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Jefferson

Jefferson Fukuoka, Japan Member Since 2010

I love listening to or reading books--especially fantasy, science fiction, children's, classics, & historical.

HELPFUL VOTES
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1
  • "“Oh, Ford, Ford Ford, I Wish I Had ..."

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    Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.

    Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.

    I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.

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    Brave New World

    • UNABRIDGED (8 hrs and 5 mins)
    • By Aldous Huxley
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (2290)
    Performance
    (1592)
    Story
    (1606)

    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Jefferson says: "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"
  • "What's a Lonely Creature to Do?"

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    The three readers are well-suited to their roles. Simon Templeman is sensitive and vigorous as the frame-narrator, the idealistic and lonely explorer Walton, Anthony Heald is fragile and feverish as the self-pitying, obsessed, and played-out Frankenstein, and Stefan Rudnicki is baritone and bare as the rational, wronged, and vengeful Creature.

    And what a fascinating, nightmarish, sublime, melodramatic, elegant, and surprising novel it is! Told by letters and interviews and by narratives inside narratives, glossing over the science and diving into the morality of the creation of artificial life, exploring the glories and dangers of the heroic (and tragic) quests for knowledge and discovery, expressing the best and worst of human nature, laying bare the sadness of loss and alienation. If, at times, I feel like slapping Frankenstein out of his self-centered wallows in guilty misery, the Creature's autobiography is compelling, and the scenes on the Arctic ice are terrific. And Mary Shelley often effectively builds up and then thwarts or shocks reader expectations. The novel has little in common with most movie adaptations of it, but it is well worth listening to so as to experience the source of so much popular culture Frankenstein material, as well as a representative example of the Romantic era.

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    Frankenstein, or The Modern Prometheus

    • UNABRIDGED (8 hrs and 42 mins)
    • By Mary Shelley
    • Narrated By Simon Templeman, Anthony Heald, Stefan Rudnicki
    • Whispersync for Voice-ready
    Overall
    (168)
    Performance
    (92)
    Story
    (93)

    Dr. Victor Frankenstein, an ambitious young scientist, is consumed by a fanatic desire to create a living being. He fashions an eight-foot-tall creature and succeeds in animating him, but, horrified by his visage, perceives his creation to be a monster and frightens him away. The monster, wandering in search of human companionship, is spurned and repulsed by all he approaches and learns to hate and to kill.

    Jefferson says: "What's a Lonely Creature to Do?"
  • "A Solid Set of Holmes Stories"

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    Story

    This audiobook combines two Holmes collections (The Memoirs of Sherlock Holmes and The Return of Sherlock Holmes) and one novel (The Hound of the Baskervilles). The near 28 hours of stories make a solid addition to the Holmes canon, cleanly and vividly written, with occasional flashes of humor, brilliance, and intellectual play. They even include the death and resurrection of Doyle’s genius detective. Sometimes the culprit is rather guessable early on, and there is little action in the way of gunfights and brawls and the like. But it is a pleasure to watch Holmes at work through Watson’s idolizing eyes.

    As for Charlton Griffin’s reading of the three books, it is appealing if you like his voice and approach to reading in general. I first heard him reading The Iliad and found it wonderful. As in that book, in this one his pronunciation of words is clear and his delivery authoritative. He does tend to get rolling on the Griffin Rhythm, which at times threatens to make the different books by different authors he reads sound as if they were written by the same person. But I do like his distinctive style. Because Griffin is American, his British accents may be a little dodgy, but he uses an effective, neutrally British-flavored accent for Watson’s narration. And his Holmes is pleasurably intellectual, proud, and sardonic. The only criticism I’d make is that most of his women sound simpering, nasal, high-pitched, and weak; I wish he’d try less hard to make them sound “female.” But the majority of voices in this audiobook are male, and he’s quite good with them.

    Griffin effectively uses mood music related to the subjects of the stories to introduce and conclude each one, as well as spooky hound howls to introduce the chapters of The Hound of the Baskervilles. Apart from one story featuring gunshots, there are no other sound effects in this audiobook.

    In conclusion, this is a fine Holmes collection.

