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J. C.

J. C. Thailand Member Since 2012

I live in Thailand, and love to listen to audible.

HELPFUL VOTES
21
ratings
REVIEWS
25
18
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  • "Excellent!"

    Overall
    Performance
    Story

    The narration is great. The book is wonderful, a real inside look into the movie Breakfast at Tiffany's and other movies of the time, and what life was like back then. Tells about the producers, directors, and actors. Interesting insights into the lives of actress Audrey Hepburn and author Truman Capote, revealing how their lives and loves went, for better or worse. Really great listen! It is really amazing.

    More

    Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman

    • UNABRIDGED (5 hrs and 40 mins)
    • By Sam Wasson
    • Narrated By Grover Gardner
    Overall
    (25)
    Performance
    (24)
    Story
    (24)

    Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey - dainty, immaculate - is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings....

    J. C. says: "Excellent!"
  • "Unforgettable History of TV"

    Overall
    Performance
    Story

    I'm glad the author read his own work, because for one thing, he pronounces all the names right. This book is a piece of history, of how TV shows evolved. All the names and events should be told by the author. I highly recommend this book. It's excellent.

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    Before I Forget: Directing Television, 1948-1988

    • UNABRIDGED (5 hrs and 58 mins)
    • By James Sheldon
    • Narrated By James Sheldon
    Overall
    (4)
    Performance
    (2)
    Story
    (2)

    James Sheldon was directing the radio show We, The People when it became the first commercial CBS network program to telecast nationally on June 1, 1948. Since then he has experienced the technological changes from live to electronic tape to film, from black and white to color, and from a few hundred thousand to the multimillions of television sets in use today.

    J. C. says: "Unforgettable History of TV"
  • "Wonderful book"

    Overall
    Performance
    Story

    I love all of Tori's books and this one lives up to expectations. She is a great story teller, like her father. And she is witty and funny. Loved the part about the pet pig sleeping in bed with them. I was really laughing. She is leading an extraordinary life. The book held my interest and is a fun listen.

    More

    Spelling It Like It Is

    • UNABRIDGED (6 hrs and 58 mins)
    • By Tori Spelling
    • Narrated By Tori Spelling
    • Whispersync for Voice-ready
    Overall
    (69)
    Performance
    (66)
    Story
    (64)

    Tori Spelling is the first to admit that the "reality" behind her popular television show, Tori & Dean, isn't always real. Not even Star magazine could invent the true chaos that happens behind the scenes. Luckily, Tori is famously honest and self-deprecatingly funny when it comes to her personal life - she's always "Spelling it like it is". Tori here shares her stories, her biggest challenges, and more with the usual humor, candor, and down-to-earth charm that her fans love.

    kathleen says: "Disappointed"
  1. Fifth Avenue, 5 A.M.: Aud...
  2. Before I Forget: Directin...
  3. Spelling It Like It Is
  4. .

A Peek at Jane's Bookshelf

Helpful
Votes
624
 
Chicago, IL, United States 332 REVIEWS / 332 ratings Member Since 2010 77 Followers / Following 0
 
Jane's greatest hits:
  • Stein on Writing: A Master Editor Shares His Craft, Techniques, and Strategies

    "Excellent advice and examples for better writing."

    Overall
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    Stein is an author, editor, and publisher. His advice is geared toward fiction, with some thoughts for nonfiction. I am a reader and reviewer of books, not a writer. I have strong likes and dislikes about books I’ve read. I’m reading some “how to write books” to see if I agree with the experts. I’m delighted to say that writers who follow Stein’s advice will very likely make me happy when reading their books. I am more liberal than Stein in two areas: the first three pages of a book and his fifth commandment. Scenes that end prematurely are a subject Stein did not discuss, but I believe he would agree with me.

    ADJECTIVES, ADVERBS, & FLAB:
    For a while now I have been confused when I hear people say “cut adverbs.” I’ve loved some colorful writing that adverbs produce. I made a list of wonderful sentences with adverbs written by J.K. Rowling, John Grisham, and Georgette Heyer. I recently read three Hemingway short stories and noticed a lot of adjectives and adverbs in two of them. That intrigued me because he is famous for concise writing. Stein is the first expert who explains this subject to my satisfaction. Although he recommends cutting most adjectives and adverbs, he gives examples showing when they are valuable. I like his view. Stein and I both like the following paragraph which is full of adjectives and adverbs. Although a novel filled with this should probably be labeled poetry rather than fiction. Still it shows the emotional and sensual ability of adjectives and adverbs. Stein calls it “a nearly perfect paragraph.” It was written by a student of his, Linda Katmarian.

