I grew up on Golden Age Radio, I love to learn about a great many things, and I enjoy a wide variety of genres. Me, bored? Never!
There is an old saying, "When the student is ready, the master will appear." That's how this book is setup, with the author's teacher showing up to teach a professional bass player how to play music, and that's how this book found its way to me. It was the right message at the right time, and there is simply not enough I can say about it that will sing its praises properly.
There are a great many self-help books out there, just as there are a great many musical instruction books and books on fundamental spirituality. This book is all three at once - a masterpiece in its own right - and so much more. Sometimes for a message that's always been with us to be heard properly is for it to be presented in a new way, providing that shift in focus that clicks everything into place. Being musically inclined, that's precisely what this audiobook did for me.
As a narrator, Wooten is superb. He tells the story in such a way that we are learning right along with him at the feet of a teacher who will show us "nothing." Indeed, that's the whole message of the story, that we already know everything we need to know. From another person, this message might seem unbelievable or completely trite, but Wooten's tale makes you believe it. If I have one regret about this book, it's that it sat in my wish list for far too long... but then, perhaps I wasn't ready for it until now.
Maybe I'm biased. Like so many others like me, Christopher Reeve has been a role model for me since Superman first hit the big screen. As I grew up, I got to learn about the man behind the Man of Steel, and his "can do" attitude continued to inspire. Between the accident that left him paralyzed and his death years later, Reeve's inner strength proved the title of this book to be true. Nothing is impossible.
So many years later, it's still heart-wrenching to hear him speak about his experiences in his own words, so it's no surprise this book packs quite the punch. At the same time, this is one of those stories that only he could tell with all of the humanity and personal conviction he could bring to bear. There's nothing sugar-coated here; the tragedy and the optimism are both as genuine as the man himself. This audiobook is written and presented in such a way that he's speaking directly to you.
Before the end of his life, Reeve was able to walk again, with assistance, and only a few steps at a time. But it did happen. The force of will to do that is unquestioningly great, and it's something few of us can fathom. This book helps to fill in the picture a bit, and to show that this level of commitment to an idea is not only human, it's within us all. Whatever the situation, whatever the misfortune, we are gifted with untold reserves that help us to adapt and to (as Reeve himself has said) "go forward." This is the legacy of Christopher Reeve. It's a message all of us deserve to hear.
I write that title with a caveat, which I'll explain. This book is geared to the idea that perhaps you know just a little about the world of opera and feel like maybe you're ready to be dangerous and don't know where to start. Mr. Plotkin offers his credentials as to why he's the right man to be your guide to this strange world, which are impressive, and then he leads you through the basics just as he says he will. He's one part tour guide, one part college professor, and he clearly loves opera. And he hopes you will too.
The history of opera is offered at Wikipedia speed, broken down for you in sections so you can see how it evolved into what it's become today. He'll even give you pointers on how to attend a performance and get the most out of it, which that alone is invaluable information. Where it gets dicey is that sometimes he forgets he's talking to a beginner when it comes to the actual operas, but he does bring it back down to beginner level sooner or later. A lot of the times, though, you will be expected to rise to the next level up without warning, and where this subject is concerned, that's not a bad thing if you're truly interested. He covers a handful of operas within this tome and explains why he picked them. His insights are well worth it for anyone who wants to dig deep. The thing is, and he'll tell you this up front, he's working from very specific recordings of these works that you will have to hunt down on your own, either in a library or online. Some of his explanation is specific to those recordings. Don't let that disuade you. If you can't find that recording, try another and compare it to what you learn in this book. The point of this entire thing is to help you make the leap from novice to enthusiast with confidence enough to discover more, and where you go from there is up to you. I've heard it said that for some beginners, it's many years - if ever - before they go from hearing an aria or two to listening to an entire opera with anything close to understanding. This book connects the dots if you're willing to meet the author halfway.