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    The Complete Stories of Sherlock Holmes, Volume 2

    • UNABRIDGED (27 hrs and 50 mins)
    • By Arthur Conan Doyle
    • Narrated By Charlton Griffin
    Overall
    (1192)
    Performance
    (795)
    Story
    (811)

    Volume two in this series consists of one novel, The Hound of the Baskervilles, and two collections of short stories, which include "Memoirs of Sherlock Holmes" and "The Return of Sherlock Holmes" (a total of 23 stories). These creations by Doyle represent the finest work of his Holmes series, and certainly the most famous.

    T. says: "a list of what you'll find in Volume 2"
  1. Brave New World
  2. Frankenstein, or The Mode...
  3. The Complete Stories of S...
  4. .

A Peek at ESK's Bookshelf

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Moscow, Russia 58 REVIEWS / 328 ratings Member Since 2011 27 Followers / Following 1
 
ESK's greatest hits:
  • Seven Ages: An Anthology of Poetry with Music

    "The Anthology of 'Music-Makers'"

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    Poetic delight. Lyric ecstasy. Personally, it's the best collection of poems ever. Should you have any doubts about that, look at the list of poems and the narrators.
    (Part I/Disc I)
    1. Autumn from 4 Seasons/Capella Istropiltana - Stephen Gunzenhauser (conductor)
    2. Shakespeare, Seven Ages from As You Like It, Act II Scene VII - Sir Ian McKellen
    3. A Fancy - The Rose Consort Of Viols
    4. Shakespeare, From All the world's a stage: Infant (excerpt) - Sir Ian McKellen
    5. Thom Gunn, Baby Song - Catherine McCormack
    6. Ann Stevenson, The Victory - Richard Jackson
    7. Emily Dickinson, Surgeons - Gayle Hunnicutt
    8. Shakespeare, Fancy from Merchant of Venice, Act III Scene 2 - Mark Rylance
    9. Ogden Nash, Guppy - Prunella Scales
    10. Edward Lear, Quangle Wangle's Hat - Connie Booth
    11. Thomas Hood, I Remember, I Remember - Ralph Fiennes
    12. William Allingham, The Fairies - Juliet Stevenson
    13. Thomas Hood, A Parental Ode - Ralph Fiennes
    14. Robert L. Stevenson, My Shadow - Stella Gonet
    15. Edward Lear, The Owl and the Pussy Cat - John Cleese
    16. A. A. Milne, Sneezles - Andrew Sachs
    17. Lewis Carroll, The Walrus and the Carpenter - Joss Ackland w/ Peter Bayliss
    18. Ted Hughes, Jellyfish - Leo Sayer
    19. G.K. Chesterton, The Donkey - Emma Fielding
    20. Anonymous (or Christopher Isherwood?), The Common Cormorant - Andrew Sachs
    21. R.L. Stevenson, Where Go the Boats - Stella Gonet
    22. Ted Hughes, Crab - Leo Sayer
    23. A.A. Milne, The End - Catherine McCormack
    24. Midsummer Nights Dream (Uphill Down Dale) - Barry Wordsworth (conductor)
    25. Shakespeare, From All the world's a stage: School - Sir Ian McKellen
    26. R.L. Stevenson, To Any Reader - John Sessions
    27. Dylan Thomas, Under Milk Wood - Ioan Gruffudd
    28. Vernon Watkins, The Collier - Ioan Gruffudd
    29. Shel Silverstein, Sick - Catherine McCormack
    30. John Whitworth, Boring - John Cleese
    31. John Whittier, From The Barefoot Boy - Jenny Agutter
    32. Full Fathom Five from Tempest, Act I Scene 2 - Dame Glenda Jackson
    33. Oscar Wilde, Rosa Mystica - Michael Williams
    34. Rudyard Kipling, A Smuggler's Song - Michael Caine
    35 C. Day Lewis, Walking Away - Timothy West
    36 Hilaire Belloc, Tarantella - Terence Stamp
    37 T.S. Eliot, Macavity - David Suchet
    38 Rudyard Kipling, If - Michael Caine
    39 Shakespeare, From Hamlet: This Above All - Michael Maloney
    40. M. George Whitehead and His Almand - performed by Rose Consort Of Viols
    41. Shakespeare, From All the World's a Stage: Lover - Sir Ian McKellen
    42. W.B. Yeats, The Arrow - Art Malisk
    43. H.W. Longfellow, The Arrow and the Song - HRH The Duchess Of Kent
    44. Rabindranath Tagore, They Who Are Near to Me - Art Malik
    45. Christina Rossetti, The First Day - Felicity Kendal
    46. T.L. Beddoes, From The Song of Torrismond - Janet Suzman
    47. R.S. Bridges, My Delight and Thy Delight - Ralph Fiennes
    48. E.B. Browning, Sonnet 43 - Hannah Gordon
    49. R. Kipling, The Virginity - Terence Stamp
    50. P.B. Shelley, The Longest Journey - Samuel West
    51. Anonymous, We Have Known Treasure - Charles Dance
    52. Shakespeare, Sonnet 138 - Robert Lindsay
    53. C. Rossetti, Echo - Dame Glenda Jackson
    54. R. Tagore, Delusions I Did Cherish - Art Malik
    55. Shakespeare, Sonnet 18 - Dame Glenda Jackson
    56. A. E. Housman, When I Was One-And-Twenty - Pete Postlethwaite
    57. W. B. Yeats, The Mermaid - Juliet Stevenson
    58. Robert Herrick, Upon the Nipples of Julia's Breast - Terence Stamp
    59. Robert Burns, My Love Is Like a Red, Red Rose - John Sessions
    60. Shakespeare, Sonnet 116 - Robert Lindsay
    61. D. H. Lawrence, New Year's Eve - Michael Maloney
    62. D. H. Lawrence, Green - Michael Maloney
    63. John Keats, A Thing of Beauty Is a Joy Forever - Mark Rylance