    “Weeds and the low hanging branches of unpruned trees swooshed and thumped against the car while gravel popped loudly under the car’s tires. As the car bumped along, a flock of startled blackbirds exploded out of the brush. For a moment they fluttered and swirled about like pieces of charred paper in the draft of a flame and then were gone. Elizabeth blinked. The mind could play such tricks.”

    Stein says “She’s breaking rules. Adjectives and adverbs which normally should be cut are all over the place. They’re used to wonderful effect because she uses the particular sound of words ‘the low hanging branches swooshed and thumped against the car. Gravel popped. Startled blackbirds exploded out of the brush. They fluttered and swirled.’ We experience the road the car is on because the car ‘bumped’ along. What a wonderful image. ‘The birds fluttered and swirled about like pieces of charred paper in the draft of a flame.’ And it all comes together in the perception of the character ‘Elizabeth blinked. The mind could play such tricks.’ Many published writers would like to have written a paragraph that good. That nearly perfect paragraph was ...”

    Another example. Stein does not like the sentence “What a lovely, colorful garden.” Lovely is too vague. Colorful is specific therefore better; but lovely and colorful don’t draw us in because we expect a garden to be lovely or colorful. There are several curiosity provoking adjectives you might use. If we hear that a garden is curious, strange, eerie, remarkable, or bizarre, we want to know why. An adjective that piques the reader’s curiosity helps move the story along.

    Stein says when you have two adjectives together with one noun, you should almost always delete one of the adjectives. He also recommends eliminating the following words which he calls flab: had, very, quite, poor (unless talking of poverty), however, almost, entire, successive, respective, perhaps, always, and “there is.” Other words can be flab as well.

    PARTICULARITY (attentiveness to detail):
    I love the following comparison. “You have an envelope? He put one down in front of her.” This exchange is void of particularity. Here’s how the transaction was described by John LeCarre. “You have a suitable envelope? Of course you have. Envelopes were in the third drawer of his desk, left side. He selected a yellow one A4 size and guided it across the desk but she let it lie there.” Those particularities ordinary as they seem help make what she is going to put into the envelope important. The extra words are not wasted because they make the experience possible and credible. (My favorite part: “Of course you have.”)

    FLASHBACKS AND SCENES THAT END PREMATURELY:
    Stein discourages flashbacks. He says they break the reading experience. They pull the reader out of the story to tell what happened earlier. Yay! I agree! I don’t like them either.

    I don’t recall Stein discussing “ending scenes prematurely,” but I think (or hope) he would agree with me that they also “break the reading experience.” For example, Mary walks into a room, hears a noise, and is hit. The next sentence is about another character in another place. Many authors do this to create artificial suspense. It makes me angry, and my anger takes me out of the story because I’m thinking about the author instead of the characters. You can have great suspense without doing this. Stein says “The Day of the Jackal” is famous for use of suspense. The scenes in that book have natural endings.

    FIRST THREE PAGES OF A BOOK MAY NOT BE AS CRITICAL AS THEY USED TO BE:
    Stein said a “book must grab the reader in the first three pages or they won’t buy the book.” This was based on studies watching customers in book stores. They looked at the jacket and then the first one to three pages. They either put it back or bought it. I think the internet changed things by providing customer reviews. I buy around 240 books a year. I never buy a book based on the first three pages. My decision to buy is based on customer reviews and/or book jacket summaries. I suppose the first three pages might still be important for customers in physical stores like Barnes & Noble and Walmart. But today we have books that become best sellers as ebooks and subsequently are published in paperback, for example Fifty Shades of Grey. Bloggers and reviewers spread the word, not bookstore visitors.

    STEIN’S TEN COMMANDMENTS FOR WRITERS:
    I’ve edited for brevity and to remove thou shalt’s.

    1. Do not sprinkle characters into a preconceived plot. In the beginning was the character. (I like this, but I also think Stephen King has a good idea - something to try. He creates a “situation” first, then the characters, and last the plot.)

    2. Imbue your heroes with faults and your villains with charm. For it is the faults of the hero that bring forth his life, just as the charm of the villain is the honey with which he lures the innocent.

    3. Your characters should steal, kill, dishonor their parents, bear false witness, and covet their neighbor’s house, wife, man servant, maid servant, and ox. For readers crave such actions and yawn when your characters are meek, innocent, forgiving, and peaceable. (I love this.)

