A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
I normally don't gravitate towards abridged books (sorry folks on Audible, but this IS abridged), but Vasari's 'The Lives of the Most Excellent Painters, Sculptors, and Architects' is a book that needs to be: 1) read by art history experts in its entirety (2000+ pages), 2) picked through periodically, like an encyclopedic “Garden of Delights”, 3) read abridged, in a version that focuses on the Renaissance's best (Vasari was interested in distinguishing the better from the good and the best from the better). My time here is limited. I only have so much time for the good. In my brief life here I want to hang with the Gods not with the minor prophets. I want Michelangelo not Niccolò Soggi. Sorry Niccolò.
The Penguin Classics/George Bull translation, was a great audio version. It had all the Teenage Ninja Mutant Renaissance artists, but still provided plenty of architects, sculptures and painters that I was either completely uninformed about or lacked much knowledge. Vasari has a natural narrative momentum, even if he does sometimes lose his narrative genius when he's consumed with listing and describing all of an artists works. It is a fine balancing act, to try and describe the artists' life, work, and importance and make the essay complete, without making the piece a laundry list of oil and marble.
One final note. This is one of those books that seems destined to become an amazing hypertext book or app. There were times while reading it I wished I was reading a digital copy that would provide links to pictures, blue prints, smoothly rotating statues, etc. What I wanted was a through the looking-glass, artist's version of 'The Elements' app by Theodore Gray. I want a multiverse of art, history, maps and blueprints. I want to fall into a hypertext of Renaissance Florence and Rome. Audiobooks or paper just fail to do justice to this beautiful subject.
Learn, understand, then decide whether you accept or reject.
There are very few books that seem to take advantage of audiobook technology as this one has. It is a lecture explaining the origin of music, as well as the developments and changes of schools of thought behind each form of music and how to develop an ear for it, with snippets of the music discussed broken down in each lecture to clarify the lecturer's point, followed by the full piece discussed at the end.
I feel like I can understand music, even modern music, better.