    (Part II/Disc II)
    1. Stravinsky: A Soldier's Tale - Nicholas Ward (conductor)
    2. Shakespeare, From All the world's a stage: Soldier - Sir Ian McKellen
    3. Shakespeare, Prologue from King Henry 5 - Mark Rylance
    4. Julian Grenfell, Into Battle - Juliet Stevenson
    5. W. B. Yeats, An Irish Airman Foresees His Death - William Houston
    6. James Russell Lowell, Once to Every Man and Nation - Dame Judi Dench
    7. Seamus Heaney, Whatever You Say, Say Nothing - William Houston
    8. John McCrea, In Flanders Fields - Robert Powell
    9. Vera Brittain, Perhaps - Dame Judi Dench
    10. Wilfred Owen, Anthem for Doomed Youth - Robert Powell
    11. Wilfred Owen, Dulce at Decorum Est / Lord Owen
    12. Eva Dobell, Pluck - Felicity Kendal
    13. W. H. Auden, From In Memory of W.B. Yeats - Art Malik
    14. John Jarmain, At a War Grave - Michael Malony
    15. John Jarmain, El Alamein - Michael Malony
    16. Ruth Fainlight, Handbag - Prunella Scales
    17. Elsie Cawser , Salvage Song - Michael Maloney
    18. Rudyard Kipling, England - Michael Caine
    19. Matthew Arnold, Dover Beach - Michael Williams
    20. Dan Pagis, Written With a Pencil in a Sealed Wagon - Janet Suzman
    21. John Donne, No Man Is an Island - Ed Bishop
    22. Luis de Narvaez: Fantasia - Shirley Rumsey
    23. Shakespeare, From All the World's a Stage: Wisdom - Sir Ian McKellen
    24. Shakespeare, The Quality of Mercy from Merchant of Venice, Act IV Scene 1 - Ralph Fiennes
    25. John Boyle O’Reilly , What Is Good - Dame Judi Dench
    26. Walt Whitman, Leaves of Grass - Art Malik
    27. Anonymous, Addendum to the Ten Commandments - Michael Caine
    28. Geoffrey Chaucer, From The Canterbury Tales: A Student - Emma Fielding
    29. James Leigh Hunt, Abou Ben Adhem - Robert Powell
    30. Henry Wadsworth Longfellow, Song of Hiawatha (excerpt) - Clarke Peters
    31. William Wordsworth, My Heart Leaps Up - Robert Hardy
    32. William Blake, Auguries of Innocence - Timothy West
    33. William Blake, The Tyger - Timothy West
    34. Emily Dickinson, Of All Souls That Stand Create - Gayle Hunnicutt
    35. Percy Bysshe Shelley, Chorus of Spirits - Prunella Scales
    36. Samuel Taylor Coleridge, Kubla Khan - Pete Postlethwaite
    37. Robert Burns, A Man's a Man for A' That - John Sessions
    38. Robert Frost, The Road Not Taken - John Cleese
    39. Anonymous, The Bleed'n' Sparrer - Michael Caine
    40. The King of Denmark's Galiard performed by the Rose Consort of Viols
    41. Shakespeare, From All the World's a Stage: Sixth Age - Sir Ian McKellen
    42. W. B. Yeats, Politics - Michael Caine
    43. Ogden Nash, Peekaboo, I Almost See You - David Suchet
    44. Ogden Nash, Samson Agonistes - David Suchet
    45. John Masefield , Sea Fever - Terence Stamp
    46. Emily Dickinson, Exultation - Gayle Hunnicutt
    47. Morris Bishop, We Have Been Here Before - Charles Dance
    48. Alfred, Lord Tennyson From The Brook - Janet Suzman
    49. William Wordsworth, Upon Westminster Bridge - Robert Hardy
    50. J. Wilmot, Earl of Rochester, A Song of a Young Lady to Her Ancient Lover - Janet Suzman
    51. Robert Burns, John Anderson, My Jo - Stella Gonet
    52. Stanley J. Sharples, In Praise of Cocoa, Cupid's Nightcap - Emma Fielding
    53. Rudyard Kipling, The Way Through the Woods - Art Malik
    54. Christina Rossetti, From Uphill - HRH The Duchess Of Kent
    55. Shakespeare, From All the World's a Stage: Last Scene - Sir Ian McKellen
    56. Dylan Thomas, Do Not Go Gentle into That Good Night - Ioan Gruffudd
    57. Christina Rossetti, Song - Jenny Agutter
    58. Leo Marks, Code Poem for the French Resistance - Ralph Fiennes
    59. Emily Dickinson, This World Is Not Conclusion - Gayle Hunnicutt
    60. Robert Louis Stevenson, Requiem - John Sessions
    61. Christina Rossetti, Sleeping at Last - Dame Judi Dench
    62. Shakespeare, Fear No More from Cymbeline, Act IV Scene 2 - Sir Ian McKellen
    63. John Banister Tabb, Evolution/Autumn from Four Seasons (Reprise) - Mark Rylance