    4. Avoid abstractions, for readers like lovers are attracted by particularity.

    5. Do not mutter, whisper, blurt, bellow, or scream. Stein prefers using “he said.” (I’m not sure about this one. I like hearing these words. Maybe in moderation?)

    6. Infect your reader with anxiety, stress, and tension, for those conditions that he deplores in life, he relishes in fiction.

    7. Language shall be precise, clear, and bear the wings of angels for anything less is the province of businessmen and academics and not of writers. (I assume this includes cutting adjectives, adverbs, and flab - but keep the good ones.)

    8. “Thou shalt have no rest on the sabbath, for thy characters shall live in thy mind and memory now and forever.” (I’m not sure how this is advice to writers.)

    9. Dialogue: directness diminishes, obliqueness sings.

    10. Do not vent your emotions onto the reader. Your duty is to evoke the reader’s emotions.


    OTHER IDEAS:
    Do not write about wimps. People who seem like other people are boring. Ordinary people are boring.

    Cut cliches. Say it new or say it straight.

    If not clear who is speaking put “George said” before the statement. If it is clear, put “George said” after or eliminate “George said.”

    Don’t use strange spellings to convey dialect or accents.

    Book copyright: 1995.
    Genre: nonfiction, how to write.

  • The Hero's 2 Journeys

    "I enjoyed this."

    Overall
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    The audience is screenwriters, but the ideas are excellent and valuable for novelists.

    Christopher Vogler and Michael Hauge conducted a workshop for writing movie scripts based on Joseph Campbell’s work. This is the recording of that workshop which includes some questions from the audience.

    I rarely watch movies. My feeling is why watch a movie when I could read a book? Books have more depth. When I see movies based on books I’ve read, I’m disappointed although I do enjoy the visuals. As I listened to this lecture, I felt further reluctance to watch movies. They’re all made with the same formula! (or most of them) The first 10% is seeing the ordinary world and the call to action. Other parts include meeting the mentor, encountering tests, the supreme ordeal, and return with the elixir. These parts were first defined by Joseph Campbell. He studied mythology and found consistency in all myths in all cultures. Apparently all humans always want the same story.

    During the 1970s George Lucas used these ideas when he wrote the first Star Wars movie. During the 1980s Christopher Vogler wrote a memo organizing Campbell’s ideas into guidance for movie making. Vogler worked for Disney at the time. Vogler later turned his memo into a book “The Writer’s Journey.” I was bothered by Vogler’s claim for credit. He talked as if he were “the first one” to consider using Campbell’s ideas for movie making. He never mentioned that Lucas used them earlier. On Vogler’s website (mentioned below) he states “I had discovered the work of mythologist Joseph Campbell a few years earlier while studying cinema at the University of Southern California. I was sure I saw Campbells ideas being put to work in the first of the Star Wars movies and wrote a term paper for a class in which I attempted to identify the mythic patterns that made that film such a huge success.” This rubs me wrong. Lucas clearly stated that he used Campbell’s work when he wrote Star Wars. Vogler’s comments are pompous. My distaste is the reason I did not give this 5 stars. But the subject matter is excellent. Most of the examples are from three films: The Firm, Shrek, and Titanic. I was surprised that the speakers didn’t use Star Wars as an example.

    This audiobook is a good way to learn about Campbell’s ideas. The authors talk about the hero’s outer journey, his inner journey, and major character types. Hauge defines four character types: hero, reflection (friend), nemesis, and romance character (or the object of hero’s pursuit). Vogler’s website (thewritersjourney com) has a helpful summary of the outer journey and eight character types. (My thoughts, not in the lecture: Since all plots are the same, it is critical to have unique, engaging, and fascinating characters. This seminar does not discuss that.)

    A couple of Hauge comments. The inner journey is to find your essence. At the end of the workshop, Hauge summarizes with three arcs that consistently occur in American movies - three transformations the character needs to make.
    1. risk being who you truly are
    2. risk connecting to other people (romantically or other)
    3. stand up and do what is right, the honest thing, to stand up for the truth.
    He says “love encompasses all of these. All great movies are love stories.”

    NARRATORS:
    The narrators are the authors. Their voices were fine.

  • Dwight Swain: Master Writing Teacher

    "3 ½ stars."

    Overall
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    Might be good for an author just starting out. Might be good for authors who feel stuck and could use a nudge. The best part is you can listen while driving your car. Dwight Swain published a lot of fiction as well as some how-to-write books. This audiobook is two lectures he gave around 1991 for writer workshops.

