'Likes' are shared on Facebook and Audible.com. We use your 'likes' to improve Audible.com for all our listeners.
You can turn off Audible.com sharing from your Account Details page.
OKtrying to see the world with my ears
This is my favorite of the Chronicles of Barsetshire. If someone had told me six months ago that I'd ever even pick up a Trollope novel, I would have needed smelling salts. After recently coming across the very clever Trollope Society web site, I thought there must be some merit to the man's works and downloaded The Warden. I enjoyed every book in the series. There's no Dickenesque social problem exposition, but clever observations on human nature, some nice Victorian prose, lots of opportunity to "read between the lines," and for a Victorian man, some protofeminist ideas (but, unfortunately, he wasn't above his era's racism). I still don't think I would "read" Trollope, but I will listen to everything Audible offers for download. (very good narration though the entire series, too)
I did not expect to like W&P (in fact, I downloaded it only because I was stuck in bed for a length of time and wanted to joke that I was so bored that I read/listened to W&P), but it's become one of my favorite listens. On one level it's a riveting 19th century soap opera, with breaks for philosophical treatises rather than commercials. Then there's Tolstoy's brilliant expression of his psychological insight. What I studied at university (70s, 80s,) as the "new" historiography was actually expressed better by Tostoy than the postmoderns I read. I usually skip battle scenes to avoid violence, but skipped none of this - even the description of "wolf hunting" referred to by another reviewer was so well done that it captured me. This is one of the few audiobooks that I will subsequently buy to read/reread passages.
Unlike other reviewers, I like Frederick Davidson's narration. His style for W&P was a bit more lively than usual (more variety than his delivery of Les Miserables but not as campy as his readings of P.G. Wodehouse). For me he enhanced the listen. As others pointed out - there ARE many characters, and Davidson's style helped me sort them out. Tolstoy sometimes changes his prose style to reflect his characters mentality does he not? The variety of inflection sometimes helped point to that.
Felix is not a five, but better than a four. I found Eliot's Middlemarsh, Daniel Deronda, and Adam Bede to be more satisfying reads all round. Like Adam Bede, Felix Holt starts with a great deal of exposition that might put off some listeners --but If you like 19th century British lit and/or social history - or even engaging characters and action in "historical fiction" this (once you are past the opening exposition), is very satisfying. I think it much stronger as a novel and more engaging than Bronte's Shirley, for ex.
If you are new to Eliot, then think Austen meets all the Bronte sisters with a touch of Dickens, and a good bit more implicit feminism.
Audiobooks have literally changed my life. I now actually ENJOY doing mindless chores because they give me plenty of listening time!
Walter Hartright, a young art teacher, is startled when he is overtaken by a young woman dressed entirely in white while walking on the road from Hampstead to London. Visibly distressed, the young woman begs him to show her the way to London, and he offers to accompany her there. The young woman accepts his offer on the condition that he allow her to come and go as she pleases. Once he's dropped her off in London, two men in hot pursuit claim that the girl has escaped a mental asylum and must be returned there at once, but Walter does nothing to help them in their search. The next day he arrives at Limmeridge House, where he has gained a position as a drawing master. There he meets his young pupils, half sisters Marian and Laura. In no time at all, her befriends Marian—no great beauty is she, but quick, smart and amusing—and falls desperately in love with the heavenly loveliness that is Laura. But the encounter with the woman in white will carry many consequences.
I took absolute delight in discovering all the plot twists of this great classic mystery, so will disclose no more of the story nor of how it is told, but will say that it offers a wonderfully evil conspiracy and several highly memorable characters, not least of which the strange and compelling villain Count Fosco, who stole every scene in which he appeared, in my view. Also, the sublimely selfish Frederick Fairlie is one of the most memorable invalids I have ever encountered in a work of fiction. I must say that this version, narrated by Simon Prebble and Josephine Bailey, greatly increased my enjoyment of the tale, with wonderfully rendered characters. Now that I've listened to it and that there are no more secrets for me to discover, I still look forward to listening to it again for a fun romp with highly colourful characters and plenty of Gothic frissons.