  • The Great Poets: Percy Bysshe Shelley

    "The quintessence of Romanticism"

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    A collection of P.B. Shelley's best-known works, masterfully read. Here's the list of the poems:
    1.  The opening lines from Queen Mab
    2.  Mutability
    3.  To Wordsworth
    4.  Hymn to Intellectual Beauty
    5.  Ozymandias
    6.  Stanzas written in Dejection near Naples
    7.  From Prometheus Unbound
    8.  The Indian Serenade
    9.  Love's Philosophy
    10.  Ode to the West Wind
    11.  Song to the Men of England
    12.  Sonnet: England in 1819
    13.  The Mask of Anarchy
    14.  The Cloud
    15.  To a Skylark
    16.  from Epipsychidion
    17.  To the Moon
    18.  A Lament
    19.  One word is too often profaned
    20.  Chorus from Hellas
    21.  concluding stanzas from Adonais
    22.  With A Guitar, To Jane
    23.  Song: Rarely, rarely comest thou
    24.  To Jane: The Invitation
    25.  Time
    26.  Lines: 'When the lamp is shattered'
    27.  Music, when soft voices die
    28.  To Jane: The Recollection

  • Fairy Tales of Oscar Wilde: In Aid of the Royal Theatrical Fund

    "Masterly reading"

    Overall
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    Story

    It was delightful to listen to O. Wilde's fairy tales. Just look at the list of the narrators. They are virtuosos! I'm glad I bought the audiobook. It is a gem of my collection. Listening to the fairy tales was a captivating experience.

  • The Great Poets: Robert Burns

    "'Bard of passion'"

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    Story

    It's a highly enjoyable selection of poems. Forbes Masson gave an impassioned and expressive rendition. I fell in love with his Scottish accent. I could listen to him for hours. Over and over again.

