Wow. Just wow. A pure delight from beginning to end: one of the most enjoyable audiobooks I've ever listened to. I'm a Beatles fanatic, and that probably helps; but I'd venture to say that this book has the potential to grab even people who don't know or don't care much about them. Mark Lewisohn writes with great insight and narrative skill about the struggles of the Beatles to gain recognition and professional success at a time when no one else - NO one - was doing the kind of music they were doing, in the way they were doing it. They're poster children for the "10,000 hours" take on career development. They paid their dues.
Lewisohn gives particularly full attention to Pete Best, Brian Epstein, and George Martin. I've read several books on the Beatles and biographies of individual band members, and I still heard surprising new information about these people, and everybody else connected with the band, on practically every "page."
It's not hagiography. John Lennon, as much as I love him, is clearly a world-class jerk, and the others all have less positive aspects. Their terrible treatment of Pete Best and their wild life on the Reeperbahn are presented in unsparing detail. But running through the book is a strong sense of their devotion to music, the clarity of their vision, and their genius: genius being defined as an infinite capacity for taking pains.
Clive Mantle does a terrific job with the narration. He does the "voices" as if it were a work of fiction. I know that's not to everyone's taste, but to me, the key is whether it's done well or not. Mantle nails the Liverpool accent and even captures the unique cadence of each Beatle; and he nails the posh "standard" accents of Epstein and Martin as well.
Lewisohn spent 10 years writing this. I hope that includes the research for the other two volumes. This one stops at the end of 1962, just before "Please Please Me" was released. I don't want to wait another 10 years for the next part. I'm not ready to let these guys go yet.
Grover Gardner is one of the two or three best narrators of Twain, and he does an outstanding job on this (sometimes) difficult material. The difficulty isn't because of Twain's writing, or in this case speaking -- he dictated most of this material, and you can "hear" him sometimes backing up and correcting himself. Twain's writing is one of the wonders of the natural world, and he's the only writer who can make me laugh out loud on the subway.
The difficulty in this case is the background of the project and Twain's design for an autobiography. The audiobook is basically everything in the printed volume except the footnotes. It includes the extensive introduction (how the editors identified the order of the various typescripts), several hours of "false starts" (autobiographical material Twain published elsewhere before settling on this plan), and extensive captions for each section. Gardner's clear and resonant voice keeps everything in perspective, but there's a lot to digest. If you're a Twain fan, you'll be grateful. If you're not, this book wouldn't be your best introduction. It probably helps to have a good grasp of the essentials of Twain's life before going into this one.
It's chronological -- not according to Twain's life, but according to the order of dictation. Twain wanted to combine aspects of diary and autobiography into a single scheme, one that left him the ability to jump from one subject to another as the spirit moved him. And it moved him quite a bit. A given day's dictation could cover six or seven different topics, each with Twain's eye for the illuminating detail and the perfect self-deprecating turn of phrase.
For diehards like me, it's a feast, a cornucopia, an incredible act of generosity on the part of editors, publishers, and reader. But it does require careful listening.
A delightful introduction to Bram Stoker's life and work. Frank Delaney traces the cultural roots of the Dracula myth back to Lilith and brings it up to Stoker's time; along the way he provides his own take on things like the town of Whitby with its ruined abbey and its red-tiled roofs. Delaney also provides useful background on Stoker's experience in the London theater working for Henry Irving. A good travel companion for any of the many excellent recordings of "Dracula" available on Audible.
Lover of ideas who feels no guilt at all about her pleasures.
A new book is always a little scary to the author's fans. You've so been looking forward to it and it would just be terribly sad if it stank.
I'm happy to report that there is no stank on this book at all. If anything, I think his writing has gained in depth without losing a fraction of its wit.
And those who believe authors should not read their own work are right about just about everyone except David Sedaris. There's a reason people line up to see him.
I just wish there was more Paul in this book. The brother appears in a perfectly crystalized cameo that just makes you ache for more.
It is otherwise wonderful. Add to cart immediatement.