    Many of his thoughts are simple and obvious. Example: every story has a beginning, a middle, and an end. But I could see the following. Someone is writing a book and is kind of stuck, so they listen to this tape. Then they think oh yeah, I could try this, or I should do that. Then they would go back to their writing. I see it as a jog for writers.

    A few thoughts from the lecture:

    Alfred Hitchcock quote: Drama is life with the dull parts left out.

    The strength of your villain is the strength of your story. The bad guy is ruthless to get what he wants, even if it is just the corner office.

    Every chapter needs a climax (disaster, crisis). Authors should stretch out the climax scenes. A disaster could be winning the lottery. Disasters don’t have to be bad.

    The main character wants something. It could be relief from a boss, change in climate, revenge...

    A story is a record of how somebody deals with danger.

    Books on the craft of writing:
    I purchased and started reading Swain’s book “Techniques of the Selling Writer” published in 1965. I couldn’t get into it. It reads like an encyclopedia. But for some, that could be good.

    I loved the following two books that I think would be useful to all fiction writers. “Stein on Writing” by Sol Stein and “On Writing” by Stephen King.

    Genre: nonfiction, how to write.

  • Stories I Only Tell My Friends: An Autobiography

    "3 ½ stars. It kept my interest"

    Overall
    Performance
    Story

    but he’s not telling things a good biography should.

    This is Rob talking about his life and career from grade school forward. I was impressed with his desire to be an actor at an early age. During 7th grade he wrote a letter to Aaron Spelling (top TV producer) about wanting to be an actor. As a result of Rob’s early efforts he was in a TV show at age 15 and a major film at age 18. Rob did not have a stage mother or other adult helping him in the business. His parents were divorced. His mother was sickly and occupied with other things. Everything Rob did was self initiated and self motivated. He was not popular at school and considered a nerd. So he was surprised later when girls would throw themselves at him. He said “they wouldn’t like me if they knew me,” meaning other kids knew him as “not cool” at school.

    I have not seen most of his movies and shows. But I was interested in what he had to say. He really cares about his craft.

    As to content, this is mostly stories of Rob interacting with famous people. I wish he had “opened a vein” and told us pain and details about other things, for example: his sex tape scandal, his long relationship with Melissa Gilbert, anything about his brother Chad, his mother’s vague early illness issues, more details about things with the Sheens and other peers, were there drugs in his life (never mentioned), and other things that I don’t know enough about to ask. I’m reminded of the fabulous Isaacson biography of Steve Jobs. We got warts and all. Rob is not giving us that. This should be re-titled “stories I’m willing to tell the public.” His friends would get details that we are not getting.

    One thing was annoying. For every actor, director, and other person in the business, Rob said they were great, classic, perfect, oscar winning, charismatic, one of the best, favorite, etc. Although I’ve not seen a lot, every actor I have seen on talk shows does this. It’s as if they are all politicking for possible future jobs. Or, forgive me for the elephant in the room, but is it possible that they want to be liked by coworkers because coworkers vote for academy and other awards? They all do this. It’s good to say nice things about everyone, or in this case great things about everyone, but I question the sincerity.

    The only negative Rob said about anyone was the Prince of Monaco. When Rob was dating his daughter Princess Stephanie, the Prince was avoiding Rob at a fundraiser. At the same event, Robert Wagner said to the Prince and some other men “I think he’s banged every one of our daughters.” Oh! Rob had a very active sex life in his 20s. He would see a girl on TV, was able to get her phone number, invite her on a date, and she would go. I wonder if he was ever turned down? He didn’t say. Again he’s not giving us any pain - his or others.

    Then he married Sheryl at age 27 and is still married today, twenty years later. That was unexpected and admirable. Prior to his marriage he had alcohol problems. He’s been sober ever since - again admirable.

    PHYSICAL BOOK VS. AUDIOBOOK:
    The physical book has pictures. Sadly there were none included with my audiobook purchase. I wish he would have included pictures in a downloadable pdf file for audiobook customers. Other authors have done that. Rob wrote and narrated this. He did excellent voice impressions for several celebrities which I enjoyed.

    Genre: autobiography.

A. Garofalo

A. Garofalo boston 02-20-14 Member Since 2013

amandaerin

HELPFUL VOTES
20
ratings
REVIEWS
38
20
FOLLOWERS
FOLLOWING
0
4
  • "Amazing, read it twice"

    0 of 0 helpful votes

    couldn't put this book down. Had me from the get go. Such insight and honesty about his life. Became and even bigger fan after listening to this book.