    Here's the list of poems on the audio:
    1. A Man's a Man for a' That
    2. A Red, Red Rose
    3. A Winter Night
    4. Address to a Haggis
    5. Address to the Unco Guid
    6. Ae Fond Kiss
    7. Apology for Declining an Invitation to Dine
    8. Auld Lang Syne
    9. Bessy and her Spinnin' Wheel
    10. Epistle to a Young Friend
    11. Holy Willie's Prayer
    12. I'll Meet Thee on the Lea Rig
    13. Man Was Made to Mourn
    14. My Bonie Mary
    15. My Love's She's But a Lassie Yet
    16. On a Suicide
    17. Robert Bruce's March to Bannockburn
    18. Such a Parcel of Rogues in a Nation
    19. Tam O'Shanter
    20. The Banks O'Doon
    21. The Cotter's Saturday Night
    22. From The Jolly Beggars (extract)
    23. To a Louse, On Seeing One on a Lady's Bonnet at Church
    24. To a Mouse, On Turning Her up in Her Nest with the Plough
    25. To Mary in Heaven

Robert

Robert Yamhill, OR, United States 12-13-12 Member Since 2009

Hey Audible, don't raise prices and I promise to buy lots more books.

HELPFUL VOTES
3118
ratings
REVIEWS
346
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FOLLOWING
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  • "My favorite book this year."

    77 of 79 helpful votes

    When I read reviewers write, “the best book I have ever read,” I thought yeah right! ‘must not have read many books. Well, I have read a fair bit myself and this is definitely one of the best written books I have ever read. I believe it is a book that one can read and reread and enjoy over and over and find something new in each reading of it. Not to be redundant, it is also one of the most fun and funniest I have ever read. It is a scholarly and even literary work, if you will. And yet, at the same time, the book is totally enchanting, witty and charming.

    The legend of King Arthur and the Knights of the Round Table arose in the early Middle Ages, when England was just beginning to come under the influence of Christianity. When anyone retells the story, the author brings his own perspective to the tale of chivalry. Here T.H. White often appears to use the education of the young king Wart by Merlyn to educate the reader. While not in so many words, or maybe it is that: Merlin is a time-traveler. Not so much in the context of some science fiction novel but in his memory. Merlin is aware of past, present and the future. Certainly the author is aware of those times and uses those temporal events to tell his story. The book is in many ways a critique of mid-twentieth-century British culture. At first, things seem somewhat anachronistic but then we see that the narrator regularly references events and people in modern times to help tell his tale even more effectively.

    Both T.H. White’s The Once and Future King and J.R.R. Tolkien’s The Lord of the Rings were written in the shadow of World War II, and both reflect that context to some extent:

    “No. There is one fairly good reason for fighting - and that is, if the other man starts it. You see, wars are a wickedness, perhaps the greatest wickedness of a wicked species. They are so wicked that they must not be allowed. When you can be perfectly certain that the other man started them, then is the time when you might have a sort of duty to stop him.” (Merlyn)

    Not only is T.H. White’s The Once and Future King full of anachronistic references to places and events of modern times, but it also plays fast and loose with time within the framework of the novel itself. Given the references to the death of Uther Pendragon in 1216 and the appearance of Thomas Malory at the end of the story, Arthur would have lived from 1201-1485. In effect, what White does is telescope almost three hundred years of English history and social development into the backdrop of a single narrative.

    The book is long. But multiple versions of the story of King Arthur are considered within its covers so how short can it be? No, this is the best of several interpretations of the legend and it is not too long. While much of the book’s ending dwells on allegory, philosophy and social commentary, it is done with and eloquence and prose that is hard to compare with.

    One of the young reviewers of this book that I found tried to figure out the audience for for whom the author intended and concluded there were many. I agree:

    For children and young adults-
    “I have been thinking ... about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.” (Arthur). One of the central themes of the book is War: Right and Might.

    On one level, both Mark Twain’s A Connecticut Yankee in King Arthur’s Court and T.H.
    White’s The Once and Future King are children’s stories, yet both novels contain very
    serious social commentary clearly intended for adults. Who could argue though that the social satire found in these novels detracts too much from the ability of children to enjoy them. Could a child appreciate all that is contained within TOaFK? Certainly not. However, there are many stories in this legend and many that target the child in all of us. One need not read this entire book though I am sure a lust will always remain to do so.

