One of the most satisfying audio productions I've listened to--a case where the audio version was more enjoyable to me than the text because of the pefect pairing of 2 artists. Rickman's voice added a rich shading and emphasis to Hardy's already beautiful lyricism; it was almost hypnotic. I remember long passages (especially describing Egdon Heath) that challenged my attention when I first read this book, but with Rickman's reading, it all went by like beautiful scenery. One to sit down and experience leisurely.
Like setting the star on top the tree, Christmas is complete when we've heard at least some version of Dickens's A Christmas Carol -- and as much as I've enjoyed every one of the many homages to Dicken's Carol, (from Alastair Sim to Mr. Magoo to Bill Murray to Scrooge McDuck) nothing warms the cockles like the original icy Scrooge..."tight-fisted hand at the grindstone, squeezing, wrenching, grasping, scraping, clutching, covetous old sinner, hard and sharp as flint"... without Mr. Scrooge, there is something missing in Christmas. "Marley was dead..." those opening lines send shivers of memories and delight through me each year I hear them anew. Stupendous production, Curry's expressive and distinctive voice alone is an ensemble; for 3 1/2 hours I was as mesmerized as the first time I read the story. Dickens is always a favorite, but perhaps at his wisest and timeless best here.
An intricate knot tied with precision, and untangled with logic and grace. To begin with there is a mystery, and Collins lays it out with attention to every twist as the story continues to be told by the various narrators. The characters are as vivid as those created by other 19th century writers: Dickens, the Bronte sisters, Sir Arthur Conan Doyle, Edgar Allan Poe--Frederick Fairlie with his imagined maladies is good comedy, and Sir Percival and Count Fosco, in comparison make Heathcliff almost look respectable.
Victorian in description, dialogue, and politics--the strong female character doesn't escape punishment for her straying from the social constricts of the time...she pays for her female resourcefulness and failure to swoon, by being endowed, by the author, with masculine features, including a mustache. Today's editors would likely trim the 25 hours to 12, but in spite of the length and the diversity of plots, the story stays on track and doesn't drag; it's worth the Effort. The narration is a theatrical treat. Fear not the classic; dig in and enjoy.