    More

    Wild Tales: A Rock & Roll Life

    • UNABRIDGED (12 hrs and 33 mins)
    • By Graham Nash
    • Narrated By Graham Nash
    Overall
    (166)
    Performance
    (153)
    Story
    (154)

    From Graham Nash - the legendary musician and founding member of the iconic bands Crosby, Stills & Nash and The Hollies - comes a candid and riveting autobiography that belongs on the reading list of every classic rock fan.

    James says: "A Great Story for fans of the Hollies and CSN!"

What's Trending in Arts & Entertainment:

  • 4.8 (172 ratings)
    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard (






UNABRIDGED) by J.R.R. Tolkien Narrated by Rob Inglis

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
    • Narrated By Rob Inglis
    Overall
    (172)
    Performance
    (101)
    Story
    (104)

    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
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    Great American Music: Broadway Musicals  by The Great Courses Narrated by Professor Bill Messenger

    Great American Music: Broadway Musicals

    • ORIGINAL (11 hrs and 57 mins)
    • By The Great Courses
    • Narrated By Professor Bill Messenger
    Overall
    (36)
    Performance
    (33)
    Story
    (33)

    Rodgers and Hart. George and Ira Gershwin. Cole Porter. Lerner and Loewe. For most people who've grown up with and shared America's musical heritage, great songs open the floodgates to memories and feelings. Perhaps nowhere is this more profound than in the world of Broadway musicals, with their iconic melodies and memorable lyrics.Revisit the standards, originally written for the stage, that have both delighted and helped mend the broken hearts of Americans for decades.

    L. Burbach says: "The Best of My 23 Audible Purchases So Far."
  • 4.8 (33 ratings)
    Great Masters: Mozart - His Life and Music  by The Great Courses Narrated by Professor Robert Greenberg

    Great Masters: Mozart - His Life and Music

    • ORIGINAL (6 hrs and 10 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
    Overall
    (33)
    Performance
    (32)
    Story
    (30)

    Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive 20-year period.

    Amazon Customer says: "More Great Listening!"
  • 4.8 (28 ratings)
    The Symphonies of Beethoven  by The Great Courses Narrated by Professor Robert Greenberg

    The Symphonies of Beethoven

    • ORIGINAL (24 hrs and 14 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
    Overall
    (28)
    Performance
    (26)
    Story
    (25)

    Ludwig van Beethoven is justifiably acclaimed as one of the most revered composers in the history of Western music-a genius once characterized as a "Titan, wrestling with the gods." There is no better way for you to understand the full impact of that description than to not only listen to all nine of his magnificent symphonies, but to do so with a full understanding of what this great composer was saying and the circumstances that drove him up to and beyond what had once been considered the limits of musical expression.

    Nezar says: "A Great Course with a Great Caveat"
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  • 5.0 (17 ratings)
    The Concerto  by The Great Courses Narrated by Professor Robert Greenberg

    The Concerto

    • ORIGINAL (18 hrs and 56 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
    Overall
    (17)
    Performance
    (15)
    Story
    (14)

    The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama-the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra.In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond.

    Victoria says: "Better than "How to Listen to...Great Music!""
  • 4.8 (16 ratings)
    Great Masters: Haydn - His Life and Music  by The Great Courses Narrated by Professor Robert Greenberg

    Great Masters: Haydn - His Life and Music

    • ORIGINAL (6 hrs and 5 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
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    (16)
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    (13)
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    (13)

    Almost from the moment it was first set to paper, the music of Franz Joseph Haydn (1732-1809) - technically superb, rich in quality, and widely imitated - has exemplified the Classical style, creating not only the Classical-era symphony but setting the standard, through his own 68 string quartets, against which that form has ever after been judged. And yet Haydn, despite the influence left by more than 1000 works, seems to no longer get his due, Now, in a series of eight vivid lectures, you can learn to understand and appreciate the music of one of the most original and influential composers of all time.

    Russell Bernard says: "Wonderful & Inspiring"
  • 5.0 (15 ratings)
    The String Quartets of Beethoven  by The Great Courses Narrated by Professor Robert Greenberg

    The String Quartets of Beethoven

    • ORIGINAL (18 hrs and 30 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
    Overall
    (15)
    Performance
    (14)
    Story
    (14)

    In this musically rich 24-lecture series, Professor Greenberg guides you in a deep encounter with these majestic works of art, offering you the rare opportunity to grasp the musical riches and spiritual greatness of the quartets in a clear and accessible way. Each of these lectures is a rare and life-enriching opportunity to know the scope of Beethoven's genius, his most unforgettable music, and the profound humanity and beauty that live through them.

