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Cheryl R Rowe

Cheryl R Rowe Colmar, PA Member Since 2006
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  • "I may be a little biased, but ...."

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    Would you recommend this audiobook to a friend? If so, why?

    Yes, I would definitely recommend this book to anyone! Teachers will love it because it will make them reflect back upon their own (probably disastrous) first year of teaching. For anyone else, if you'd like to get a small taste of what urban high school education is like, read this book.

    I had the interesting experience of sharing my first year of teaching at Northeast High School with Mr. Danza, so in a way this book was very personal for me. Although I already had three years of experience under my belt, it was my first foray into urban education. Additionally, the following year, I had several of Mr. Danza's students in my own English class. So for me, this was like reading about home. I enjoyed the book so much more than I enjoyed the television series. It seemed more honest and definitely more real.

    From the perspective of someone who wants to be a professor in a college of education at some point in the future, this book is crucial. Although Mr. Danza only had one class of students to worry about, his experiences -- his fears, his successes, his failures, his joys-- are all very real.

    I also thought it was a masterful decision to have Tony read his own book. His voice is absolutely wonderful, his inflection perfect, and of course since these are own experiences, you can't ask for a more honest and personal style of reading. I listen to a lot of audiobooks, and truthfully, I think that maybe Mr. Danza has found a new niche! I would definitely listen to him read another book.


    What other book might you compare I'd Like to Apologize to Every Teacher I Ever Had to and why?

    Mr. Danza's book is sort of like Jonathan Kozol "lite". It lacks the authenticity of Kozol's more research-oriented books, and definitely the political angles, but the emotion is still there.


    Which scene was your favorite?

    Towards the end of the book, there is a scene where Mr. Danza reflects back on his year of teaching and is saddened and moved to tears at the thought of his experience coming to an end. This was an especially poignant scene, one that teachers everywhere can relate to.


    Did you have an extreme reaction to this book? Did it make you laugh or cry?

    Of course! Not just because these students were my students too. The book is very well written and emotionally poignant.


    More

    I'd Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High

    • UNABRIDGED (6 hrs and 52 mins)
    • By Tony Danza
    • Narrated By Tony Danza
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    Long before he starred on some of television’s most beloved and long-running series such as Taxi and Who’s the Boss? and went on to distinguish himself in a variety of film and stage roles, Tony Danza was a walking contradiction: an indifferent student who dreamed of being a teacher. Inspiring a classroom of students was an aspiration he put aside for decades until one day it seemed that the most meaningful thing he could do was give his dream a shot. What followed was a year spent teaching 10th-grade English at Northeast High - Philadelphia’s largest high school with 3,600 students....

    Cheryl R Rowe says: "I may be a little biased, but ...."
  1. I'd Like to Apologize to ...
  2. .

A Peek at Die Falknerin's Bookshelf

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101 REVIEWS / 559 ratings Member Since 2008 27 Followers / Following 0
 
Die Falknerin's greatest hits:
  • Ring of the Nibelung: Opera Explained

    "Der Ring des Nibelung"

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    In this brief introduction Johnson takes us from the opening e-flat of the Das Rheingold to the consuming flames of Götterdämmerung. Discussions of staging, orchestration, plot development, mythic elements and more are interspersed with musical excerpts.

    Wagner designed the tetralogy to begin with the Vorabend, (a "preliminary evening") in which Das Rheingold is perfomed, followed by the succession of the operas Die Walküre, Siegfried, and Götterdämmerung. Johnson makes an admirable presentation of each part of the cycle without excessive digression.

    Of course, countless volumes have been devoted to the discussion of meaning, leitmotif, scoring, and all things Wagnerian, should one want to look deeper. But for a brief discussion of Ring essentials, look no further.

    These operas share a somewhat daunting reputation. Even opera fans have been known to quaver before Valhalla! But don't be one of them. Listen to this book, then jump right in. Some of the most beautiful music ever written awaits you.

  • Die Fledermaus: Opera Explained

    "Revenge of the bat"

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    Why is this opera called "The Bat?" In a nutshell, two gentlemen, Eisenstein and Falke, in the costumes of a butterfly and a bat, respectively, attend a winter masquerade. On the way back, Eisenstein, taking advantage of Falke's inebriated state, abandons him far from his home. When he wakes up, he has to walk through the town in his bat costume, to his undying embarrassment and the amusement of his fellow citizens. Naturally, he wants to get his own back, and it is for this reason the opera is called, "The Bat."

