The recent addition of the "Great Courses" is, for me like an invitation to a great feast! Starting with this unbelievable "dish". Robert Greenberg is a great teacher. I have no musical training or ability, just appreciation, but I can now hold my own in a discussion of music and composers. Prof. Greenberg is able to put music in a historical context as well as the personalities of the composers. His excitement for telling the "story" draws you in and keeps you wanting more. You may find yourself wanting to learn more about the history of a country, the food, the literature, etc, just because you had a taste of the music. There is truly nothing better than a great "story" well told! I am so pleased the Teaching Company has found and featured world class instructors so you and I can enjoy the learning! And I am overjoyed they are now available at Audible! I just can not say enough about this awesome course, I hope you enjoy it as much as I do!
Mes livres preferes sont les grands classiques, certains romans, la poésie, et l'histoire. J'aime écouter dans la voiture et au gym.
First of all, I have several Great Courses for which I paid full price from the Teaching Company - I love the courses and get a lot of pleasure out of listening to them. The value of being able to get Great Courses for one Audible Credit per course is ALONE worth an annual Audible subscription.
Second, I think Robert Greenberg's Music Courses are terrific and really one of the best uses of the audio book format for university level lectures. You not only hear the discussion of the music but hear music samples as well which makes it far superior to books about music history which can't provide samples of the music discussed. Greenberg's choices of music to illustrate the points he make are always excellent and really make listening to these lectures an enormous pleasure. Like others have said elsewhere, he can be quite corny -if that bothers you this is not the professor you will want to hear. I find his energy and enthusiasm makes the course more interesting and his attempts at humor are rather endearing (it may be that people from New Jersey find corniness less offensive). I appreciate his attempts to liven things up even if some of the jokes are rather silly.
Third, although I am not particularly knowledgeable about music the more I get to know opera the more I realize how very much I love Mozart's operas. It is true that Greenberg spends a lot of time on Cosi Fan Tutte as another listener noted. I didn't expect this to be exhaustive but rather Greenberg's own view of the most interesting aspects of Mozart's operas since it is still an introductory level course. For someone as prolific as Mozart it didn't surprise me that the professor made a selection based on his views. However, if you are expecting it to be exhaustive you will not be satisfied. Greenberg is very informative but selective, and with me that's OK.
Lastly, some negative comments have been made on the lack of librettos included with the course - those librettos are not part of the more expensive versions of the course either. You have to get librettos on your own - there are no entire operas included in the course, only excerpts so I don't know why anyone would think a libretto would be needed to follow the lectures. Some of the complaints made by listeners are very picky considering the comparative value of getting these courses so cheaply on Audible.
Very highly recommended.