  • Is Everyone Hanging Out Without Me? (And Other Concerns) (






UNABRIDGED) by Mindy Kaling Narrated by Mindy Kaling, Michael Schur

    Is Everyone Hanging Out Without Me? (And Other Concerns)

    • UNABRIDGED (4 hrs and 37 mins)
    • By Mindy Kaling
    • Narrated By Mindy Kaling, Michael Schur
    • Whispersync for Voice-ready
    Overall
    (2449)
    Performance
    (2259)
    Story
    (2273)

    Mindy Kaling has lived many lives: the obedient child of immigrant professionals, a timid chubster afraid of her own bike, a Ben Affleck–impersonating Off-Broadway performer and playwright, and, finally, a comedy writer and actress prone to starting fights with her friends and coworkers with the sentence “Can I just say one last thing about this, and then I swear I’ll shut up about it?”

    Tabitha says: "Love it!"
  • Seriously...I'm Kidding (






UNABRIDGED) by Ellen DeGeneres Narrated by Ellen DeGeneres

    Seriously...I'm Kidding

    • UNABRIDGED (3 hrs and 7 mins)
    • By Ellen DeGeneres
    • Narrated By Ellen DeGeneres
    Overall
    (995)
    Performance
    (901)
    Story
    (891)

    "I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)

    Julie says: "Not so much."
  • Stories I Only Tell My Friends: An Autobiography (






UNABRIDGED) by Rob Lowe Narrated by Rob Lowe

    Stories I Only Tell My Friends: An Autobiography

    • UNABRIDGED (9 hrs and 11 mins)
    • By Rob Lowe
    • Narrated By Rob Lowe
    • Whispersync for Voice-ready
    Overall
    (3211)
    Performance
    (2525)
    Story
    (2516)

    A teen idol at 15, an international icon and founder of the Brat Pack at 20, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences. Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last 25 years. These stories are as entertaining as they are unforgettable.

    N. Belle says: "Great Book and Great Story"
  • How to Listen to and Understand Great Music, 3rd Edition  by The Great Courses Narrated by Professor Robert Greenberg

    How to Listen to and Understand Great Music, 3rd Edition

    • ORIGINAL (36 hrs and 32 mins)
    • By The Great Courses
    • Narrated By Professor Robert Greenberg
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    Performance
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    Story
    (264)

    Great music is a language unto its own, a means of communication of unmatched beauty and genius. And it has an undeniable power to move us in ways that enrich our lives-provided it is understood.If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge.

    Lee the reader says: "Wonderful, I've wanted this for so long...but..."
  •  
  • Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living (






UNABRIDGED) by Nick Offerman Narrated by Nick Offerman

    Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living

    • UNABRIDGED (10 hrs and 53 mins)
    • By Nick Offerman
    • Narrated By Nick Offerman
    • Whispersync for Voice-ready
    Overall
    (672)
    Performance
    (642)
    Story
    (642)

    Growing a perfect moustache, grilling red meat, wooing a woman - who better to deliver this tutelage than the always charming, always manly Nick Offerman, best known as Parks and Recreation's Ron Swanson? Combining his trademark comic voice and very real expertise in woodworking - he runs his own woodshop - Paddle Your Own Canoe features tales from Offerman's childhood in small-town Minooka, Illinois, to his theater days in Chicago, beginnings as a carpenter/actor and the hilarious and magnificent seduction of his now-wife Megan Mullally.

    OpenMindedNotCredulous says: "On the need to acknowledge the role luck plays"
  • Life (






UNABRIDGED) by Keith Richards, James Fox Narrated by Johnny Depp, Joe Hurley

    Life

    • UNABRIDGED (23 hrs and 8 mins)
    • By Keith Richards, James Fox
    • Narrated By Johnny Depp, Joe Hurley
    • Whispersync for Voice-ready
    Overall
    (2463)
    Performance
    (1310)
    Story
    (1304)

    Now at last Keith Richards pauses to tell his story in the most anticipated autobiography in decades. And what a story! Listening obsessively to Chuck Berry and Muddy Waters records in a coldwater flat with Mick Jagger and Brian Jones, building a sound and a band out of music they loved. Finding fame and success as a bad-boy band, only to find themselves challenged by authorities everywhere....

