edgar Allan Poe, A. J. Allan, and others
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A fascinating collection of intriguing and unusual classic murder stories by some of the masters of mystery and crime writing.