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When I read reviewers write, “the best book I have ever read,” I thought yeah right! ‘must not have read many books. Well, I have read a fair bit myself and this is definitely one of the best written books I have ever read. I believe it is a book that one can read and reread and enjoy over and over and find something new in each reading of it. Not to be redundant, it is also one of the most fun and funniest I have ever read. It is a scholarly and even literary work, if you will. And yet, at the same time, the book is totally enchanting, witty and charming.
The legend of King Arthur and the Knights of the Round Table arose in the early Middle Ages, when England was just beginning to come under the influence of Christianity. When anyone retells the story, the author brings his own perspective to the tale of chivalry. Here T.H. White often appears to use the education of the young king Wart by Merlyn to educate the reader. While not in so many words, or maybe it is that: Merlin is a time-traveler. Not so much in the context of some science fiction novel but in his memory. Merlin is aware of past, present and the future. Certainly the author is aware of those times and uses those temporal events to tell his story. The book is in many ways a critique of mid-twentieth-century British culture. At first, things seem somewhat anachronistic but then we see that the narrator regularly references events and people in modern times to help tell his tale even more effectively.
Both T.H. White’s The Once and Future King and J.R.R. Tolkien’s The Lord of the Rings were written in the shadow of World War II, and both reflect that context to some extent:
“No. There is one fairly good reason for fighting - and that is, if the other man starts it. You see, wars are a wickedness, perhaps the greatest wickedness of a wicked species. They are so wicked that they must not be allowed. When you can be perfectly certain that the other man started them, then is the time when you might have a sort of duty to stop him.” (Merlyn)
Not only is T.H. White’s The Once and Future King full of anachronistic references to places and events of modern times, but it also plays fast and loose with time within the framework of the novel itself. Given the references to the death of Uther Pendragon in 1216 and the appearance of Thomas Malory at the end of the story, Arthur would have lived from 1201-1485. In effect, what White does is telescope almost three hundred years of English history and social development into the backdrop of a single narrative.
The book is long. But multiple versions of the story of King Arthur are considered within its covers so how short can it be? No, this is the best of several interpretations of the legend and it is not too long. While much of the book’s ending dwells on allegory, philosophy and social commentary, it is done with and eloquence and prose that is hard to compare with.
One of the young reviewers of this book that I found tried to figure out the audience for for whom the author intended and concluded there were many. I agree:
For children and young adults-
“I have been thinking ... about Might and Right. I don’t think things ought to be done because you are able to do them. I think they should be done because you ought to do them.” (Arthur). One of the central themes of the book is War: Right and Might.
On one level, both Mark Twain’s A Connecticut Yankee in King Arthur’s Court and T.H.
White’s The Once and Future King are children’s stories, yet both novels contain very
serious social commentary clearly intended for adults. Who could argue though that the social satire found in these novels detracts too much from the ability of children to enjoy them. Could a child appreciate all that is contained within TOaFK? Certainly not. However, there are many stories in this legend and many that target the child in all of us. One need not read this entire book though I am sure a lust will always remain to do so.
No reviewer could possibly do justice to this book. How about some more of the author’s own words:
On Wisdom-
“The best thing for being sad ... is to learn something. That is the only thing that never
fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.” (Merlyn)
This is a story about great compassion-
“If I were made a knight ..., I should insist on doing my vigil by myself, a Hob does with
his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it.” (Wart)
The author writes a great deal about the evolution of man-
“Here, all you embryos, come here with your beaks and whatnots to look upon Our first
Man. He is the only one who has guessed Our riddle, out of all of you, and We have great pleasure in conferring upon him the Order of Dominion over the Fowls of the Air, and the Beasts of the Earth, and the Fishes of the Sea. Now let the rest of you get along, and love and multiply, for it is time to knock off for the weekend. As for you, Man, you will be a naked tool all your life, though a user of tools. You will look like an embryo till they bury you, but all the others will be embryos before your might. Eternally undeveloped, you will always remain potential in Our image, able to see some of Our sorrows and to feel some of Our joys. We are partly sorry for you, Man, but partly hopeful.” (Badger)
Much is written about human morality-
“Morals ... are a form of insanity. Give me a moral man who insists on doing the right
things all the time, and I will show you a tangle which an angel couldn’t get out of.” (Lionel)
This title actually includes Books 1-5 of T.H. White’s magnum opus. It is not so much about world-building per se though there is enough of that. The book is more about us as humans and our nature... our intellectual, psychological, social and even political nature. The book is philosophical, satirical with even a little theology thrown in. Not too much; just the right amount. If it is action that ye seek, knockdown, drag out fighting, best look elsewhere. This is one more about relationships and different kinds of heroes.