    Jesse says: "Ins and outs"
  • The Disaster Artist: My Life inside 'The Room', the Greatest Bad Movie Ever Made (






UNABRIDGED) by Greg Sestero, Tom Bissell Narrated by Greg Sestero

    The Disaster Artist: My Life inside 'The Room', the Greatest Bad Movie Ever Made

    • UNABRIDGED (11 hrs and 38 mins)
    • By Greg Sestero, Tom Bissell
    • Narrated By Greg Sestero
    • Whispersync for Voice-ready
    Overall
    (45)
    Performance
    (44)
    Story
    (44)

    Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" (Entertainment Weekly), which is now an international phenomenon.

    Marmalade says: "Great Book"
  • Not Taco Bell Material (






ABRIDGED) by Adam Carolla Narrated by Adam Carolla

    Not Taco Bell Material

    • ABRIDGED (7 hrs and 59 mins)
    • By Adam Carolla
    • Narrated By Adam Carolla
    Overall
    (881)
    Performance
    (806)
    Story
    (801)

    Funnyman Adam Carolla is known for two things: hilarious rants about things that drive him crazy and personal stories about everything from his hardscrabble childhood to his slacker friends to the hypocrisy of Hollywood. He tackled rants in his first book, and now he tells his best stories and debuts some never-before-heard tales as well. Adam Carolla started broke and blue collar and has now been on the Hollywood scene for over 15 years. Yet he never lost his underdog demeanor.

    Ron says: "Must have for any Adam Carolla Fan!"
  •  
  • I Don't Know What You Know Me From: Confessions of a Co-Star (






UNABRIDGED) by Judy Greer Narrated by Judy Greer

    I Don't Know What You Know Me From: Confessions of a Co-Star

    • UNABRIDGED (5 hrs and 31 mins)
    • By Judy Greer
    • Narrated By Judy Greer
    Overall
    (96)
    Performance
    (94)
    Story
    (92)

    You know Judy Greer, right? Wait, what was she in again? The Wedding Planner, 13 Going on 30, 27 Dresses, The Descendants. Yes, you totally recognize her. And, odds are, if you're like most women in America, you feel like she's already your friend. Thankfully, Greer has finally written a book of essays about all the moments, topics, observations, and confessions that you would hope to hear from your best friend.

    Walter says: "Funniest book about Show Biz in A Long Time"
  • Winter is Coming: Symbols and Hidden Meanings in A Game of Thrones (






UNABRIDGED) by Valerie Estelle Frankel Narrated by Oliver Wyman

    Winter is Coming: Symbols and Hidden Meanings in A Game of Thrones

    • UNABRIDGED (3 hrs and 27 mins)
    • By Valerie Estelle Frankel
    • Narrated By Oliver Wyman
    • Whispersync for Voice-ready
    Overall
    (151)
    Performance
    (135)
    Story
    (135)

    Game of Thrones fans watch in delight as the epic battle of Lannister and Stark entangles the Seven Kingdoms. But only the sharpest notice how these houses echo Lancaster and York in the War of the Roses. Druids, Catholics, and even Zoroastrians wander through Westeros, reframing their religions for a new world of fantasy. But how medieval is Westeros? Did lady knights and pirates really battle across Europe? The audiobook Winter is Coming: Symbols and Hidden Meanings in A Game of Thrones explores all this and more, from the echoes of history to the symbols and omens our beloved characters.

    andrew says: "Good short listen, about GOT"
  • Vanity Fair: August 2014 Issue  by Vanity Fair Narrated by Graydon Carter, various narrators

    Vanity Fair: August 2014 Issue

    • HIGHLIGHTS (3 hrs and 20 mins)
    • By Vanity Fair
    • Narrated By Graydon Carter, various narrators
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Vanity Fair is a cultural filter, sparking the global conversation about the people and ideas that matter most. With a dedication to journalistic excellence and powerful storytelling, Vanity Fair is the first choice - often the only choice - for the world's most influential and important audience. From print to social media, the big screen to the smartphone and now on audio, Vanity Fair is the arbiter of our era.

  • Raiders!: The Story of the Greatest Fan Film Ever Made (






UNABRIDGED) by Alan Eisenstock, Eric Zala, Chris Strompolos Narrated by Josh Goodman

    Raiders!: The Story of the Greatest Fan Film Ever Made

    • UNABRIDGED (11 hrs and 5 mins)
    • By Alan Eisenstock, Eric Zala, Chris Strompolos
    • Narrated By Josh Goodman
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In 1982, in Ocean Springs, Mississippi, Chris Strompolos, eleven, asked Eric Zala, twelve, a question: "Would you like to help me do a remake Raiders of the Lost Ark? I'm playing Indiana Jones." Alan Eisenstock's Raiders! is the incredible true story of Eric Zala and Chris Strompolos, how they realized their impossible dream of remaking Raiders of the Lost Ark, and how their friendship survived all challenges, from the building of a six-foot round fiberglass boulder to the devastation of Hurricane Katrina.

