Being a public school teacher myself, I probably enjoyed this book more than many people may. I only wish I had the resources that Mr. Danza could call on. It would be heavenly to be able to conceive an idea and actually be able to pull it off financially. But even though he had those resources, he was still a first year teacher, facing the challenges that we all face, dealing with the discipline problems we all deal with, wondering how on earth he could impact a kid's life for the better, as we all do, grading papers nights and weekends, taking them with us to family gatherings, parties, or even the movies. But with it all, it is still the most rewarding of professions. Having a student come back and tell you, "You were my favorite teacher" makes it all worth it. I think this is something that Tony Danza learned.
Frank Muller was one of the most versatile narrators of all time. I am convinced he could read the phone book and make it interesting enough that I would have been compelled to listen. What a shame that his life was cut short, but how grateful we should all be that he left such a legacy of narrated books. RIP, Frank. We miss you.
This book is so entertaining! It is funny and clever and very enlightening. The narrator has just the right style, the right mix of humor and seriousness to make it funny and informative. I enjoyed almost all of it. It is written for non-musicians in an effort to help them understand what music is all about. The author does a great job of hitting so many aspects of music, but for me, a professional musician, it was a little elementary. With that said, I did learn a few things that I can use in my classroom, and that made it all worth it. I found myself laughing out loud on several occasions. I can recommend it to anyone who wants to learn more about the workings and meanings of music.
I must add that I am glad the editors did not have the author read his own book. He interjects on several occasions with musical examples that have been discussed by the narrator. He is very hard to understand. I liked his interjections and loved his use of his guitar playing examples, but the narrator, Walter Dixon, brings the book to life.
I've read several other so-called biographies of Bruce Springsteen and was amazed at how little factual information they contained of a living, accessible person. Mr. Carlin pretty well resolved that problem for me in this big biography, Bruce. The story starts with the tragic death at a very young age of Bruce Springsteen's aunt, Virginia. It explores the histories of both sides of his family as they came from Europe. It lightly touches on the unusual circumstances around his maternal grandfather's imprisonment, and his father's manic depression. The events that impacted the artist on his way up are well researched and chronicled. The one exception that I hoped Carlin would realize was important was the acquisition of the Telecaster. Mike Appel famously stated that Bruce still played the same $189 guitar he's always had. Well, Bruce's Telecaster is NOT $189 instrument under any normal circumstances. Perhaps Mr. Carlin does not play guitar but that is a story those of us who do are interested to hear.
In the introduction Carlin tells us that during his interviews with Springsteen Bruce advised him if he found warts and wrinkles to print them. Carlin followed this advice up to a point. He certainly addresses Springsteen's mercurial temper, his obnoxious behavior toward his band mates, and his jealousy and disregard often in public of his lovers. Where he holds back, however, is in the transition between Springsteen's two marriages. We get plenty of information about who Julianne Phillips is, that is he tells us all the good stuff. Abruptly they divorce and almost instantly Bruce is a couple with Patti Scialfa. I'm not really looking for gossip. I'm looking to understand a series of songs on Bruce Springsteen's two 1992 albums. Human Touch and Lucky Town.
Carlin explains how these two unusual records were recorded and how slow and how fast the various songs were written. What he leaves out to the distraction of we who follow these things obsessively, is what inspired the specific songs. He offers these insights on other records, so I had hope. On previous albums Springsteen tells stories about plain people, for the most part fictional. On Human Touch and Lucky Town he reveals himself in a much more cathartic way than he ever did before. Songs like Human Touch, Cross My Heart, All or Nothing at All, Man's Job, and I Wish I Were Blind, are not only stunningly beautiful chronicles of heartbreak but for me personally they mirrored real events in my own life and I wondered how "The Boss" could find his psyche in the same place as an underpaid graphic designer. For me buying those two records on the same day was like a Badder-Meinhoff phenomenon. I hoped this long book would give me an inkling. Unfortunately Carlin gives these two brilliant records shorter shift than most. He does point out that they both eventually went platinum.
The other thing nearly ignored is Springsteen's relationship with his wife, Patti Scialfa, herself a brilliant rock singer and a cathartic song smith. This is not out of any fear of impropriety as Mr. Carlin gives us plenty of info about their sexual activity. I suppose he wants to allow the family a buffer but that's hardly the job of a biographer. Both song writers use their relationships powerfully in their work and it would be interesting to explore the intersection between their records. Scialfa's heartfelt contrition (for want of a better word) in songs like Come Tomorrow, As Long As I Can Be With You, and Lucky Girl, the passion and regret of Romeo and Stumble Into Bethlehem, and her anger on Play Around and Black Ladder. Suffice it to say if any two artists should ever do a "Double Fantasy" style album, their's should be a two CD set.
All in all, this is a terrific biography much more detailed than both of Dave Marsh's two books put together and far superior to the other fan-ravings long on opinions but short on facts. When you're finished it you will know the details of Springsteen's history. You will not know the specific details about how he taught himself to play guitar or any mention of early guitar instructors if there were any. That said, you do learn how he became the electrifying performer he is and that is certainly valuable information.
Bobby Cannavale does an excellent job reading and characterizing this book. It would be easy to go too far and he avoids this pitfall elegantly.
The afterwards is told by Carlin himself and in so doing the listener gets some insight into the books shortcomings.
In all, this is a valuable addition to the Bruce chronicles. I'm sure it will not be the last entry however.