This is brilliant storytelling brilliantly read and performed. The narration by Neville Jason is as good as it gets. I could not recommend a book more highly.
One has to believe that truly, for many of the reviewers of this book, this one is maybe the best they have read. Decidedly, this is the case for me. It is cleverly funny, mesmerizingly beautiful and intelligently written. Some have commented on its length. For this reader, the length only made the savoring longer and more delicious. Each character is beautifully developed by Dumas and flawlessly rendered by John Lee. The story is complex but simply conveyed. I could not more highly recommend a book and its narrator than this one.
That it was Charles Dickens should have been enough but, add to that a narration by Charlton Griffin and we have a masterpiece of a masterpiece. Sounds like hyperbole but how else to describe a book so well written and so well, well what? Surely not merely narrated. Not even only acted. It was like Charlton Griffin got into the mind of Dickens and transfers that experience to us. This is such a wonderful book and to have it presented to us here by Mr. Griffin is not something to be missed. Everything is so well tied up in the end with a pretty little knot but not before we are entertained with surprise after surprise. And the use of the English language... OMG, like few ever have before him nor I doubt few ever will again.
There are books of the same chemical composition as dynamite. The only difference is that a piece of dynamite explodes once, whereas a book explodes a thousand times. ― Yevgeny Zamyatin
Poetic delight. Lyric ecstasy. Personally, it's the best collection of poems ever. Should you have any doubts about that, look at the list of poems and the narrators.
(Part I/Disc I)
1. Autumn from 4 Seasons/Capella Istropiltana - Stephen Gunzenhauser (conductor)
2. Shakespeare, Seven Ages from As You Like It, Act II Scene VII - Sir Ian McKellen
3. A Fancy - The Rose Consort Of Viols
4. Shakespeare, From All the world's a stage: Infant (excerpt) - Sir Ian McKellen
5. Thom Gunn, Baby Song - Catherine McCormack
6. Ann Stevenson, The Victory - Richard Jackson
7. Emily Dickinson, Surgeons - Gayle Hunnicutt
8. Shakespeare, Fancy from Merchant of Venice, Act III Scene 2 - Mark Rylance
9. Ogden Nash, Guppy - Prunella Scales
10. Edward Lear, Quangle Wangle's Hat - Connie Booth
11. Thomas Hood, I Remember, I Remember - Ralph Fiennes
12. William Allingham, The Fairies - Juliet Stevenson
13. Thomas Hood, A Parental Ode - Ralph Fiennes
14. Robert L. Stevenson, My Shadow - Stella Gonet
15. Edward Lear, The Owl and the Pussy Cat - John Cleese
16. A. A. Milne, Sneezles - Andrew Sachs
17. Lewis Carroll, The Walrus and the Carpenter - Joss Ackland w/ Peter Bayliss
18. Ted Hughes, Jellyfish - Leo Sayer
19. G.K. Chesterton, The Donkey - Emma Fielding
20. Anonymous (or Christopher Isherwood?), The Common Cormorant - Andrew Sachs
21. R.L. Stevenson, Where Go the Boats - Stella Gonet
22. Ted Hughes, Crab - Leo Sayer
