I grew up on Golden Age Radio, and while I love to read, I typically consume more books via audio thanks to a job that lets me listen while I work. As an aspiring writer, I try to read a great deal of non-fiction in addition to a variety of fictional genres. I especially love history, historical fiction, science fiction, fantasy, and old-style gothic horror.
There is an old saying, "When the student is ready, the master will appear." That's how this book is setup, with the author's teacher showing up to teach a professional bass player how to play music, and that's how this book found its way to me. It was the right message at the right time, and there is simply not enough I can say about it that will sing its praises properly.
There are a great many self-help books out there, just as there are a great many musical instruction books and books on fundamental spirituality. This book is all three at once - a masterpiece in its own right - and so much more. Sometimes for a message that's always been with us to be heard properly is for it to be presented in a new way, providing that shift in focus that clicks everything into place. Being musically inclined, that's precisely what this audiobook did for me.
As a narrator, Wooten is superb. He tells the story in such a way that we are learning right along with him at the feet of a teacher who will show us "nothing." Indeed, that's the whole message of the story, that we already know everything we need to know. From another person, this message might seem unbelievable or completely trite, but Wooten's tale makes you believe it. If I have one regret about this book, it's that it sat in my wish list for far too long... but then, perhaps I wasn't ready for it until now.
I write that title with a caveat, which I'll explain. This book is geared to the idea that perhaps you know just a little about the world of opera and feel like maybe you're ready to be dangerous and don't know where to start. Mr. Plotkin offers his credentials as to why he's the right man to be your guide to this strange world, which are impressive, and then he leads you through the basics just as he says he will. He's one part tour guide, one part college professor, and he clearly loves opera. And he hopes you will too.
The history of opera is offered at Wikipedia speed, broken down for you in sections so you can see how it evolved into what it's become today. He'll even give you pointers on how to attend a performance and get the most out of it, which that alone is invaluable information. Where it gets dicey is that sometimes he forgets he's talking to a beginner when it comes to the actual operas, but he does bring it back down to beginner level sooner or later. A lot of the times, though, you will be expected to rise to the next level up without warning, and where this subject is concerned, that's not a bad thing if you're truly interested. He covers a handful of operas within this tome and explains why he picked them. His insights are well worth it for anyone who wants to dig deep. The thing is, and he'll tell you this up front, he's working from very specific recordings of these works that you will have to hunt down on your own, either in a library or online. Some of his explanation is specific to those recordings. Don't let that disuade you. If you can't find that recording, try another and compare it to what you learn in this book. The point of this entire thing is to help you make the leap from novice to enthusiast with confidence enough to discover more, and where you go from there is up to you. I've heard it said that for some beginners, it's many years - if ever - before they go from hearing an aria or two to listening to an entire opera with anything close to understanding. This book connects the dots if you're willing to meet the author halfway.
This might be the most heartbreaking review I ever write. I discovered the golden age of radio, The War of the Worlds, and The Shadow through Orson Welles. I discovered Welles at the end of his life when I was 12, when he performed the voice of the monster planet Unicron in Transformers: The Movie. It's not Citizen Kane, and it would never be anything remotely close. I get that, but that's how I came to appreciate one of the greatest geniuses the entertainment world has ever known. My love of radio happened because of this man. This man changed my life and expanded my world.
This biography is truly something special because it has something that other biographies don't have: Welles himself. Author Barbara Learning was able to contact and collaborate with Welles on this biography through means that typifies Welles' life story, and he gave her free reign and resources because he understood that there is Welles the man, Welles the legend, and his own memory, none of which were in alignment. He was curious to learn about all three aspects. More insightful than the story of Welles' life are the inserted dialogues between Welles and Learning, which adds both gravitas and that personal flourish that makes all the difference. Welles was an extraordinary man by any measure, and his life was as equally bizarre.
On a personal note... the epilogue shattered my childhood. After going through the highs and lows, after getting the personal reminiscences from greatness to virtual unemployment, the hardest part was hearing him refer to my first experience with him as "that horrible little project about Japanese robots that transform into vehicles and such" and how at least it'll help him to buy groceries or something. It was one of the last things he performed before he passed, and he didn't live long enough to see it released. I knew all along he wasn't pleased with it, and I get it, I really do. I can see how a man of Welles' star caliber might think that a string of voiceovers in commercials and cartoons would be something terrible, even after a long stretch of failure and unemployment. But to have his own commentary on it is rough. I like to think that it's little projects like this that will ultimately lead people of later generations to find his work through the back alleys when they might otherwise not seek out the likes of Citizen Kane. After all, that's how I discovered his work. And just like nobody could have predicted something like that, nobody could have predicted the kind of twists and turns Welles' life would take. I thought I knew about Welles before. This book expanded on so much I only thought I knew. As biographies go, this one's a treasure.