This new Blackstone recording of "Canterbury Tales" is wonderful and at times enthralling -- and also at times laugh-out-loud funny. Like the Charlton Griffin recording (also available here), it's the whole ball of wax: every tale, including the often-omitted Tale of Melibee and the Parson's Tale (which is really a three-hour sermon rather than a tale. Listen to it. It's good for the digestion, and quite a bit more interesting than it sounds). This translation, by J.U. Nicholson, uses a more old-fashioned vocabulary in places than the Coghill translation used by Griffin; but at the same time, it's also saltier. There are few crude names for parts or functions of the human body that Chaucer fails to use at one point or another, and most of them find their way into this recording. (For me, that's a GOOD thing!) One notable feature is that this is a multi-voice recording. Martin Jarvis is Chaucer, Ralph Cosham the Lawyer, Simon Vance the Squire; and that's only a few examples. Both this version and Griffin's version are five-star recordings in my book. Griffin's has occasional music, which this one lacks; on the other hand, this one has greater variety of tone and voice.
This is yet another excellent reading of "Frankenstein." There are actually several really good performances of this book on Audible. Simon Vance tends to emphasize the lyrical Romanticism of the prose. Others have other strengths: George Guidall emphasizes the brooding tragedy; the three-reader version from Blackstone highlights the unusual structure of the narrative; and Flo Gibson gives what I think is the only available recording of the shorter 1818 version of the text. (Most use the 1831 revision.) I seem to be collecting versions of this book without realizing it. Vance's reading is lively and clearly differentiates the three major voices in the book (Walton, Frankenstein, and the Creature).
Burton Raffel is the crown prince of Old and Middle English translators in my book, and his Chaucer is another masterpiece. The rhyming is more subtle than in other translations of Chaucer, but it's there; and the tales unfold with seemingly effortless clarity. This is a high-quality, multiple-reader production, and it includes all the tales (including the Tale of Melibee and the Parson's Tale). The only thing marring the production are the chapter breaks: they are geared to the CDs rather than the individual tales. If you're planning to listen straight through, that's not a problem, but I would have preferred the ability to be more selective.
It's amazing that in only a few months, Audible has gone from a skimpy selection of Chaucer to three outstanding recordings of the complete set of Tales: one from Charlton Griffin, one from Blackstone, and this one from the BBC. Any one of them provides a wonderful listening experience. This one is my favorite because of Raffel; others may suit your taste better. But for heaven's sake get ONE of them.
An old broad that enjoys books of all types. Would rather read than write reviews though. I know what I like, and won't be bothered by crap.
I saw the Julie Christie movie many years ago, and was interested in reading the book it was about.
Thomas Hardy writes with such understanding of man and woman's foibles and mores. The story revolves around a beautiful woman, Bathsheba Everdene and the 3 men who love her.
It's a heartbreaking story and will have you in tears several times.
Jill Master's narration is clear and concise. She sounds like Audrey Hepburn. The only problem I had with her speech is sometimes it is too bland.
This story is well worth the 15 plus hours you will put into it.