    From this simple premise, the plot becomes "maddeningly complex," as the author rightly says. There are "multilayered and omnipresent infidelities," disguises, deceptions, drinking, dancing, and entirely too much carrying on. An opera featuring "Adele's Laughing Song" should be fun!

    As with so many things that seem effortless, back-breaking work goes before. While Johann Strauss II hadn't much experience writing for the theatre before he composed this, you'd never know it. He has more than a few operatic tricks up his sleeve, including the masterful use of crescendo and accelerando. The author brings attention to Strauss' use of rubato, which he refers to as "stealing time to avoid schmaltz." Some of the roles require nothing less than a virtuoso performer. But the result is accessible, light-hearted, and fun.

    A bottle of champagne to David Timson for his narration, and to you should you tackle "Die Fledermaus" during this, its rightful season!

  • Carmen: Opera Explained

    "Passion, power, and truth"

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    If you had crossed Bizet's path in 1875, the year "Carmen" was first staged, you would have met with a plump, bespectacled Frenchman who was forever nibbling sweet delicacies. But while you might overlook this unassuming person, you could not have ignored his music.

    From early childhood, Bizet possessed prodigious talent. In the Conservatoire at nine, and winning every prize going, he worked his magic on a variety of instruments. At the age of 19, he won the Prix de Rome. With innate musical taste, judgment, and imagination, he stands above his contemporaries.

    As this program points out, Bizet was no "one trick pony." He'd written most of his work before anyone had heard of "Carmen," and some of this sadly neglected work deserves rediscovery and appreciation, such as his opera "The Pearl Fishers."

    Harold Schonberg wrote, "Carmen is an opera of passion, power, and truth, infinitely superior to the carefully arranged, prettily served canapés of Gounod and Massenet. They were skilled professionals. Bizet was a genius."

    Tchaikovsky and Brahms were fans of "Carmen," too. Wagner, having heard it, said of Bizet, "At last, for a change, someone with ideas in his head!"

    All this makes it the more stunning that this perennial favorite did not meet with immediate success. "Carmen" was called "immoral," and accused of being (even worse) "Wagnerian."

    In this excellent program, David Timson brings the spectacle of "Carmen" vividly to life, with reference to many important excerpts, the fast and furious scene changes demanded by the complex action, and so much more.

    If you're fortunate enough to be going to see the opera or just want to understand it better while you listen at home, you can't go wrong with this exploration of "Carmen essentials."

    This was the first opera I heard (at the age of nine) and it left me forever in love with opera itself. My French wasn't under firm control, and I couldn't really understand everything that was happening, but that music! I have never forgotten it. Such is the power of Bizet.

  • Turandot: Opera Explained

    "Fire and ice, hope and blood"

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    Turandot is Puccini's last opera. He died while composing the third act, leaving the work unfinished.

    The plot is based on an ancient Persian legend, and the setting that of imperial Peking. Turandot is the daughter of the emperor. He wants her to marry but she resists, so the emperor agrees to her terms: any suitor who wishes to marry her must answer three riddles. If he cannot, he will be executed.

    As if the story is not dramatic enough, there is the reimagining of ancient China, the evocation of place through pentatonic elements and unusual instrumentation, the costuming, and demanding roles for the performers.

    For all that, some parts are silly. For example, ministers named Ping, Pang, and Pong. And the violence and drama feels relentless after a point. Still, other parts are transcendent, most famously, the "Nessun dorma."

    The author explains the story, staging, and production very well. David Timson's narration is, as always, simply perfect. For that, five stars.

    But I won't be going to a production or purchasing a recording of Turandot. Puccini wrote so much that puts this opera in the shade.

    That's just my opinion. Decide for yourself. That is one of the many benefits of the "Opera Explained" series. If you're unfamiliar with an opera, as I was with Turandot, listen and see what you think. You might hate it, or you might become a devoted fan. Either way, it's time well-spent if you love classical music.

Susie

Susie Santa Cruz, CA, United States 11-28-12 Member Since 2012

I'm Audible's first Editor-at-Large, the host of In Bed with Susie Bright -- and a longtime author, editor, journo, and bookworm. I listen to audio when I'm cooking, playing cards, knitting, going to bed, waking up, driving, and putting other people's kids to bed! My favorite audiobooks, ever, are: "True Grit" and "The Dog of the South."

