This book is so entertaining! It is funny and clever and very enlightening. The narrator has just the right style, the right mix of humor and seriousness to make it funny and informative. I enjoyed almost all of it. It is written for non-musicians in an effort to help them understand what music is all about. The author does a great job of hitting so many aspects of music, but for me, a professional musician, it was a little elementary. With that said, I did learn a few things that I can use in my classroom, and that made it all worth it. I found myself laughing out loud on several occasions. I can recommend it to anyone who wants to learn more about the workings and meanings of music.
I must add that I am glad the editors did not have the author read his own book. He interjects on several occasions with musical examples that have been discussed by the narrator. He is very hard to understand. I liked his interjections and loved his use of his guitar playing examples, but the narrator, Walter Dixon, brings the book to life.
I would have to say this is one of the best books I've listened to, although it is not technically a book. It is a part of the Great Courses series, through which you can increase your knowledge of just about anything.. This one is absolutely fabulous from my point of view. The author, Professor Robert Greenberg, took thirty of what he considers the very best of the Western Hemisphere orchestral works of the last three and a half centuries and expounded on them and their composers. Being somewhat of a music historian wannabee, I was so enthralled that the time fairly flew as I was absorbed in these classes. It made me want to go to my own recordings of these pieces and listen to them each from start to finish with new light and understanding. Bravo, Dr. Greenberg. Please keep these classes coming!!
After having listened to Dr. Greenberg's course on the Thirty Greatest Orchestra Works, I had to have more, and decided to give this one a try. Although I have always had a great appreciation for the music of Mozart and truly love many of the things he has written, I can’t say that he has been one of my all time favorite composers. With the insights I gained from this Great Courses class taught by Dr. Robert Greenberg, I must say the great genius has moved up in my estimation. My understanding of his music is markedly better, and I can now say he truly is one of my favorite composers. The world lost him way too soon at the age of nearly 36, but thank goodness for the things he was able to give us.
First of all, I have several Great Courses for which I paid full price from the Teaching Company - I love the courses and get a lot of pleasure out of listening to them. The value of being able to get Great Courses for one Audible Credit per course is ALONE worth an annual Audible subscription.
Second, I think Robert Greenberg's Music Courses are terrific and really one of the best uses of the audio book format for university level lectures. You not only hear the discussion of the music but hear music samples as well which makes it far superior to books about music history which can't provide samples of the music discussed. Greenberg's choices of music to illustrate the points he make are always excellent and really make listening to these lectures an enormous pleasure. Like others have said elsewhere, he can be quite corny -if that bothers you this is not the professor you will want to hear. I find his energy and enthusiasm makes the course more interesting and his attempts at humor are rather endearing (it may be that people from New Jersey find corniness less offensive). I appreciate his attempts to liven things up even if some of the jokes are rather silly.
Third, although I am not particularly knowledgeable about music the more I get to know opera the more I realize how very much I love Mozart's operas. It is true that Greenberg spends a lot of time on Cosi Fan Tutte as another listener noted. I didn't expect this to be exhaustive but rather Greenberg's own view of the most interesting aspects of Mozart's operas since it is still an introductory level course. For someone as prolific as Mozart it didn't surprise me that the professor made a selection based on his views. However, if you are expecting it to be exhaustive you will not be satisfied. Greenberg is very informative but selective, and with me that's OK.
Lastly, some negative comments have been made on the lack of librettos included with the course - those librettos are not part of the more expensive versions of the course either. You have to get librettos on your own - there are no entire operas included in the course, only excerpts so I don't know why anyone would think a libretto would be needed to follow the lectures. Some of the complaints made by listeners are very picky considering the comparative value of getting these courses so cheaply on Audible.
Very highly recommended.