23. A.A. Milne, The End - Catherine McCormack
24. Midsummer Nights Dream (Uphill Down Dale) - Barry Wordsworth (conductor)
25. Shakespeare, From All the world's a stage: School - Sir Ian McKellen
26. R.L. Stevenson, To Any Reader - John Sessions
27. Dylan Thomas, Under Milk Wood - Ioan Gruffudd
28. Vernon Watkins, The Collier - Ioan Gruffudd
29. Shel Silverstein, Sick - Catherine McCormack
30. John Whitworth, Boring - John Cleese
31. John Whittier, From The Barefoot Boy - Jenny Agutter
32. Full Fathom Five from Tempest, Act I Scene 2 - Dame Glenda Jackson
33. Oscar Wilde, Rosa Mystica - Michael Williams
34. Rudyard Kipling, A Smuggler's Song - Michael Caine
35 C. Day Lewis, Walking Away - Timothy West
36 Hilaire Belloc, Tarantella - Terence Stamp
37 T.S. Eliot, Macavity - David Suchet
38 Rudyard Kipling, If - Michael Caine
39 Shakespeare, From Hamlet: This Above All - Michael Maloney
40. M. George Whitehead and His Almand - performed by Rose Consort Of Viols
41. Shakespeare, From All the World's a Stage: Lover - Sir Ian McKellen
42. W.B. Yeats, The Arrow - Art Malisk
43. H.W. Longfellow, The Arrow and the Song - HRH The Duchess Of Kent
44. Rabindranath Tagore, They Who Are Near to Me - Art Malik
45. Christina Rossetti, The First Day - Felicity Kendal
46. T.L. Beddoes, From The Song of Torrismond - Janet Suzman
47. R.S. Bridges, My Delight and Thy Delight - Ralph Fiennes
48. E.B. Browning, Sonnet 43 - Hannah Gordon
49. R. Kipling, The Virginity - Terence Stamp
50. P.B. Shelley, The Longest Journey - Samuel West
51. Anonymous, We Have Known Treasure - Charles Dance
52. Shakespeare, Sonnet 138 - Robert Lindsay
53. C. Rossetti, Echo - Dame Glenda Jackson
54. R. Tagore, Delusions I Did Cherish - Art Malik
55. Shakespeare, Sonnet 18 - Dame Glenda Jackson
56. A. E. Housman, When I Was One-And-Twenty - Pete Postlethwaite
57. W. B. Yeats, The Mermaid - Juliet Stevenson
58. Robert Herrick, Upon the Nipples of Julia's Breast - Terence Stamp
59. Robert Burns, My Love Is Like a Red, Red Rose - John Sessions
60. Shakespeare, Sonnet 116 - Robert Lindsay
61. D. H. Lawrence, New Year's Eve - Michael Maloney
62. D. H. Lawrence, Green - Michael Maloney
63. John Keats, A Thing of Beauty Is a Joy Forever - Mark Rylance
(Part II/Disc II)
1. Stravinsky: A Soldier's Tale - Nicholas Ward (conductor)
2. Shakespeare, From All the world's a stage: Soldier - Sir Ian McKellen
3. Shakespeare, Prologue from King Henry 5 - Mark Rylance
4. Julian Grenfell, Into Battle - Juliet Stevenson
5. W. B. Yeats, An Irish Airman Foresees His Death - William Houston
6. James Russell Lowell, Once to Every Man and Nation - Dame Judi Dench
7. Seamus Heaney, Whatever You Say, Say Nothing - William Houston
8. John McCrea, In Flanders Fields - Robert Powell
9. Vera Brittain, Perhaps - Dame Judi Dench
10. Wilfred Owen, Anthem for Doomed Youth - Robert Powell
11. Wilfred Owen, Dulce at Decorum Est / Lord Owen
12. Eva Dobell, Pluck - Felicity Kendal
13. W. H. Auden, From In Memory of W.B. Yeats - Art Malik