    No reviewer could possibly do justice to this book. How about some more of the author’s own words:

    On Wisdom-
    “The best thing for being sad ... is to learn something. That is the only thing that never
    fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.” (Merlyn)

    This is a story about great compassion-
    “If I were made a knight ..., I should insist on doing my vigil by myself, a Hob does with
    his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it.” (Wart)

    The author writes a great deal about the evolution of man-
    “Here, all you embryos, come here with your beaks and whatnots to look upon Our first
    Man. He is the only one who has guessed Our riddle, out of all of you, and We have great pleasure in conferring upon him the Order of Dominion over the Fowls of the Air, and the Beasts of the Earth, and the Fishes of the Sea. Now let the rest of you get along, and love and multiply, for it is time to knock off for the weekend. As for you, Man, you will be a naked tool all your life, though a user of tools. You will look like an embryo till they bury you, but all the others will be embryos before your might. Eternally undeveloped, you will always remain potential in Our image, able to see some of Our sorrows and to feel some of Our joys. We are partly sorry for you, Man, but partly hopeful.” (Badger)

    Much is written about human morality-
    “Morals ... are a form of insanity. Give me a moral man who insists on doing the right
    things all the time, and I will show you a tangle which an angel couldn’t get out of.” (Lionel)

    This title actually includes Books 1-5 of T.H. White’s magnum opus. It is not so much about world-building per se though there is enough of that. The book is more about us as humans and our nature... our intellectual, psychological, social and even political nature. The book is philosophical, satirical with even a little theology thrown in. Not too much; just the right amount. If it is action that ye seek, knockdown, drag out fighting, best look elsewhere. This is one more about relationships and different kinds of heroes.

    This is brilliant storytelling brilliantly read and performed. The narration by Neville Jason is as good as it gets. I could not recommend a book more highly.

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    The Once and Future King

    • UNABRIDGED (33 hrs and 3 mins)
    • By T. H. White
    • Narrated By Neville Jason
    • Whispersync for Voice-ready
    Overall
    (1164)
    Performance
    (973)
    Story
    (967)

    The complete "box set" of T. H. White's epic fantasy novel of the Arthurian legend. The novel is made up of five parts: "The Sword in the Stone", "The Witch in the Wood", "The Ill-Made Knight", "The Candle in the Wind", and "The Book of Merlyn".

    Bookoholics Anon says: "Fabulous reading, epic story and a new chapter!"

What's Trending in Classics:

  • 4.8 (2173 ratings)

    The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2173)
    Performance
    (1950)
    Story
    (1988)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • 4.8 (158 ratings)

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
    • Narrated By Rob Inglis
    Overall
    (158)
    Performance
    (88)
    Story
    (90)

    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
  • 4.8 (24 ratings)

    Time Regained: Remembrance of Things Past, Volume 7

    • UNABRIDGED (18 hrs and 12 mins)
    • By Marcel Proust
    • Narrated By Neville Jason
    Overall
    (24)
    Performance
    (23)
    Story
    (23)

    Lost in the blacked-out streets of Paris during the First World War, Marcel stumbles into a brothel and accidentally witnesses a shocking scene involving the Baron de Charlus. Later, at a reception given by the Prince de Guermates, his meditations on the passage of time lead to his determination to embark on his life's work at last.

    Darwin8u says: "Full of emotional/intellectual/experiential joules"
  • 4.9 (17 ratings)

    Master i Margarita [The Master and Margarita]

    • UNABRIDGED (16 hrs and 40 mins)
    • By Mikhail Afanasyevich Bulgakov
    • Narrated By Vladimir Ivanovich Samoylov
    Overall
    (17)
    Performance
    (15)
    Story
    (14)

    Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.

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  • 4.8 (14 ratings)

    The Complete Short Stories, Volume One

    • UNABRIDGED (19 hrs and 47 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (14)
    Performance
    (13)
    Story
    (13)

    There have been few masters of the short story as popular as W. S. Maugham. His dry wit, worldweary loftiness, pungent cynicism, and penetrating powers of observation have contributed to the creation of some of the greatest short stories ever written.

