Terrific story behind a massive series of art swindles in the 1990's by a couple of somewhat talented gentlemen. The authors provide such great detail, you can feel as if you are looking over the shoulder of the swindler. Solid narration makes the audio book even more enjoyable.
Michael Lewis takes us on a cool road trip.....visiting selected economic disaster areas. Beginning in Iceland and ending in California, his analysis of each of these self-inflicted financial wounds is factual, with a nice sprinkling of sarcasm and humor.
Bikel's wonderful narration brings this story to life. Listening to this book provides a birds eye view of the birth of Israel. Terrific detail on the personalities and day-to-day battles from both sides...Arab and Israeli.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
I loved and appreciated this book more than the four stars might suggest. I loved the way it was formated. I loved revisiting essays I had read previously in New York TImes, Salon, the Atlantic, BAE 2007. I loved the ability to again be surprised by DFW's wit, charm, inteligence, and in the last couple essays anger. Having recently lost a loved one in a rather dramatic fashion, I was also taken back those ordurous emotions I felt on September 12/13, 2008 when I heard that DFW killed himself. In the middle of this enormous banking/economic collapse, losing DFW (to others) might have seemed small. But almost 4.5 years later my 401(k) has recovered but I have yet to get over DFW killing himself. A tad dramatic? I'm sure. Anyway, back to my review of Both Flesh and Not. Part of what I loved about this series of essays was how the publisher used his definitions and usage notes as paragraph breaks. It was brilliant and insightful and actually VERY intimate.
Both Robert Petkoff and Katherine Kellgren^1 did a fantastic job with narration.
1. It does make me wonder how Katherine will put this on her resume. Does she say she was a narrator for Both Flesh and Not or a footnote narrator? Anyway, the narration worked well and showed how Hachette could have addressed the narration debacle that was Infinite Jest.