  • Comment Installer un Studio de Photographie [How to Install a Photo Studio] (






UNABRIDGED) by Amber Richards Narrated by Anne-Sophie Marie

    Comment Installer un Studio de Photographie [How to Install a Photo Studio]

    • UNABRIDGED (45 mins)
    • By Amber Richards
    • Narrated By Anne-Sophie Marie
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Comment installer un studio photographique est un e-Book qui décrit en détails des sujets liés à l'organisation d'un studio photo dans le confort de votre maison. Il renferme des informations sur la façon d'utiliser l'éclairage continu en studio, comment utiliser la lumière stroboscopique pour la photographie ou encore maîtriser des techniques qui permettent aux utilisateurs de contrôler la lumière comme ils l'entendent.

  • Social Media in the Classroom: A Discussion with Dr. Rick Sheridan  by Dr. Rick Sheridan Narrated by Dr. Rick Sheridan

    Social Media in the Classroom: A Discussion with Dr. Rick Sheridan

    • ORIGINAL (34 mins)
    • By Dr. Rick Sheridan
    • Narrated By Dr. Rick Sheridan
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In this 30-minute interview, Dr. Rick Sheridan, a longtime university professor and author of the book Social Media in the Classroom, helps teachers understand why using social media in the classroom is so important, and the effective ways to use it. Topics include: Why is social media use in the classroom so valuable for both teachers and students. Ways to promote cultural understanding. Developing an online portfolio. What can students and teachers do to protect their privacy online.

  •  
  • Rose-Marie [Russian Edition] (






UNABRIDGED) by Rudolf Friml Narrated by L. Yudina, D. Dyan, E. Kozyreva, M. Golovnya, V. Otdelenov, S. Anikeyev, A. Tikhonov

    Rose-Marie [Russian Edition]

    • UNABRIDGED (1 hr and 42 mins)
    • By Rudolf Friml
    • Narrated By L. Yudina, D. Dyan, E. Kozyreva, and others
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Na ljubov' glavnoj geroini pretendujut dvoe: bogatyj i porochnyj gospodin Avlej, u kotorogo rabotaet ee brat, i molodoj kovboj i zolotoiskatel' Dzhim. Roz-Mari otvechaet vzaimnost'ju Dzhimu, no ego obvinjajut v ubijstve. Chtoby spasti ljubimogo, devushka soglashaetsja na brak s Avleem. Kovboi, indejcy, zlodei, intrigi, ubijstvo, ljubov', vernost', chest' i spravedlivost', a takzhe more krasivoj muzyki.

  • The Gypsy Virtuoso [Russian Edition] (






UNABRIDGED) by Imre Kalman Narrated by G. Ots, E. Kritskaya, A. Oleynikov

    The Gypsy Virtuoso [Russian Edition]

    • UNABRIDGED (1 hr and 59 mins)
    • By Imre Kalman
    • Narrated By G. Ots, E. Kritskaya, A. Oleynikov
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Dom Pali Racha, izvestnogo skripacha i rukovoditelja cyganskogo orkestra. Kogda podnimaetsja zanaves, Pali sozhaleet ob ushedshej molodosti, v to vremja kak ego starshaja doch' Sari nakryvaet stol dlja bol'shoj sem'i (u Pali 16 detej). Pali zabotit sud'ba syna Lachi, tozhe skripacha, predpochitajushhego odnako cyganskim melodijam «ser'eznuju» muzyku. Pali opasaetsja, chto synu dlja uspeha nedostaet talanta.

  • Thomas Steinbeck, Son of Famed Writer John Steinbeck: An Interview About His Life, His Novels, His Father  by Patricia L. Lawrence Narrated by J. D. Streeter

    Thomas Steinbeck, Son of Famed Writer John Steinbeck: An Interview About His Life, His Novels, His Father

    • ORIGINAL (28 mins)
    • By Patricia L. Lawrence
    • Narrated By J. D. Streeter
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Thomas Steinbeck, son of famed writer and Pulitzer Prize recipient John Steinbeck, sits down with Patricia Lawrence for a casual conversation about his life; his published short stories, Down to a Soundless Sea; fictional accounts of life around Monterey Bay California...and his father!

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