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  • "Sex, Drugs, & Hollywood Money"

    4 of 4 helpful votes

    I thought I knew Dennis Hopper, but the first chapter of this book left my jaw open— What an incredible childhood! He was lucky to live through it.

    Hopper was “discovered” in Hollywood by falling off a log— it was so easy for him. He would just show up and get attention the minute he walked through the door.

    Winkler spares no private details. “Names are named,” he promises, and they are. You’ll learn every gruesome deal in movie industry, plus the requisite 60s-level sex and drugs. And the art. Of course, the art.

    More

    Dennis Hopper: The Wild Ride of a Hollywood Rebel

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    • By Peter L. Winkler
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    One of America's most intriguing show-business luminaries and true rebels, Dennis Hopper's amazing life was a roller-coaster series of triumphs and failures. Always intent on proving his genius and leaving a legacy, the Emmy-winning and Oscar-nominated Hopper acted in more than 115 movies and four TV series, directed seven films, and passionately pursued an artist's life as a photographer and creator and collector of modern art.

    Susie says: "Sex, Drugs, & Hollywood Money"

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    Na ljubov' glavnoj geroini pretendujut dvoe: bogatyj i porochnyj gospodin Avlej, u kotorogo rabotaet ee brat, i molodoj kovboj i zolotoiskatel' Dzhim. Roz-Mari otvechaet vzaimnost'ju Dzhimu, no ego obvinjajut v ubijstve. Chtoby spasti ljubimogo, devushka soglashaetsja na brak s Avleem. Kovboi, indejcy, zlodei, intrigi, ubijstvo, ljubov', vernost', chest' i spravedlivost', a takzhe more krasivoj muzyki.

  • The Gypsy Virtuoso [Russian Edition] (






UNABRIDGED) by Imre Kalman Narrated by G. Ots, E. Kritskaya, A. Oleynikov

    The Gypsy Virtuoso [Russian Edition]

    • UNABRIDGED (1 hr and 59 mins)
    • By Imre Kalman
    • Narrated By G. Ots, E. Kritskaya, A. Oleynikov
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    Dom Pali Racha, izvestnogo skripacha i rukovoditelja cyganskogo orkestra. Kogda podnimaetsja zanaves, Pali sozhaleet ob ushedshej molodosti, v to vremja kak ego starshaja doch' Sari nakryvaet stol dlja bol'shoj sem'i (u Pali 16 detej). Pali zabotit sud'ba syna Lachi, tozhe skripacha, predpochitajushhego odnako cyganskim melodijam «ser'eznuju» muzyku. Pali opasaetsja, chto synu dlja uspeha nedostaet talanta.

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  • Thomas Steinbeck, Son of Famed Writer John Steinbeck: An Interview About His Life, His Novels, His Father  by Patricia L. Lawrence Narrated by J. D. Streeter

    Thomas Steinbeck, Son of Famed Writer John Steinbeck: An Interview About His Life, His Novels, His Father

    • ORIGINAL (28 mins)
    • By Patricia L. Lawrence
    • Narrated By J. D. Streeter
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    Thomas Steinbeck, son of famed writer and Pulitzer Prize recipient John Steinbeck, sits down with Patricia Lawrence for a casual conversation about his life; his published short stories, Down to a Soundless Sea; fictional accounts of life around Monterey Bay California...and his father!

  • The Hustons (






UNABRIDGED) by Lawrence Grobel Narrated by David Drummond

    The Hustons

    • UNABRIDGED (37 hrs and 48 mins)
    • By Lawrence Grobel
    • Narrated By David Drummond
    • Whispersync for Voice-ready
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    When John Huston died at 81 on August 28, 1987, America lost a towering figure in movie history. The director of such classic films as The Treasure of the Sierra Madre, The African Queen, The Maltese Falcon, Prizzi's Honor, and The Dead, John Huston evoked passionate responses from everyone he encountered. He was at the center of a dynasty, with three generations of Oscar winners (Walter, John and Anjelica).

  • Ghost Light: An Introductory Handbook for Dramaturgy, Theater in the Americas (






UNABRIDGED) by Michael Mark Chemers Narrated by Brian E. Smith

    Ghost Light: An Introductory Handbook for Dramaturgy, Theater in the Americas

    • UNABRIDGED (8 hrs and 54 mins)
    • By Michael Mark Chemers
    • Narrated By Brian E. Smith
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    Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding question: "What, exactly, is dramaturgy, and what does a dramaturg do?" According to Michael Mark Chemers, dramaturgs are the scientists of the theater world - their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas.

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