    J. J. Kuzma says: "A masterful production of Maugham's short stories."
  • 4.8 (13 ratings)

    Classical Archaeology of Ancient Greece and Rome

    • ORIGINAL (18 hrs and 40 mins)
    • By The Great Courses
    • Narrated By Professor John R. Hale
    Overall
    (13)
    Performance
    (10)
    Story
    (9)

    Over the years, Classical archaeology has evolved from a pastime of collectors and antiquarians to a mature science. Today, the field is a multidisciplinary effort that involves not only traditional diggers, but also geologists, geographers, anthropologists, and linguists.These 36 lectures introduce you to this fascinating field of study. Professor Hale guides you through dozens of ancient sites with the skill of a born storyteller.

  • 4.8 (12 ratings)

    The Lost World

    • UNABRIDGED (8 hrs and 4 mins)
    • By Arthur Conan Doyle
    • Narrated By James Adams
    • Whispersync for Voice-ready
    Overall
    (12)
    Performance
    (11)
    Story
    (12)

    The Lost World is the account of a scientific expedition by four highspirited Englishmen - two scientists, a biggame hunter, and a journalist - deep into the Amazon jungle. In this region, cut off from the outside world by unscalable vertical cliffs and fetid swamps, they encounter a world where dinosaurs roam free and natives fight a murderous war with their fierce neighbors, the apemen. Trapped on the isolated plateau with only hunting rifles as protection the four must use savvy and intellect to escape from this primeval terror.

  • 4.8 (11 ratings)

    Complete Short Stories, Volume Two

    • UNABRIDGED (27 hrs and 15 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (11)
    Performance
    (10)
    Story
    (10)

    In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.

  • Light in August

    • UNABRIDGED (15 hrs and 17 mins)
    • By William Faulkner
    • Narrated By Will Patton
    Overall
    (47)
    Performance
    (20)
    Story
    (20)

    An Oprah's Book Club Selection regarded as one of Faulkner's greatest and most accessible novels, Light in August is a timeless and riveting story of determination, tragedy, and hope. In Faulkner's iconic Yoknapatawpha County, race, sex, and religion collide around three memorable characters searching desperately for human connection and their own identities.

    Robert Stevens says: "Superb reading of an excellent work"
  • One Hundred Years of Solitude

    • UNABRIDGED (14 hrs and 4 mins)
    • By Gabriel García Márquez
    • Narrated By John Lee
    Overall
    (128)
    Performance
    (111)
    Story
    (111)

    One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

    Melinda says: "What in the heck happened?????"
  • The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (7562)
    Performance
    (6816)
    Story
    (6914)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  • Alice in Wonderland

    • UNABRIDGED (2 hrs and 42 mins)
    • By Lewis Carroll
    • Narrated By B.J. Harrison
    • Whispersync for Voice-ready
    Overall
    (321)
    Performance
    (272)
    Story
    (267)

    Alice begins her fantastic journey by following an unprecedented White Rabbit with a pocket watch. While in the topsy turvy world of Wonderland, Alice takes advice from a caterpillar and attends a mad tea party. She meets the Mock Turtle and the Gryphon, and participates in a ludicrous courtroom scene. Each character has its own charming voice, as B. J. Harrison delivers one of his most whimsical performances.

    Amazon Customer says: "Such a good narrator!!!"
  •  
  • Tender Is the Night

    • UNABRIDGED (12 hrs and 46 mins)
    • By F. Scott Fitzgerald
    • Narrated By Therese Plummer
    • Whispersync for Voice-ready
    Overall
    (1)
    Performance
    (1)
    Story
    (1)

    Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (3670)
    Performance
    (3297)
    Story
    (3356)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • Aladdin and the Enchanted Lamp

    • UNABRIDGED (4 hrs and 45 mins)
    • By John Payne (translator)
    • Narrated By Bernard Cetaro Clark
    • Whispersync for Voice-ready
    Overall
    (3)
    Performance
    (3)
    Story
    (3)

    The original story of Aladdin is a Middle-Eastern folk tale. It concerns an impoverished young man named Aladdin. He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father and convinces Aladdin and his mother of his goodness by making arrangements to set up the lad as a wealthy merchant. His real motive is to persuade young Aladdin to retrieve a wonderful oil lamp from a booby-trapped magic cave.

