Another true story from someone who is neither famous nor a player on the world stage, nor the architect of some planet--changing accomplishment. However she DID go through hell and back, and not only survived but thrived, and lived to tell about it.
This woman has my unconditional admiration. The story has her pushing through obstacle after obstacle, jumping (metaphorically) through hoops and all the while never losing her perspective and sense of humor. Several times I laughed out loud while walking the bike path - other walkers, cyclists, runners must have thought I was nuts.
The gauntlet was thrown down many many times by her doctors and the rest of the medical establishment and she triumphed over that one too - hilariously naming all the characters and courageously ignoring their "advice" (in quotes for this) in order to follow her own path as an overachiever in the best way possible.
The narration was perfect. Joyce Bean's tone walked that fine line between sarcasm and honest emotion, and her nuanced characterization of Julia's impaired but gradually improving speech abilities could not have worked out better.
One more thing, if you've come this far in this review - the book uses the second person throughout, a technique that I am starting to love. Like the airplane pilot in "The Night Strangers" whose story is always a "you" story, 2nd person, this technique makes the narrative sound like an instruction manual, in a good way. After all, books can be, amongst so many other things, instruction manuals for life.
5 stars all around!
I wanted to read this as soon as the book appeared in the audible.com inventory. "The Undertaking" attracted my attention as the subject is neither common nor comfortable for many. So I couldn't wait to jump right in.
Thomas Lynch is both a published poet and the director of a funeral home; perhaps an odd pairing of professions, but each job informs the other and stories of the living (as he cares for and buries the dead) flow poetically through this novel as the Huron River flows through his home town in Michigan. As Lynch anecdotally brings life to those his clients have left behind, the poetry within the prose is musical, nuanced, and sustaining.
Kevin T. Collins' performance makes a substantial contribution and I am not certain this book will impact readers in quite the same way as hearing it read with such sensitivity, emotion, and grace, and at times I could not tell if I was reading prose or poetry.
Talk about not wanting to turn the car audio player off...this is a minute-by-minute account, not only of a bereavement and of a death, but of a life as lived in each present moment. I'll never know why it is that some writers, and well-known, respected ones at that, can snooze me off with their painstaking detail (oh just get on with it will you?), and someone like Oates can mesmerize me, stun me with literary pleasure with her delicately nuanced accounts of the huge range of emotions encountered by one person, as they happen, moment by moment.
I am equally amazed at this "warts and all" presentation of Oates' self-doubts and insecurities, her lack of self-belief, and the meaninglessness to her of all her considerable accomplishments compared to the loss of her husband and soul-mate. That she can get this all down without appearing even mildly self-absorbed is another feat that impresses me.
Addicted to audiobooks & podcasts. 5 Stars=I Loved It, 4 Stars=Enjoyed it Thoroughly, 3=Kinda Good, 2=Bad/Boring, 1=Complete Waste of Credit
I have made some really poor choices since joining the huge club of audiophiles. I've downloaded some real stinkers and mediocre titles that made me groan with regret within the first 3 chapters - then force myself to listen to the rest either because I wanted to punish myself or I wanted to hold out hope that it would get better if I just kept going. This book goes in the "win" column - fantastic flow and descriptive enough to really take hold of the imagination without going overboard. The last 4 chapters fell out of the groove a bit - but that doesn't cancel out the enjoyment I experienced listening to the rest. The language is sharp and shocking in some sections - which I really appreciate because it's real and I'm no stranger to sarcasm, satire, and cynical rants - I guffawed glee several times. Thank you Mary Karr - you freakin' rule