14. John Jarmain, At a War Grave - Michael Malony
15. John Jarmain, El Alamein - Michael Malony
16. Ruth Fainlight, Handbag - Prunella Scales
17. Elsie Cawser , Salvage Song - Michael Maloney
18. Rudyard Kipling, England - Michael Caine
19. Matthew Arnold, Dover Beach - Michael Williams
20. Dan Pagis, Written With a Pencil in a Sealed Wagon - Janet Suzman
21. John Donne, No Man Is an Island - Ed Bishop
22. Luis de Narvaez: Fantasia - Shirley Rumsey
23. Shakespeare, From All the World's a Stage: Wisdom - Sir Ian McKellen
24. Shakespeare, The Quality of Mercy from Merchant of Venice, Act IV Scene 1 - Ralph Fiennes
25. John Boyle O’Reilly , What Is Good - Dame Judi Dench
26. Walt Whitman, Leaves of Grass - Art Malik
27. Anonymous, Addendum to the Ten Commandments - Michael Caine
28. Geoffrey Chaucer, From The Canterbury Tales: A Student - Emma Fielding
29. James Leigh Hunt, Abou Ben Adhem - Robert Powell
30. Henry Wadsworth Longfellow, Song of Hiawatha (excerpt) - Clarke Peters
31. William Wordsworth, My Heart Leaps Up - Robert Hardy
32. William Blake, Auguries of Innocence - Timothy West
33. William Blake, The Tyger - Timothy West
34. Emily Dickinson, Of All Souls That Stand Create - Gayle Hunnicutt
35. Percy Bysshe Shelley, Chorus of Spirits - Prunella Scales
36. Samuel Taylor Coleridge, Kubla Khan - Pete Postlethwaite
37. Robert Burns, A Man's a Man for A' That - John Sessions
38. Robert Frost, The Road Not Taken - John Cleese
39. Anonymous, The Bleed'n' Sparrer - Michael Caine
40. The King of Denmark's Galiard performed by the Rose Consort of Viols
41. Shakespeare, From All the World's a Stage: Sixth Age - Sir Ian McKellen
42. W. B. Yeats, Politics - Michael Caine
43. Ogden Nash, Peekaboo, I Almost See You - David Suchet
44. Ogden Nash, Samson Agonistes - David Suchet
45. John Masefield , Sea Fever - Terence Stamp
46. Emily Dickinson, Exultation - Gayle Hunnicutt
47. Morris Bishop, We Have Been Here Before - Charles Dance
48. Alfred, Lord Tennyson From The Brook - Janet Suzman
49. William Wordsworth, Upon Westminster Bridge - Robert Hardy
50. J. Wilmot, Earl of Rochester, A Song of a Young Lady to Her Ancient Lover - Janet Suzman
51. Robert Burns, John Anderson, My Jo - Stella Gonet
52. Stanley J. Sharples, In Praise of Cocoa, Cupid's Nightcap - Emma Fielding
53. Rudyard Kipling, The Way Through the Woods - Art Malik
54. Christina Rossetti, From Uphill - HRH The Duchess Of Kent
55. Shakespeare, From All the World's a Stage: Last Scene - Sir Ian McKellen
56. Dylan Thomas, Do Not Go Gentle into That Good Night - Ioan Gruffudd
57. Christina Rossetti, Song - Jenny Agutter
58. Leo Marks, Code Poem for the French Resistance - Ralph Fiennes
59. Emily Dickinson, This World Is Not Conclusion - Gayle Hunnicutt
60. Robert Louis Stevenson, Requiem - John Sessions
61. Christina Rossetti, Sleeping at Last - Dame Judi Dench
62. Shakespeare, Fear No More from Cymbeline, Act IV Scene 2 - Sir Ian McKellen
63. John Banister Tabb, Evolution/Autumn from Four Seasons (Reprise) - Mark Rylance