  • The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2421)
    Performance
    (2184)
    Story
    (2231)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
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  • The Great Gatsby

    • UNABRIDGED (4 hrs and 49 mins)
    • By F. Scott Fitzgerald
    • Narrated By Jake Gyllenhaal
    • Whispersync for Voice-ready
    Overall
    (2684)
    Performance
    (2465)
    Story
    (2474)

    F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

    Darwin8u says: "Simple, Beautiful, and Exquisitely Textured"
  • The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2173)
    Performance
    (1950)
    Story
    (1988)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • 1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3446)
    Performance
    (2041)
    Story
    (2068)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Jay Stone says: "Enduring Classic"
  • A Tale of Two Cities [Tantor]

    • UNABRIDGED (13 hrs and 39 mins)
    • By Charles Dickens
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (705)
    Performance
    (529)
    Story
    (552)

    A Tale of Two Cities is one of Charles Dickens's most exciting novels. Set against the backdrop of the French Revolution, it tells the story of a family threatened by the terrible events of the past. Doctor Manette was wrongly imprisoned in the Bastille for 18 years without trial by the aristocratic authorities.

    Teddy says: "Truly a Classic"
  • Naked Lady

    • UNABRIDGED (29 mins)
    • By Mindret Lord
    • Narrated By Mike Vendetti
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A beautiful young woman, an actress in fact, marries an old man, and grows tired of him, leaving him and taking $1 million with her. All is well for a while, but never leave any physical part of yourself behind if the person you've left behind is a voodoo priest.

  • Good Wives

    • UNABRIDGED (9 hrs and 14 mins)
    • By Louisa May Alcott
    • Narrated By Lorelei King
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Good Wives continues the story of the Little Women, the March sisters, Meg, Jo, Beth, and Amy, as they approach womanhood. Meg longs to begin her new life with John Brook, though they can never be rich; Jo returns to devote herself to literature, and to Beth, whose illness has left her weak but whose serenity shines through the household; and Amy has gone to Aunt March, bribed with the offer of drawing lessons. Laurie remains irrepressible, with his high spirits and sense of fun, though his pursuit of Jo’s affections seems unlikely to succeed....

  • The Phantom of the Opera

    • UNABRIDGED (8 hrs and 56 mins)
    • By Gaston Leroux
    • Narrated By B. J. Harrison
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A malicious spectre haunts the Parisian Opera house. This murderous fiend speaks through walls, abducts innocents through mirrors, and holds the opera management in a cruel state of hostage. But when this monster falls for the beautiful Christine Daae, his powers of attractive enticement and malevolent mayhem all come to the surface. Who can put an end to this reign of terror? Discover the wonders of Gaston Leroux's gothic thriller in a way that will tantalize the senses.

  • Beowulf: The New Translation

    • UNABRIDGED (3 hrs and 12 mins)
    • By Gerald J. Davis
    • Narrated By John Hanks
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.

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  • A Yellow Dog

    • UNABRIDGED (19 mins)
    • By Bret Harte
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    If the legend were true then the "Yaller Dog" was able to effect change in people, mimic their transgressions, and knew the true value of politicians. On the other hand, if you spent enough time with the dog you may come to wonder if he really had any redeeming qualities. A humorous classic tale of a dog who was hard to define. Narrated by Glenn Hascall.

  • The Hemp

    • UNABRIDGED (9 mins)
    • By Stephen Vincent Benet
    • Narrated By Melora Kordos
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    "The Hemp (A Virginia Legend)" is a rhyming ballad written by Steven Vincent Benet in 1916 and tells the tale of an infamous pirate whose villainy terrorized the seas and the rope of hemp that brought his end.

  • Wuthering Heights

    • UNABRIDGED (12 hrs and 35 mins)
    • By Emily Brontë
    • Narrated By B.J. Harrison
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Wuthering Heights follows the tumultuous lives of Catherine and Heathcliff, two young playmates who become soul mates. While Catherine's wild childish capriciousness develops, Heathcliff "exemplifies the effects which a life of continued injustice and hard usage may produce on a naturally perverse, vindictive, and inexorable disposition".

  • The Happy Waterman

    • UNABRIDGED (12 mins)
    • By Hannah More
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    An innocent man finds himself in prison. Rather than despair he holds to the truth. He has taught his children well, served his employer honorably, and loved his wife to the best of his ability. Will it be enough to win his release? A refreshing story from classic writer Hannah More. Narrated by Glenn Hascall.